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When an elderly itinerant trader from a doss house in Johannesburg turned up on the veranda of novelist Ethelreda Lewis's suburban home, she was so enthralled by his reminiscences that she turned them into a biographical narrative which became the world bestseller for 1927. Popular though the book was, it did not take long before the veracity of Lewis's tale about Trader Horn was being called into question by many who believed the work was fiction, or a hoax. Couzens picks up the fading trail of Aloysius Smith, alias Trader Horn, from Lancashire in the 1860s, through the frontiers of Africa, Buffalo Bill's America, Cockney London in the 1890s, gunrunning in Madagascar, the Boer War in South Africa to the doss house in Johannesburg. It is the tale of an unquenchable free spirit forever in search of adventure and Couzens tells it with a verve and enjoyment entirely appropriate to the larger-than-life character he celebrates.
The second volume of the first authorized biography of Robert A. Heinlein, generally considered the greatest SF writer of the 20th century, a bestselling author, military man, politician, and one of the founding minds of Libertarian politics in the USA.
The most enduring version of the hobo that has come down from the so-called 'Golden Age of Tramping' (1890s to 1940s) is an American cultural icon, signifying freedom from restraint and rebellion to the established order while reinforcing conservative messages about American exceptionalism, individualism, race, and gender. Vagabonds, Tramps, and Hobos shows that this 'pioneer hobo' image is a misrepresentation by looking at works created by transient artists and thinkers, including travel literature, fiction, memoir, early feminist writing, poetry, sociology, political journalism, satire, and music. This book explores the diversity of meanings that accrue around 'the hobo' and 'the tramp'. It is the first analysis to frame transiency within a nineteenth-century literary tradition of the vagabond, a figure who attempts to travel without money. This book provide new ways for scholars to think about the activity and representation of US transiency.
Robert A. Heinlein: In Dialogue with his Century: 1948-1988 The Man Who Learned Better: The real-life story of Robert A. Heinlein in the second volume of the authorized biography by William H. Patterson! Robert A. Heinlein (1907–1988) is generally considered the greatest American science fiction writer of the twentieth century. His most famous and widely influential works include the Future History series (stories and novels collected in The Past Through Tomorrow and continued in later novels), Starship Troopers, Stranger in a Strange Land, and The Moon is a Harsh Mistress—all published in the years covered by this volume. He was a friend of admirals, bestselling writers, and artists; became committed to defending the United States during the Cold War; and was on the advisory committee that helped Ronald Reagan create the Star Wars Strategic Defense Initiative in the 1980s. Heinlein was also devoted to space flight and humanity's future in space, and he was a commanding presence to all around him in his lifetime. Given his desire for privacy in the later decades of his life, the revelations in this biography make for riveting reading. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The author recounts his travels around the world, detailing his experiences in places ranging from New Orleans to the Panama Canal to the African veldt
The first critical biography of the American writer. The Tramp Poet Harry Kemp (1883-1960). His creative works included poetry, drama, fiction, and the best-selling autobiography in prose, Tramping on Life.
There are numerous introductions to poetry and prosody available, but none at once so comprehensive and so accessible as this. With the increasing emphasis on free verse, the past generation has developed a widespread impression that the study of poetic meter is old fashioned—or even that form ‘doesn’t matter’ in poetry. It is an impression that has not been dispelled by the emphasis of some of the existing texts in the area on forms that are now rare or outmoded. The irony is that simultaneously in the past decade interest in formal matters among many poets and literary scholars has been on the increase; the reality is that prosody is today on the cutting edge of literary studies. Stephen Adams’ text provides a full treatment of traditional topics, from the iambic pentameter through other accentual-syllabic rhythms (trochaic, dactylic and so on) and covering as well other metrical types, stanza structure, the sonnet and other standard forms. Adams also includes a variety of topics not covered in most other introductions to the topic; perhaps most significantly, he provides a full chapter on form in free verse. Moreover, he treats rhyme extensively and includes a comprehensive chapter on literary figures. Poetic Designs is thus much more that an introduction to prosody; it is a concise but comprehensive introduction to the nature of poetry in English. It is a book for the general reader and the aspiring writer as well as for the student, a book intended (in the words of the author) to help ‘heighten the experience of poetry.’
First published in 1949 (this edition in 1968), this book is a dictionary of the past, exploring the language of the criminal and near-criminal worlds. It includes entries from Australia, New Zealand, Canada and South Africa, as well as from Britain and America and offers a fascinating and unique study of language. The book provides an invaluable insight into social history, with the British vocabulary dating back to the 16th century and the American to the late 18th century. Each entry comes complete with the approximate date of origin, the etymology for each word, and a note of the milieu in which the expression arose.
Tom Easton has served as the monthly book review columnist for Analog Science Fiction for almost three decades, having contributed during that span many hundreds of columns and over a million words of penetrating criticism on the best literature that science fiction has to offer. His reviews have been celebrated for their wit, humor, readability, knowledge, and incisiveness. His love of literature, particularly fantastic literature, is everywhere evident in his essays. Easton has ever been willing to cover small presses, obscure authors, and unusual publications, being the only major critic in the field to do so on a regular basis. He seems to delight in finding the rare gem among the backwaters of the publishing field. "A reviewer's job," he says, "is not to judge books for the ages, but to tell readers enough about a book to give them some idea of whether they would enjoy it." And this he does admirably, whether he's discussing the works of the great writers in the field, or touching upon the least amongst them. This companion volume to "Periodic Stars" (Borgo/Wildside) collects another 250 of Easton's best reviews from the last fifteen years of "The Reference Library." No one does it better, and no other guide provides such lengthy or discerning commentary on the best SF works of recent times. Complete with Introduction and detailed Index.