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Using spiritual and psychological resources, Tragedy Transformed offers wisdom and self-help ideas for people in tragedy. Each chapter contains an interview with people today, a detailed discussion of Job's similar experiences, and self-help suggestions. The book also contains an Epilogue, Endnotes, and an Index.
Where did her Father get his choice of a name? Everyone just assumed it was because he loved operas and named her after the Spanish gypsy in "Carmen." As she matured into a stunningly beautiful young girl with an olive complexion, dark hair and dark eyes, she resembled more of the Hispanic race than her Caucasian ancestry. Her lack of identity in early childhood combined with the rejection and abuse from her family of origin, led Carmyn to believe that the "y" in her name was the beginning of her feeling like a misplaced "why" in life. After a failed suicide attempt at age thirteen, Carmyn sought to find the answers to the untold many "whys" in her life. A dramatic conclusion weaves the past with the present and shines with the compelling truth and hope that only God can bring light out of darkness. Her redemption is found veiled in the symbolism of roses, the love of an unforgettable caretaker named Rosetta, and a divine revelation from God that ultimately transforms her tragedies into triumphs.
The Transformations of Tragedy: Christian Influences from Early Modern to Modern explores the influence of Christian theology and culture upon the development of post-classical Western tragedy. The volume is divided into three parts: early modern, modern, and contemporary. This series of essays by established and emergent scholars offers a sustained study of Christianity’s creative influence upon experimental forms of Western tragic drama. Both early modern and modern tragedy emerged within periods of remarkable upheaval in Church history, yet Christianity’s diverse influence upon tragedy has too often been either ignored or denounced by major tragic theorists. This book contends instead that the history of tragedy cannot be sufficiently theorised without fully registering the impact of Christianity in transition towards modernity.
Eighty-seven percent of her seven-year-old body was covered in third-degree burns, coupled with a traumatic heart injury. Doctors calculated a 140 percent chance Heather would die. There were so many questions. Would she live? The emotional quality of this book will captivate your heart.
Ovid is today best known for his grand epic, Metamorphoses, and elegiac works like the Ars Amatoria and Heroides. Yet he also wrote a Medea, now unfortunately lost. This play kindled in him a lifelong interest in the genre of tragedy, which informed his later poetry and enabled him to continue his career as a tragedian – if only on the page instead of the stage. This book surveys tragic characters, motifs and modalities in the Heroides and the Metamorphoses. In writing love letters, Ovid's heroines and heroes display their suffering in an epistolary theater. In telling transformation stories, Ovid offers an exploded view of the traditional theater, although his characters never stray too far from their dramatic origins. Both works constitute an intratextual network of tragic stories that anticipate the theatrical excesses of Seneca and reflect the all-encompassing spirit of Roman imperium.
Travel with one heartbroken family as they struggle to find help for their son, face unspeakable tragedy, receive unexpected forgiveness, and deal with the aftermath of a child whose mental health issues ended in calamity . . . and transformation. Discover the confidence that buoys author Joan Becker and her family as they push for reform in the broken mental health system before more lives are ruined. Their story offers hope, help, and heart-felt compassion. "Joan Becker has a generous spirit and kind heart that come forward in this book. By sharing her family's experience she'll help other families struggling with mental illness feel less alone. That's a tremendous accomplishment when the illness causes feelings of isolation and hopelessness for parents who are desperate to help their suffering child. The mental health system can and should be better, and this book inspires all of us to do everything we can to make it so." U.S. Sen. Chuck Grassley (R-IA)
Transforming Tragedy draws from Dr. Hickling's own experience with a near death trauma and how he survived, through all the trials and tribulations that experience involved. It shares how being a psychologist with over 25 years experience, gave him a unique perspective on how to deal with the trauma. Transforming Tragedy further shares excerpted experiences of real patients to illustrate how transformation can occur. It liberally shares anecdotes found in literature as well as eastern and western philosophy to connect in teachable and meaningful ways. Last, it succinctly summarizes in readable text, the very latest and best of what we know about treating psychological trauma, how and why some people are resilient to trauma, and for some how they go on to show positive growth from these traumatic and painful experiences. This book can take the reader from a personal tragedy to a place where they can have hope and move in a positive direction. It is a self-help book, but not in the traditional way. More like a wise friend and teacher is sharing something very personal and powerful to touch wherever they are in their own pain.
This book provides a novel way of looking at translational phenomena in contemporary performances of Attic tragedies via the formidable work of three directors, each of whom bears the aesthetic imprint of Samuel Beckett: Theodoros Terzopoulos, Şahika Tekand and Tadashi Suzuki. Through a discerningly transdisciplinary approach, translation becomes re(trans)formed into a mode of physical action, its mimetic nature reworked according to the individual directors’ responses to Attic tragedies. As such, the highly complex notion of mimesis comes into prominence as a thematic thread, divulging the specific ways in which the pathos epitomised in the works of Aeschylus, Sophocles and Euripides is reawakened on the contemporary stage. By employing mimesis as a conceptual motor under the overarching rubric of the art of tragic theatre, the monograph appeals to a wide range of scholarly readers and practitioners across the terrains of Translation Studies, Theatre Studies, Classical Reception, Comparative Literature and Beckett Studies.
This is a true story from birth to 2017 about the hardships I've endured. It is meant to inspire others to look at the life I've had and say, "If she can change, I can change." Some of us think what we've done is too bad or what happened to us can never be a thing of the past. We continue to live in that past daily and suffer from the emotional or physical challenges we face from such tragedies. But it doesn't have to be that way. It is not easy by all means, but it can be overcome. The key is God and His grace. It is vital to know starting out, that this is not a change that occurs over night, it is a journey that lasts a lifetime. That being said, it is totally worth it. You will become a better person everyday and start to love yourself, and others, once again.
'Traumascapes are a distinctive category of places transformed physically and psychically by suffering, part of a scar tissue that stretches across the world.' Maria Tumarkin grew up in the old Soviet Union, and emigrated to Australia as a teenager. In 2004, she embarked on an international odyssey to investigate and write about major sites of violence and suffering. Traumascapes is a powerful meditation on the places she visited: Bali, Berlin, Manhattan, Moscow, Port Arthur, Sarajevo, and the field in Pennsylvania where the fourth plane involved in the attacks of September 11 2001 crashed. In a time when terror and tragedy flourish these locations exhibit a compelling power, drawing pilgrims and tourists from around the world who want to understand the meaning of the traumatic events that unfolded there. In traumascapes, life goes on but the past is still unfinished business.