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The study of Canadian literature—CanLit—has undergone dramatic changes since it became an area of specialization in the 1960s and ’70s. As new global forces in the 1990s undermined its nation-based critical assumptions, its theoretical focus and research methods lost their immediacy. The contributors to Trans.Can.Lit address cultural policy, citizenship, white civility, and the celebrated status of diasporic writers, unabashedly recognizing the imperative to transfigure the disciplinary and institutional frameworks within which Canadian literature is produced, disseminated, studied, taught, and imagined.
Recognises the imperative to transfigure the study of Canadian literature to mirror the dramatic changes it has undergone since the 1960s and 70s.
Transnational Canadas marks the first sustained inquiry into the relationship between globalization and Canadian literature written in English. Tracking developments in the literature and its study from the centennial period to the present, it shows how current work in transnational studies can provide new insights for researchers and students. Arguing first that the dichotomy of Canadian nationalism and globalization is no longer valid in today’s economic climate, Transnational Canadas explores the legacy of leftist nationalism in Canadian literature. It examines the interventions of multicultural writing in the 1980s and 1990s, investigating the cultural politics of the period and how they increasingly became part of Canada’s state structure. Under globalization, the book concludes, we need to understand new forms of subjectivity and mobility as sites for cultural politics and look beyond received notions of belonging and being. An original contribution to the study of Canadian literature, Transnational Canadas seeks to invigorate discussion by challenging students and researchers to understand the national and the global simultaneously, to look at the politics of identity beyond the rubric of multiculturalism, and to rethink the slippery notion of the political for the contemporary era.
These 17 essays ponder the character of prairie literature. What is prairie literature now, what has it been, and what is its future? That the prairies are "west of Eden" is an idea only, and a somewhat mischievous one. Is this spot distant from the glory of the garden? Writers have often pondered the ambiguous sanctity of the prairies, while those who recruited settlers certainly exploited the notion. These varied essays engage with Margaret Laurence, Rudy Wiebe, and Neil Young. They present analysis of NFB films and the gopher as icon. Here are strategies for teaching and views of the Canadian prairies from abroad. This is a significant collection of fresh views of prairie literature.