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A conversation on the challenges of immigration that includes the voices of recent immigrants, the documented and undocumented. A combination of analysis, story, and artistic expression opens up the complexities of immigration for undergraduates and for all Christians. De la Torre's goal is to initiate a civil conversation that can replace the politics of fear that now dominates discussions of immigration.
A conversation on the challenges of immigration that includes the voices of recent immigrants, the documented and undocumented. A combination of analysis, story, and artistic expression opens up the complexities of immigration for undergraduates and for all Christians. De la Torre's goal is to initiate a civil conversation that can replace the politics of fear that now dominates discussions of immigration.
This book will attempt to explore faith-based responses to unending injustices by embracing the reality of hopelessness. It rejects the pontifications of some salvation history that move the faithful toward an eschatological promise that, when looking back at history, makes sense of all Christian-led brutalities, mayhem, and carnage. To embrace hopelessness moves away from a middle-class privilege that assumes all is going to work out in the end. By upsetting the norm, an opportunity might arise that can lead us to a more just situation, although such acts of defiance usually lead to crucifixion. Hopelessness is what leads to radical liberative praxis.
"The present volume is not about or just for U.S. Latinos/as. It is a collection of original essays that explore issues in Catholic systematic theology from the perspective of Latino/a faith and culture. Furthermore, this book is an example of doing theology from that perspective."--
It is an axiom within the U.S. law enforcement and intelligence communities that "following the money" is the key to disrupting and dismantling criminal organizations. The same is true when it comes to terrorist networks. Officials in the United States and abroad now realize that fighting terrorism financing (and its corollary, money laundering) is one of the best ways to prevent future catastrophic attacks. As a new generation of public servants learns the ropes and begins to contribute to the war on terror, the proven tactic of following money trails will become more central than ever. At the same time, this task is becoming increasingly complex due to our adversaries' skill in avoiding traditional financial countermeasures. Law enforcement and intelligence officials must learn to understand the sometimes obscure methodologies that terrorist organizations use to raise, move, and store money-whether these activities stem from the Usama bin Ladens of the world, rogue regimes like Iran and North Korea, or members of Hizbollah, Hamas, or a host of other like-minded organizations.
Thousands of hiker's traverse the Appalachian Trail. For most, it's an enjoyable experience. A chance to reconnect with nature, meet interesting people and get a great workout. For some, it can be a nightmare. Multiple women have been raped, ravaged and terrorized, along a 40 miles stretch, in the Great Smoky Mountains in Tennessee. Authorities are stumped. Unable to find the perpetrator, he strikes again. Eric Lance has a sickness. His heart desires power and control. His perverse appetites know no bounds. Can Rob Stone stop him from wrecking another life along the Appalachian Trail? He's out of shape, has a bum knee, and hiking farther than ever before. His faithful canine companion, Terrance, will have to help him out during a critical time. Finding the perpetrator, and stopping him, could cost both of them dearly. This harrowing thriller is a battle of good versus evil.
The “extraordinary” true story of the St. Louis, a German ship that, in 1939, carried Jews away from Hamburg—and into an unimaginable ordeal (The New York Times). On May 13, 1939, the luxury liner St. Louis sailed from Hamburg, one of the last ships to leave Nazi Germany before World War II erupted. Aboard were 937 Jews—some had already been in concentration camps—who believed they had bought visas to enter Cuba. The voyage of the damned had begun. Before the St. Louis was halfway across the Atlantic, a power struggle ensued between the corrupt Cuban immigration minister who issued the visas and his superior, President Bru. The outcome: The refugees would not be allowed to land in Cuba. In America, the Brown Shirts were holding Nazi rallies in Madison Square Garden; anti-Semitic Father Coughlin had an audience of fifteen million. Back in Germany, plans were being laid to implement the final solution. And aboard the St. Louis, 937 refugees awaited the decision that would determine their fate. Gordon Thomas and Max Morgan Witts have re-created history in this meticulous reconstruction of the voyage of the St. Louis. Every word of their account is true: the German High Command’s ulterior motive in granting permission for the “mission of mercy;” the confrontations between the refugees and the German crewmen; the suicide attempts among the passengers; and the attitudes of those who might have averted the catastrophe, but didn’t. In reviewing the work, the New York Times was unequivocal: “An extraordinary human document and a suspense story that is hard to put down. But it is more than that. It is a modern allegory, in which the SS St. Louis becomes a symbol of the SS Planet Earth. In this larger sense the book serves a greater purpose than mere drama.”
Fantasy roman.
A detailed and highly illustrated account of the Polish II Corps' (or 'Anders Army') perilous journey to fight side by side with Allied forces at the height of World War II. Following the conquest of Poland by Nazi Germany and the Soviet Union in 1939, hundreds of thousands of Polish families were torn from their homes and sent eastwards to the arctic wastes of Siberia. Prisoners of war, refugees, those regarded as 'social criminals' by Stalin's regime, and those rounded up by sheer chance were all sent 'to see the Great White Bear'. However, with Hitler's invasion of the Soviet Union in Operation Barbarossa just two years later, Russia and the Allied powers found themselves on the same side once more. Turning to those that it had previously deemed 'undesirable', Russia sought to raise a Polish army from the men, women and children that it had imprisoned within its labour camps. In this remarkable work, renowned historian Professor Norman Davies draws from years of meticulous research to recount the compelling story of this unit, the Polish II Corps or 'Anders Army', and their exceptional journey from the Gulag of Siberia through Iran, the Middle East and North Africa to the battlefields of Italy to fight shoulder-to-shoulder with Allied forces. Complete with previously unpublished photographs and first-hand accounts from the men and women who lived through it, this is a unique visual and written record of one of the most fascinating episodes of World War II.
Art As Witness is an invitation for professors, researchers, clergy, educators, students, and activists to creatively integrate the arts in theology and religious studies for a practical theology of arts-based research that prioritizes public witness. This methodology challenges the traditional written word as being the privileged norm, arguing that this emerging research genre is an excellent, viable, and necessary option for research that supports, promotes, and publicizes liberating theology for the marginalized, victimized, and oppressed. It includes a detailed case study of “Art Inside Karnes,” the all-volunteer arts-based ministry of presence the author facilitated inside a for-profit immigrant family detention center that became the Power of Hope traveling art exhibit for education, advocacy, and public witness. This primer covers practical ethical, legal, and political matters; includes pedagogical examples for how to use arts-based research for student assessment in theology and religious studies; and provides an overview of arts options, including literary genres, visual arts, fabric arts, theater, filmmaking, and new media with digital content. Art as Witness features 40 illustrations, several case studies, and multiple contributing theologian-artists who engage the arts in themes that include immigration, HIV/AIDS, biblical studies, political protest, gender equity, gun law reform, racial justice, and more.