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Trans Talmud places eunuchs and androgynes at the center of rabbinic literature and asks what we can learn from them about Judaism and the project of transgender history. Rather than treating these figures as anomalies to be justified or explained away, Max K. Strassfeld argues that they profoundly shaped ideas about law, as the rabbis constructed intricate taxonomies of gender across dozens of texts to understand an array of cultural tensions. Showing how rabbis employed eunuchs and androgynes to define proper forms of masculinity, Strassfeld emphasizes the unique potential of these figures to not only establish the boundary of law but exceed and transform it. Trans Talmud challenges how we understand gender in Judaism and demonstrates that acknowledging nonbinary gender prompts a reassessment of Jewish literature and law.
In Jews, Gentiles, and Other Animals, Mira Beth Wasserman undertakes a close reading of Avoda Zara, arguably the Babylonian Talmud's most scandalous tractate. According to Wasserman, Avoda Zara is where this Talmud joins the humanities in questioning what it means to be a human.
These nine masterful readings of the Talmud by the renowned French Jewish philosopher translate Jewish thought into the language of modern times. One of the major continental philosophers of the twentieth century, Emmanuel Levinas was also an important Talmudic commentator. Between 1963 and 1975, he delivered an enlightening and influential series of commentaries at the annual Talmudic colloquia of a group of French Jewish intellectuals in Paris. In this collection, Levinas applies a hermeneutic that simultaneously allows the classic Jewish texts to shed light on contemporary problems and lets modern problems illuminate the texts. Besides being quintessential illustrations of the art of reading, the essays express the deeply ethical vision of the human condition that makes Levinas one of the most important thinkers of our time.
In A Traveling Homeland, Daniel Boyarin makes the case that the Babylonian Talmud is a diasporist manifesto producing and defining the practices that constitute Jewish diasporic identity in the form of textual, interpretive communities built around talmudic study.
Everybody wants a perfect relationship, and we all long to be united with our "missing part," the other half of our soul. Many novels are written about it, and many movies tell romantic stories, but in real life, it all seems just a fairy tale. Have You Found ... or Will You Find? shows you that true love can be found. It explains what a soul mate is and how to find that person. It also provides you with the information you need to draw that special person to yourself. Not just single people but also married couples will enjoy reading Have You Found ... or Will You Find? and learn to enhance their relationship and create a connection on a deeper level by understanding what a soul mate relationship is all about. Have You Found ... or Will You Find? will teach you what it takes to establish a soul mate relationship. Finally, Have You Found ... or Will You Find? also addresses the five factors that can undermine a soul mate relationship and reveals the root of the problem. So if you want to find your soul mate, establish a soul mate relationship and avoid anything that can harm this connection, Have You Found ... or Will You Find? is what you want to read.
This double issue of CCAR Journal includes a new data analysis by the Reform Pay Equity Initiative, a discussion of the growth of Reform Judaism in IberoAmerica, a piece on disenfranchised grief in the wake of October 7, and several articles addressing the challenges of pastoral care. The issue also contains new book reviews and poems.
An excavatory collection of poems tracing the connections between Jewish transfemininity, queer desire, and cultural histories. Selected by Sean Hill for the National Poetry Series, this collection is a scrupulous chronicle of individual and cultural knowledge. In an exceptional debut, Ava Nathaniel Winter challenges our concepts of the beautiful and the sacred, delving not only into the historically marginalized, but also into the chilling subconscious of supremacy. “Let me be clear / from this beginning,” she writes, “What I mean by beauty / is a terror I have fled from / into language.” Winter writes with a documentarian’s attention, a poet’s resonance. “I’m trying,” she admits, “to find language for what we do / to one another.” From Łódź, Poland, to predominantly white suburban America, from the space shared by queer lovers to antique cabinets filled with Nazi memorabilia, from Talmudic depictions of genderqueer rabbis to archival lynching photos, she regards the tender and the difficult with equal gravity, commemorates the fraught gift of survival. At the heart of this collection—despite its moments of profound darkness—is a new, hard-won holiness. The “earthy aroma of rye” calling up a mother’s baking, her mother’s, hers. Belief in a lover’s lavishing. A chosen future, one where we are “reader, sibling, sister.” If Transgenesis began in fear of beauty, where it lands is this: “turning at last / to face her.”