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Chinese Buddhist wooden sculptures of Water-moon Guanyin, a Bodhisattva sitting in a leisurely reclining pose on a rocky throne, are housed in Western collections and are thus removed from their original context(s). Not only are most of them of unknown origin, but also lack a precise date. Tracing their sources is difficult because of the scant information provided by art dealers in previous periods. Thus, only preliminary investigations into their stylistic development and technical features have been made so far. Moreover, until recently none of the Chinese temples that provided their original context, i.e. their precise position within those temple compounds and their respective place in the Buddhist pantheon, have been examined at all.In her study, Petra H. Rösch investigates these very aspects, including questions about the religious position and function of the sculptures of this special Bodhisattva. She also looks at the technical construction, the collecting of Chinese Buddhist sculptures in general and those made of wood in particular.She uses a combination of stylistic, iconographical, buddhological, as well as technical methodologies in her investigation of the Water-moon Guanyin images and sheds light on the Buddhist temples in Shanxi Province, the works of art they once housed, and the religious practices of the eleventh to thirteenth centuries connected with them.
Production, Distribution and Appreciation: New Aspects of East Asian Lacquer Ware, edited by Patricia Frick and Annette Kieser, focuses on various aspects of East Asian lacquer art ranging from the 2nd century BC to the 17th century. Recent excavations in China, the distribution of lacquer objects throughout the Eurasian region, the significance of lacquer ware in everyday life, technical aspects of lacquer production in Korea, and the appreciation of Japanese lacquer in Asia and Europe are analysed in six chapters by international experts in the field: Patricia Frick; Annette Kieser; Nanhee Lee; Yan Liu; Margarete Prüch and Anton Schweizer. Production, Distribution and Appreciation: New Aspects of East Asian Lacquer Ware is published in association with the European Association for Asian Art and Archaeology.
A spectacular catalog of Song Dynasty ceramics in one of the most notable collections
This fascinating study is the first detailed description of the ancient and enduring trade in beads that spans more than two millennia and once stretched from the Middle East to East Asia and affected areas as far apart as West Africa and the American Pacific coast. Beads are universal and among the earliest art forms. Made of glass, semiprecious stone, or precious organic materials such as amber and coral, they were ubiquitous in the ancient world, serving as decorations, magical charms, mnemonic and counting devices, symbols of wealth and status. Much of the ancient bead trade was incorporated in Asian maritime commerce, and many of the beads involved have Asian origins. Peter Francis, Jr., a pioneer in bead studies, incorporates firsthand knowledge of beads and beadmaking in the field with years of solid, scholarly research, effectively eliminating much of the hearsay and speculation that so often characterizes works on beads. In addition to the production, use, and provenance of beads, he examines the importance of the bead trade for the economies of the countries involved and provides insights into the lives of its many participants: artisans, mariners, and merchants. He covers the widely-dispersed Indo-Pacific beads (sometimes called Trade Wind beads or mutisalah), Chinese glass beads, Middle Eastern glass beads, Indian stone beads, heirloom beads in Southeast Asia and Micronesia, and other minor beads and bead industries involved in the trade.
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.