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Leonora Marty, who fled Czechoslovakia decades earlier, has returned after the Velvet Revolution. Having concluded her ballet of The Makropulos Affair, the Czech choreographer wanders through Prague, meets old classmates, and visits obscure museums. Leonora is a cultural encyclopedia, so every encounter leads to reflections on the city, Czechoslovakia, and the world. When Leonora meets a descendant of Germans driven from Czechoslovakia after World War Two, she must confront her relationship with the city of her youth, her homeland’s relationship with its past, and this new relationship with her German admirer. Written in German and published in 1995, by an author whose life mirrored her protagonist’s, the novel employs a style as influenced by the operas of Leoš Janáček as the novels of Thomas Pynchon. “A multilayered novel which takes us on a journey through the myths of Prague and the collective narratives of Czech-German conflict.” –Lucy Duggan, author of Tendrils and Tiny Stories “In Moníková’s novel, the alchemist laboratories of Prague’s Golden Lane open out onto imaginary landscapes: from the Valley of Wild Šárka, where female dissent was quashed during the mythological Maidens’ War, to the Valley of the Queens, where the mummified Pharaoh Hatshepsut survives undead.” –Ulrike Vedder, professor of German literature at Humboldt University of Berlin
From the dusk-to-dawn preaching of Anglicans and Methodists to the nocturne fire-walking of Marange Apostles, a grassroots movement of all night vigils has catalyzed a dynamic religious renewal among mission-founded and African Initiated Churches in Zimbabwe.
Four never-before-reprinted stories from one of science fiction's brightest new talents.
This is the story of the National Ballet of Canada – the people, the determination, and how at sixty it is still creating new work while still representing the classics. Passion to Dance is the story of the National Ballet of Canada – the people who dreamt the company into existence, the determination needed to keep it afloat, the bumps on the road to its success, and above all, its passion for dance as a living, evolving art form. From catch-as-catch-can beginnings – borrowed quarters, tiny stages, enormous dreams the National Ballet has emerged as one of North America’s foremost dance troupes. The company at sixty is a company of its time, engaged in creating challenging new work, yet committed to maintaining the classics of the past, favourites like Swan Lake, The Nutcracker,and The Sleeping Beauty. One hundred and fifty photographs from the company’s archives illustrate this definitive history, filled with eyewitness accounts, backstage glimpses, and fascinating detail. This is a record of one of Canada’s boldest cultural experiments, a book to enjoy now and keep forever.
A composer's study and celebration of a difficult but influential artist, his work, and his time Proposing that Arnold Schoenberg (1874-1951) has been more discussed than heard, more tolerated than loved, composer Allen Shawn puts aside ultimate judgments about Schoenberg's place in musical history to explore the composer's fascinating world in a series of "linked essays--soundings" that are more searching than analytical, more suggestive than definitive. In an approach that is unusual for a book of an avowedly introductory character, the text plunges into the details of some of Schoenberg works, while at the same time providing a broad overview of his involvement in music, painting and the history through which he lived. Emphasizing music as an expressive art of rhythms and tones, Shawn approaches Schoenberg primarily from the listener's point of view, uncovering both the seeds of his radicalism in his early music and the traditional bases of his later work. Although liberally sprinkled with musical examples, the text can be read without them. By turns witty, personal, opinionated and instructive, "Arnold Schoenberg's Journey" is above all an appreciation of a great musical and artistic imagination in a time unlike any other.
Something to Say: William Carlos Williams on Younger Poets collects all of Williams' known writings--reviews, essays, introductions, and letters to the editor--on the two generations of poets that followed him, from Kenneth Rexroth and Louis Zukofsky to Robert Lowell and Allen Ginsberg. What might have been a random collection of occasional pieces achieves remarkable coherence from the singleness of Williams' poetic vision: his belief that the secret spirit of ritual, of poetry, was trapped in restrictive molds, and, if these could be broken, the spirit would be able to live again in a new, contemporary form. Only a revived clarity and accuracy in sight and expression would enable the modern world to reform social order which Williams saw in complete disarray. To resuscitate American Poetry, Williams concentrated his efforts on the purification of poetic speech--his American idiom--and on remaking the poetic line in a new measure--his variable foot. And while his battles with his contemporaries on these issues could be heated, he was always a nurturing father to the young, "a useful presence," "a model and a liberator." He told Ginsberg to pare down and economize, Roethke to open up, and encouraged Lowell and Levertov to shake off poetic conventions. But in all his emphasis on the poem as a made object of concrete physicality or as a field of action, he would return again and again to this basic advice to young writers: "The only thing necessary is to have something to say when at last the opportunity comes to say it."