Download Free Trance Book in PDF and EPUB Free Download. You can read online Trance and write the review.

Ashlyn Greenfield has always known when bad things are going to happen. Each time that familiar tingling at the back of her neck begins, she knows whatÕs to comeÑa trance. SheÕs pulled in, blindsided, an unwilling witness to a horrible upcoming event. But sheÕs never been able to stop itÑnot even when the vision was of her motherÕs fatal car accident. When soulful Jake enters AshlynÕs life, she begins having trances about another car accident. And as her trances escalate, one thing becomes clear: itÕs up to her to save Jake from near-certain death.
This book describes a new model for trance as well as practical techniques to analyse and design trances. Writing from his personal experience, Wier suggests that some of these ideas might represent new practical precision tools for psychologists as well as for those who work with the occult. Practical suggestions for meditators, yogis, witches and others are included to deepen trance and to increase the trance force as well as techniques to terminate a trance. Pathological trance and trance abuse are also described with suggestions on how they may be recognized and prevented.
Ritual trance has always been closely associated with music—but why, and how? Gilbert Rouget offers and extended analysis of music and trance, concluding that no universal law can explain the relations between music and trance; they vary greatly and depend on the system of meaning of their cultural context. Rouget rigorously examines a worldwide corpus of data from ethnographic literature, but he also draws on the Bible, his own fieldwork in West Africa, and the writings of Plato, Ghazzali, and Rousseau. To organize this immense store of information, he develops a typology of trance based on symbolism and external manifestations. He outlines the fundamental distinctions between trance and ecstasy, shamanism and spirit possession, and communal and emotional trance. Music is analyzed in terms of performers, practices, instruments, and associations with dance. Each kind of trance draws strength from music in different ways at different points in a ritual, Rouget concludes. In possession trance, music induces the adept to identify himself with his deity and allows him to express this identification through dance. Forcefully rejecting pseudo-science and reductionism, Rouget demystifies the so-called theory of the neurophysiological effects of drumming on trance. He concludes that music's physiological and emotional effects are inseparable from patterns of collective representations and behavior, and that music and trance are linked in as many ways as there are cultural structures.
1974: A tiny band of self-styled urban guerrillas, calling itself the Symbionese Liberation Army, abducts a newspaper heiress, who then abruptly announces that she has adopted the guerrilla name "Tania" and chosen to remain with her former captors. Has she been brainwashed? Coerced? Could she be sincere? Why would such a nice girl disavow her loving parents, her adoring fiancé, her comfortable home? Why would she suddenly adopt the SLA's cri de coeur, "Death to the Fascist Insect that Preys Upon the Life of the People"? Soon most of the SLA are dead, killed in a suicidal confrontation with police in Los Angeles, forcing Tania and her two remaining comrades--the pompous and abusive General Teko and his duplicitous lieutenant, Yolanda--into hiding, where they will remain for the next sixteen months. Trance, Christopher Sorrentino's mesmerizing and brilliant second novel, traces this fugitive period, leading the reader on a breathtaking, hilarious, and heartbreaking underground tour across a beleaguered America, in the company of scam artists, visionaries, cultists, and a mismatched gang of middle-class people who typify the guiding conceit of their time, that of self-renovation. Along the way he tells the story of a nation divided against itself--parents and children, men and women, black and white; a story of hidebound tradition and radical change, of truth and propaganda, of cynicism and idealism; a story as transfixing and relevant today as it was then. Insightful, compassionate, scathingly funny, and moving, Trance is a virtuoso performance, placing Christopher Sorrentino in the first rank of American novelists. Trance is a 2005 National Book Award Finalist for Fiction.
"A tense, original thriller that perfectly blends the nail-biting suspense and shocks of Silence of the Lambs and Shutter Island." --John Marrs, bestselling author of When You Disappeared His victims are powerless. He is in control. This is his revenge--and he's only just begun. Three university scientists are found dead in a gruesome murder-suicide, and the only suspect in the case, Victor Lazar, is quickly captured. When the spate of violent suicides follows him to prison he is moved to solitary confinement, reserved for the highest-risk inmates. And then his assigned psychologist inexplicably takes his own life. Alex Madison, a former forensic psychologist turned private therapist, is brought in to interview Victor. He suspects that Victor is controlling his victims, somehow coaxing them into a suggestive trance. It seems like science fiction, but as Alex digs deeper he uncovers a frightening reality of secret research and cruel experimentation--and the perpetrators are closer to home than he could ever have imagined. Too late, Alex learns the true extent of what Victor is capable of--and who he's after. With everything he holds dear at risk, can Alex take control of a dangerous mind--before it takes control of him?
What is hypnosis? Despite widespread misconceptions, hypnosis is not a treatment in itself; instead, it is a facilitator -- a useful diagnostic tool that can help the practitioner choose an appropriate treatment modality and accelerate various primary treatment strategies. The second edition of this remarkable work (first published 25 years ago) is written to provide both beginning and seasoned practitioners with a brief, disciplined technique for mobilizing and learning from an individual's capacity to concentrate. Putting to rest both exaggerated fears about hypnosis and overblown statements of its efficacy, this compelling volume brings scientific discipline to a systematic exploration of the clinical uses and limitations of hypnosis. The challenge was to develop a clinical measurement that could transform a fascinating amalgam of anecdotes, speculations, clinical intuitions and observations, and laboratory advances into a more fruitful and systematic body of information. Thus was born the authors' Hypnotic Induction Profile (HIP), a crucial 10-minute clinical assessment procedure that relates the spectrum of hypnotizability to personality style, psychopathology, and treatment outcome. Structured to reflect the flow of a typical evaluation and treatment session and highlighted by case examples throughout, this remarkable synthesis describes how to use the HIP, reviews relevant literature, and details principles and short- and long-term treatment strategies for smoking control; eating disorders; anxiety, concentration, and insomnia; phobias; pain control; psychosomatic disorders and conversion symptoms; trichotillomania; stuttering; and acute and posttraumatic stress disorders and dissociation. Meticulously referenced and indexed, this in-depth work concludes with an appendix on the interpretation and standardization of the HIP.This unique work stands out in the literature because It is written both as an introduction for practitioners new to hypnosis and as an in-depth guide for practitioners with wide experience in hypnosis. Unlike current clinical works, it emphasizes the importance of performing a systematic assessment of hypnotizability to identify, measure, and utilize a given patient's optimal therapeutic potential -- a process that, until now, has been relegated to clinical intuition. It describes human behavior phenomenologically as it relates to hypnosis in a probable rather than an absolute fashion. It reviews only specific portions of the literature that are particularly relevant to the important themes presented by the authors. Wherever possible, the authors apply statistical methods to test their hypotheses. The realm of scientific investigation encompassing hypnosis and psychological dysfunction is comparatively new. This exceptional volume, with its profusion of systematic data, will spark controversy and interest among scientific students of hypnosis everywhere, from psychiatrists, psychologists, and psychoanalysts to physicians, dentists, and other interested clinicians.
Therapists are increasingly called to court to testify as practitioners or expert witnesses. How does a non-legally trained hypnotherapist prepare for a court appearance? How does he or she handle direct and, especially, cross-examination? What guidelines are recommended for routine therapeutic procedures that will ensure protection of the legal rights and interests of clients, while also meeting the legal and ethical standards of professional codes? It is our desire to equip therapists, hypnosis experts, lawyers, and others with enough useful references and suggestions to save dozens of hours of research. It is also our intention to provide specific and detailed information about hypnosis topics that will enable therapists and lawyers going into court to prepare and perform properly. Written primarily for clinicians who practice hypnotherapy, Trance on Trial offers a comprehensive, authoritative evaluation of the use of hypnosis in the courts, as well as practical strategies for maximizing the legal rights of clients while minimizing the liabilities of practitioners. At the center of the legal debates over the use of hypnosis to refresh the memory of prospective witnesses are several crucial questions: What is hypnosis? How does it relate to memory in general? Can it alter a person's recall? Does it remove impediments to the perception of reality, or just strengthen a subject's belief, real or imagined? Should a person who has been previously hypnotized be permitted to testify in court? These and other fundamental questions are systematically addressed. The book's detailed examination of both investigative and therapeutic hypnosis identifies common legal pitfalls and ways to avoid them. Receiving special attention are those actions that can jeopardize the admissibility of a client's testimony. Considered here are the ever-evolving standards of admissibility governing evidence acquired with the aid of hypnosis. For the therapist called upon to testify in court--whether as an expert witness or on his or her own behalf--Trance on Trial provides reassuring guidance. It reveals the strategies lawyers commonly use--both in direct and cross-examination--and outlines effective counterstrategies. Also of note: Included in appendix format for ready reference is a state-by-state review of laws concerning hypnosis and admissibility of evidence. While the legal history of forensic hypnosis may be relatively modern, it is becoming an increasingly complex and controversial issue. Illustrated with numerous case examples, enlivened by simulated direct and cross-examination exchanges, and extensively referenced to the current legal and psychiatric literature, Trance on Trial is an invaluable resource for hypnotherapists, hypnosis researchers, forensic psychiatrists and psychologists, and lawyers.
Based on intensive ethnographic fieldwork, this book describes and interprets trance behaviour among the Malagasy speakers of Mayotte, a small island in the Comoro Archipelago in the Indian Ocean, off the coast of East Africa. Professor Lambek describes how the people of Mayotte (most often women) enter into trances, during which they believe their bodies are inhabited by spirits. He then analyses the conventions for behaviour in trance and the process by which the individuals come to terms with the spirits in their midst. The book presents thorough case studies of spirit possession over time, providing one of the most detailed accounts of possession phenomena available for a single society. The author argues that trance can best be understood as a social activity within a defined system of cultural meaning rather than as a psychological problem, a simple deception or a means of manipulating others. This book should be of particular interest to those concerned with the study of ritual, symbols and non-Western religious systems.
Ecstatic Trance contains in-depth information on 60 ritual body postures and describes them in precise, accurate detail, with clear illustrations. The first complete manual on this subject, presented here are age-old postures (one dates back 32,000 years and was inspired by a cave painting) along with newly-researched postures, published here for the first time. Learn these postures and access, energize, and integrate your creative potential. Practicing these postures also leads to new insights into healing, inner development, and rebirth. And combined with appropriate rhythmic stimulation--music and dance, for example--the postures can engender a profound change in consciousness, leading the participant to experience altered states of reality including visions and ecstatic trance states. The postures themselves do not promote any one belief system or dogma but are elements in an overall shamanic worldview.
This study investigates forms of theatre/performance practice and training that can be seen to employ 'trance' states or engage the concept of 'states of consciousness' as performative practice. Trance is considered to be the result of sustained involvement with detailed information that is structurally organised, invoking imaginative and affective engagements that are maintained as interactions between the performer, other performers, the environment and audience of the performance. This thesis investigates trance performance through the conceptual lens of dramatic arts practice. In their respective cultural contexts, trance and theatre attain qualities considered as sacredness. Trance practice and performance, across a range of cultural contexts, are analysed as social processes - as elements of power relations that influence the performer, audience and environment of the performance. As performance traditions and events, this study will examine strands of praxis that can be drawn from Constantin Stanislavski to Lee Strasberg to Mike Leigh; from Antonin Artaud to Samuel Beckett and Jerzy Grotowski; from the Balinese trance performance form of Sanghyang Dedari in the 1930s to the 1990s; from the Channeling practitioners in the U.S. in the 1930s to Seth and Lazaris in the 1970s to the 1990s; and from traditions of military training, performance violence, and rhetoric associated with the attacks of the 11th of September 2001 in the U.S. and its aftermath.