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At the outset of World War II, California agriculture seemed to be on the cusp of change. Many Californians, reacting to the ravages of the Great Depression, called for a radical reorientation of the highly exploitative labor relations that had allowed the state to become such a productive farming frontier. But with the importation of the first braceros—“guest workers” from Mexico hired on an “emergency” basis after the United States entered the war—an even more intense struggle ensued over how agriculture would be conducted in the state. Esteemed geographer Don Mitchell argues that by delineating the need for cheap, flexible farm labor as a problem and solving it via the importation of relatively disempowered migrant workers, an alliance of growers and government actors committed the United States to an agricultural system that is, in important respects, still with us. They Saved the Crops is a theoretically rich and stylistically innovative account of grower rapaciousness, worker militancy, rampant corruption, and bureaucratic bias. Mitchell shows that growers, workers, and officials confronted a series of problems that shaped—and were shaped by—the landscape itself. For growers, the problem was finding the right kind of labor at the right price at the right time. Workers struggled for survival and attempted to win power in the face of economic exploitation and unremitting violence. Bureaucrats tried to harness political power to meet the demands of, as one put it, “the people whom we serve.” Drawing on a deep well of empirical materials from archives up and down the state, Mitchell's account promises to be the definitive book about California agriculture in the turbulent decades of the mid-twentieth century.
Gregory reaches into the migrants' lives to reveal both their economic trials and their impact on California's culture and society. He traces the development of an 'Okie subculture' which is now an essential element of California's cultural landscape.
A biography of the Jewish American, left-wing author of Spartacus that explores his identity, his work, and his politics. Howard Fast’s life, from a rough-and-tumble Jewish New York street kid to the rich and famous author of close to one hundred books, rivals the Horatio Alger myth. Author of bestsellers such as Citizen Tom Paine, Freedom Road, My Glorious Brothers, and Spartacus, Fast joined the American Communist Party in 1943 and remained a loyal member until 1957, despite being imprisoned for contempt of Congress. Gerald Sorin illuminates the connections among Fast’s Jewishness, his writings, and his left-wing politics and explains Fast’s attraction to the Party and the reasons he stayed in it as long as he did. Recounting the story of his private and public life with its adventure and risk, love and pain, struggle, failure, and success, Sorin also addresses questions such as the relationship between modern Jewish identity and radical movements, the consequences of political myopia, and the complex interaction of art, popular culture, and politics in twentieth-century America. “A notable study of a thorny protagonist whose life has much to reveal about the times in which he lived and about the interplay of political belief, personal identity, art, and ambition.” —Publishers Weekly “Sorin . . . has written a heavily researched critical biography of Fast. . . . The volume’s strength is its explication and analysis of the complex social and political context of Fast’s activism and creative work. . . . Sorin’s lengthy critique of Fast’s adherence to Communism long after most American writers and intellectuals had abandoned the party, and his shameful public silence on Stalin’s crimes and Soviet anti-Semitism, are of significant import. . . . Recommended.” —Choice “An intriguing biography, not least for its examination of how Fast interwove his political activism, his Jewishness and his art during the heyday of McCarthyism. Recommended.” —Recorder (Melbourne)