Download Free Trans Pacific Interactions Book in PDF and EPUB Free Download. You can read online Trans Pacific Interactions and write the review.

This book explores particular facets of the history and representation of the Pacific Rim region, focusing on the interactions between the United States and China at the beginning of the twentieth century. It critically examines contemporary discourses on such seemingly recent concepts as transnationalism and cultural citizenship, showing that they can actually be traced much further back, and that they are closely tied to the debates around nationalism, global capitalism, and religion of the time. This series of reflections on political exchanges and conflicts offers a special focus on the cultural - literary, popular, and religious - implications of these interactions.
This work addresses the historical and contemporary involvement of Chinese Americans from diverse walks of life in US-China relations. It presents perspectives on familiar and unfamiliar national and transnational networks, and the impact of such contacts on Chinese-American relations.
The Pacific has long been a space of conquest, exploration, fantasy, and resistance. Pacific Islanders had established civilizations and cultures of travel well before European explorers arrived, initiating centuries of upheaval and transformation. The twentieth century, with its various wars fought in and over the Pacific, is only the most recent era to witness military strife and economic competition. While “Asia Pacific” and “Pacific Rim” were late twentieth-century terms that dealt with the importance of the Pacific to the economic, political, and cultural arrangements that span Asia and the Americas, a new term has arisen—the transpacific. In the twenty-first century, U.S. efforts to dominate the ocean are symbolized not only in the “Pacific pivot” of American policy but also the development of a Transpacific Partnership. This partnership brings together a dozen countries—not including China—in a trade pact whose aim is to cement U.S. influence. That pact signals how the transpacific, up to now an academic term, has reached mass consciousness. Recognizing the increasing importance of the transpacific as a word and concept, this anthology proposes a framework for transpacific studies that examines the flows of culture, capital, ideas, and labor across the Pacific. These flows involve Asia, the Americas, and the Pacific Islands. The introduction to the anthology by its editors, Janet Hoskins and Viet Thanh Nguyen, consider the advantages and limitations of models found in Asian studies, American studies, and Asian American studies for dealing with these flows. The editors argue that transpacific studies can draw from all three in order to provide a critical model for considering the geopolitical struggle over the Pacific, with its attendant possibilities for inequality and exploitation. Transpacific studies also sheds light on the cultural and political movements, artistic works, and ideas that have arisen to contest state, corporate, and military ambitions. In sum, the transpacific as a concept illuminates how flows across the Pacific can be harnessed for purposes of both domination and resistance. The anthology’s contributors include geographers (Brenda S. A. Yeoh, Weiqiang Lin), sociologists (Yen Le Espiritu, Hung Cam Thai), literary critics (John Carlos Rowe, J. Francisco Benitez, Yunte Huang, Viet Thanh Nguyen), and anthropologists (Xiang Biao, Heonik Kwon, Nancy Lutkehaus, Janet Hoskins), as well as a historian (Laurie J. Sears), and a film scholar (Akira Lippit). Together these contributors demonstrate how a transpacific model can be deployed across multiple disciplines and from varied locations, with scholars working from the United States, Singapore, Japan and England. Topics include the Cold War, the Chinese state, U.S. imperialism, diasporic and refugee cultures and economies, national cinemas, transpacific art, and the view of the transpacific from Asia. These varied topics are a result of the anthology’s purpose in bringing scholars into conversation and illuminating how location influences the perception of the transpacific. But regardless of the individual view, what the essays gathered here collectively demonstrate is the energy, excitement, and insight that can be generated from within a transpacific framework.
This book explores particular facets of the history and representation of the Pacific Rim region, focusing on the interactions between the United States and China at the beginning of the twentieth century. It critically examines contemporary discourses on such seemingly recent concepts as transnationalism and cultural citizenship, showing that they can actually be traced much further back, and that they are closely tied to the debates around nationalism, global capitalism, and religion of the time. This series of reflections on political exchanges and conflicts offers a special focus on the cultural - literary, popular, and religious - implications of these interactions.
This broad-based study of Western-Asian relations considers images of and actions by the United States, along with Britain and Germany, in the course of dealings with Asian nations such as China, Japan, Korea, Thailand, Vietnam, and the Philippines. Other case studies focus on inter-Asian relations between Japan and Korea; China and Japan; and Thailand and Vietnam. The essays encompass a wide range of recent scholarship, including cultural, economic, demographic, and intellectual approaches to military and diplomatic themes. Western influence, primarily American, in Asia grew consistently during the 20th century. While interaction often occurred on unequal terms, this study reveals the ability of Asians to assert their agency in the face of such immense Western power. The collection as a whole offers a window on relations across the Pacific in numerous spheres of activity over the course of one hundred years. As such, it introduces and adds to our understanding of the depth and variety of trans-Pacific relations.
This volume explores cultural, social and economic connections between the Americas and the South Pacific. It reaches beyond Sino-American collaborations to focus on rather neglected, and sometimes invisible, Southern linkages, asking how these connections originated and have developed over time, which local responses they have generated, and what impact these processes have in the region in terms of representational forms and strategies, new cultural practices, and empowerment of individuals in (post)colonial contexts. The volume also compares and contrasts intriguing parallels of politics and identity formation. By extending the focus beyond East Asia to the Southern Pacific region, including Island connections with the Americas, the volume provides a more comprehensive understanding of recent dynamics and shifting relations across the Pacific. By approaching the Transpacific Americas as an assemblage or relational space, which is created and becomes meaningful through multiple localities and their translocal connections, the book complicates the Euro-American distinction between "centre" and "rim". While the collection offers a distinctive geographical focus, it simultaneously emphasizes the translocal qualities of specific locations through their entanglements in transpacific assemblages within and across cultural, social and economic spheres. Furthermore, without neglecting the inextricable, historical dimension of anthropological perspectives, the focus is on the diverse and unexpected contemporary forms of cultural, social and economic encounters and engagements, and on (re)emerging Indigenous networks. Primarily based on empirical research, the volume explores face-to-face encounters, relations "from below," and transcultural interactions and relationships in, as well as ideas and conceptualizations of, cultural spaces across localities that have long been perceived as separate, but are indeed closely interconnected.
Beginning with the first Japanese and Americans to make contact in the early 1800s, Michael Auslin traces a unique cultural relationship. He focuses on organizations devoted to cultural exchange, such as the American Friends’ Association in Tokyo and the Japan Society of New York, as well as key individuals who promoted mutual understanding.
In the turbulent years after World War I, a transpacific community of American and Chinese writers and artists emerged to forge new ideas regarding aesthetics, democracy, internationalism, and the political possibilities of art. Breaking with preconceived notions of an "exotic" East, the Americans found in China and in the works of Chinese intellectuals inspiration for leftist and civil rights movements. Chinese writers and intellectuals looked to the American tradition of political democracy to inform an emerging Chinese liberalism. This interaction reflected an unprecedented integration of American and Chinese cultures and a remarkable synthesis of shared ideals and political goals. The transpacific community that came together during this time took advantage of new advances in technology and media, such as the telegraph and radio, to accelerate the exchange of ideas. It created a fast-paced, cross-cultural dialogue that transformed the terms by which the United States and China—or, more broadly, "West" and "East"—knew each other. Transpacific Community follows the left-wing journalist Agnes Smedley's campaign to free the author Ding Ling from prison; Pearl Buck's attempt to fuse Jeffersonian democracy with late Qing visions of equality in The Good Earth; Paul Robeson's collaboration with the musician Liu Liangmo, which drew on Chinese and African American traditions; and the writer Lin Yutang's attempt to create a typewriter for Chinese characters. Together, these individuals produced political projects that synthesized American and Chinese visions of equality and democracy and imagined a new course for East-West relations.
During the nineteenth century tens of thousands of Chinese men and women crossed the Pacific to work, trade, and settle in California. Drawn initially by the gold rush, they took with them skills and goods and a view of the world which, though still Chinese, was transformed by their long journeys back and forth. They in turn transformed Hong Kong, their main point of embarkation, from a struggling infant colony into a prosperous international port and the cultural center of a far-ranging Chinese diaspora. Making use of extensive research in archives around the world, Pacific Crossing charts the rise of Chinese Gold Mountain firms engaged in all kinds of transpacific trade, especially the lucrative export of prepared opium and other luxury goods. Challenging the traditional view that the migration was primarily a "coolie trade," Elizabeth Sinn uncovers leadership and agency among the many Chinese who made the crossing. In presenting Hong Kong as an "in-between place" of repeated journeys and continuous movement, Sinn also offers a fresh view of the British colony and a new paradigm for migration studies.
A timely, vital account of California’s unique relationship with China, told through the exploits of the entrepreneurs, activists, and politicians driving transformations with international implications. Tensions between the world’s superpowers are mounting in Washington, D.C., and Beijing. Yet, the People's Republic of China and the state of California have built deep and interdependent socioeconomic exchanges that reverberate across the globe, making California and China a microcosm of the most important international relationship of the twenty–first century. In The Transpacific Experiment, journalist and China analyst Matt Sheehan chronicles the real people who are making these connections. Sheehan tells the story of a Southern Californian mayor who believes a Chinese electric bus factory will save his town from meth labs and skinheads. He follows a Chinese AI researcher who leaves Google to compete with his former employer from behind the Great Firewall. Sheehan joins a tour bus of wealthy Chinese families shopping for homes in the Bay Area, revealing disgruntled neighbors and raising important questions about California’s own narratives around immigration and the American Dream. Sheehan’s on–the–ground reporting reveals movie sets in the “Hollywood of China,” Chinese–funded housing projects in San Francisco, Chinese immigrants who support Donald Trump, and more. Each of these stories lays bare the new reality of twenty–first–century superpowers: the closer they get to one another, the more personal their frictions become. “Cuts right to the heart of the relationship between Silicon Valley and China: the tangled history, the current tensions, and the uncertain future . . . a must–read.”—Kai–Fu Lee, former president of Google China and founder of Sinovation Ventures