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The Trans-Mississippi Exposition of 1898 celebrated Omaha’s key economic role as a center of industry west of the Mississippi River and its arrival as a progressive metropolis after the Panic of 1893. The exposition also promoted the rise of the United States as an imperial power, at the time on the brink of the Spanish-American War, and the nation’s place in bringing “civilization” to Indigenous populations both overseas and at the conclusion of the recent Plains Indian Wars. The Omaha World’s Fair, however, is one of the least studied American expositions. Wendy Jean Katz brings together leading scholars to better understand the event’s place in the larger history of both Victorian-era America and the American West. The interdisciplinary essays in this volume cover an array of topics, from competing commercial visions of the cities of the Great West; to the role of women in the promotion of City Beautiful ideals of public art and urban planning; and the constructions of Indigenous and national identities through exhibition, display, and popular culture. Leading scholars T. J. Boisseau, Bonnie M. Miller, Sarah J. Moore, Nancy Parezo, Akim Reinhardt, and Robert Rydell, among others, discuss this often-misunderstood world’s fair and its place in the Victorian-era ascension of the United States as a world power.
During the summer and early fall of 1898, Omaha, Nebraska, came alive with the sights and sounds of the Trans-Mississippi and International Exposition. Despite a drought, a difficult economy, and a declaration of war between the United States and Spain, over two and one-half million people gathered on the exposition grounds to celebrate fifty years of progress. This book documents the grand spectacle of the exposition through a remarkable collection of archival photographs, many of which were taken by official exposition photographer Frank A. Rinehart. In these pages, you will discover the architectural splendor and the abundant cultural and artistic achievements that have made Omaha's Trans-Mississippi Exposition a legendary event in American history.
The Trans-Mississippi Exposition of 1898 celebrated Omaha’s key economic role as a center of industry west of the Mississippi River and its arrival as a progressive metropolis after the Panic of 1893. The exposition also promoted the rise of the United States as an imperial power, at the time on the brink of the Spanish-American War, and the nation’s place in bringing “civilization” to Indigenous populations both overseas and at the conclusion of the recent Plains Indian Wars. The Omaha World’s Fair, however, is one of the least studied American expositions. Wendy Jean Katz brings together leading scholars to better understand the event’s place in the larger history of both Victorian-era America and the American West. The interdisciplinary essays in this volume cover an array of topics, from competing commercial visions of the cities of the Great West; to the role of women in the promotion of City Beautiful ideals of public art and urban planning; and the constructions of Indigenous and national identities through exhibition, display, and popular culture. Leading scholars T. J. Boisseau, Bonnie M. Miller, Sarah J. Moore, Nancy Parezo, Akim Reinhardt, and Robert Rydell, among others, discuss this often-misunderstood world’s fair and its place in the Victorian-era ascension of the United States as a world power.
In the third book of the North Omaha History Series, Adam Fletcher Sasse reveals a lot of the hidden, denied and neglected history of one of the oldest areas of Nebraska's largest city. Highlighting the predominantly African American community and other ethnic groups, he introduces some intriguing characters and important businesses that made North Omaha great. He reveals the role of transportation in the area by examining the history of several streets, including the culture and figures in the areas around them. He details the roles of North Omaha's extensive boulevard system that weaves together neighborhoods and connects the community to the rest of the city, as well as looks at the historic Belt Line Railway that used to encircle the area. In the next section, Fletcher Sasse conducts a community-wide exploration of architecture in North Omaha. He reveals the basics about the neighborhood, and then plunges deep into the apartments, homes, neighborhoods and other institutions that make the historic preservation movement so important to the community. He details several important districts and shines a light on the oldest houses in North Omaha, too. Then, he tells the missing history of a dozen mansions and estates that once occupied the area. The final section of the book is a massive timeline of birthdates for the many of the most important people in North Omaha history, including athletes, entertainers, politicians, leaders and others. The book finishes with a bibliography and comprehensive index.
Presents a comprehensive collection of one hundred black-and-white images of Native American leaders made by Frank A. Rinehart from 1898 to 1900, and includes fourteen essays which reflect upon those photographs from writers, educators, and descendents of those individuals.
Robert W. Rydell contends that America's early world's fairs actually served to legitimate racial exploitation at home and the creation of an empire abroad. He looks in particular to the "ethnological" displays of nonwhites—set up by showmen but endorsed by prominent anthropologists—which lent scientific credibility to popular racial attitudes and helped build public support for domestic and foreign policies. Rydell's lively and thought-provoking study draws on archival records, newspaper and magazine articles, guidebooks, popular novels, and oral histories.