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This book offers readers a comprehensive, detailed analysis and treatment of optical waveguides (fiber, slab), an essential component of ultra-high bandwidth long, medium and short-haul telecommunication. The author describes an analysis scheme for optical waveguides that combines both geometric|ray optics and Maxwell’s equations-based classical electrodynamics. This unique approach enables readers to develop an intuitive understanding of this topic, starting with macro properties, e.g., V parameter of an optical fiber, and progressively refining the analysis to individual modes of propagation through an optical waveguide. An exhaustive set of diagrams highlight the key features of an optical waveguide property, such as acceptance angle, meridional and skew rays in an optical fiber, or signal attenuation and dispersion in an optical waveguide. The author also provides a set of ready-to-use, ANSI C executables (for both Linux and Windows) that enable the reader to e.g, determine the allowed propagation modes (even, odd TE|TM) of a graded, step index optical fiber and a slab waveguide. Offers readers a single-source reference to the analysis and design of optical waveguides; Begins with macro-level analysis of the properties of optical waveguides and dives deeply into details in a step-by-step manner, enabling readers to develop an intuitive understanding; Includes C language executables, along with optical waveguide analysis and design examples to demonstrate their use in context.
Focusing in particular on the traditions of some of the late Greeks and the Romans, Renaissance humanism, and the thought of Giambattista Vico, this book's concern is to revive the ancient Delphic injunction "know thyself," an idea of civil wisdom that Verene finds has been missing since Descartes. The author recovers the meaning of the vital relations that poetry, myth, and rhetoric had with philosophy in thinkers like Cicero, Quintilian, Isocrates, Pico, Vives, and Vico.
In Literary Optics, Maha AbdelMegeed offers a compelling and far-reaching alternative to the traditional mode of analyzing Arabic literature through an encounter between Arabic narrative forms and European ones. Drawing upon close engagements with the works of canonical authors from the period, including Hassan Husni al-Tuwayrani, Muhammad al-Muwaylihi, Ali Mubarak, Francis Marrash, and ‘Abdallah al-Nadim, AbdelMegeed addresses not where these works emanate from but rather how and why they were drawn together to form a canon. In doing so, she rejects the expectation that these texts, through the trope of encounter, hold the explanatory key to modern Arabic literature. In this reformulation of Arabic literary history, AbdelMegeed argues that the canon is forged through an urgency to define a new form of political sovereignty and to make history visible. In doing so, she explores three pivotal concepts: the spectral (khayal), the trace (athar) and the collective (alnas). By examining the texts through these concepts, Literary Optics provides a remarkable intellectual history that delves into the aesthetic, philosophical, and political stakes of nineteenth-century Arabic literature.
Expands understandings of voice to and the poetics of gibberish showing how speech is fundamentally shaped by the complex dynamics of the mouth..
This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics and a comprehensive introduction to the history of image production, which is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.
Includes a full introduction to one of the most influential movements in 20th century philosophy, this is a comprehensive anthology of classic writings from phenomenology's major seminal thinkers.
This handbook sets out an innovative approach to the theory of law, reconceptualising it in a material, embodied, socially contextualised and politically radical way. The book consists of original contributions authored by prominent academics, all of whom provide a valuable overview of legal theory as a discipline. The book contains five sections: • Spatiotemporal • Sense • Body • Text • Matter Through this structure, the handbook brings the law into active discussion with other disciplines, as well as supra-disciplinary debates on the areas of spatiality, temporality, materiality, corporeality and sensorial studies, capturing the most exciting developments in current legal theory, and anticipating future research in the area. The handbook is essential reading for scholars and students of jurisprudence, sociology of law, critical legal studies, socio-legal theory and interdisciplinary legal studies, as well as those people from other disciplines interested in the way the law converses with interdisciplinarity. Chapter 12 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Is there a language of transcendence which does not fall under the well-worn categories of monism, theism, pantheism, biblical or pagan monotheism, personal or tripersonal God, or an impersonal absolute, conceived as immanent and/or transcendent? The present set of studies from different fields of research centers on the question whether it is possible to speak at all of transcendence or a divinity, and if it is, under what limitations does such speech proceed. In current discussion in theology and in philosophy of religion, there is a pervasive awareness that the inherited terms and alternatives, developed in the western tradition, no longer facilitate an adequate understanding of the divine. Increasing familiarity with the languages of ‘immanence’ and ‘transcendence’ (under erasure) in Hindu and Buddhist thought has further jumbled our coordinates, while holding out the promise of a more subtle and vital engagement with the matter itself of religious inquiry. A further long-established distinction, between ‘personal’ and ‘impersonal,’ also takes on rich new hues in Asian contexts, where the very notion of ‘person’ may undergo unsettling critiques. Transgressing the categories of ‘personal’ and ‘impersonal’ points to the mystical depth of religious traditions, emphasizes their openness and reintegrates essential elements of both perspectives. Advancing with curiosity and caution, all the contributors take seriously the diversity of historical religious traditions, while nevertheless searching for a fresh language that may connect these traditions and provide a common ground of understanding.