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The history of London is so important in national and indeed international terms, it seems extraordinary that this is the first general bibliography of the subject to appear. It contains over 22,000 selected references to books and articles on the history of London, from the Dark Ages to the beginning of the Second World War. The whole of the former GLC area plus the City is covered. Arrangement is by subject, and there is a substantial analytical index. Material for the bibliography was collected from specialist libraries all over London and beyond. It is a starting point for any enquiry about London's development over the centuries, whether from the academic historian, the amateur or the general enquirer. A supplement is planned, to cover new material on the period.
Intended to provide the basic foundation for modern archival practice and theory.
Originally published: 5th ed. Boston: Little, Brown and Co., 1956.
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.