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This is a unique collection of Cook's finest and funniest writings of which many have never been published before.
There are those who say - and Peter Cook himself was among them - that most of his humour was autobiographical. Others - and Peter Cook himself was among them -contend that this simply isn't the case. The truth, of course, lies somewhere in the middle. Peter Cook made President Kennedy wait in line to see him and visited Elizabeth Taylor in her dressing room. He befriended tramps and fundraised for CND. He was capable of extraordinary kindnesses and occasional cruelties. He helped define comedy and satire for a generation, but ended his life a recluse. Harry Thompson has produced the first ever comprehensive biography of this influential and fascinating subject who came up with some of the funniest sketches and greatest jokes of all time.
Australia’s pre-eminent comic Renaissance man turns his genius to novel writing. Having conquered television, radio, theatre and film, Shaun Micallef smashes his mighty fist onto the keyboard of his soul and produces a novel of such breathtaking brilliance that if Patrick White were alive today he’d hurl his own typewriter into the sea and start a lawn-mowing business. Suppose you were murdered and woke up 300 years earlier in someone else’s body. Wouldn’t you put yourself in suspended animation and be re-awoken in time to prevent yourself being murdered in the first place? This is the extraordinary tale of an ordinary man in a race against and across time. Join Sir Arthur Conan Doyle, HG Wells, Queen Victoria, Jack the Ripper and Tom Cruise as they unravel a Masonic plot to restore James II to the throne – and in the process, perhaps destroy the Universe itself. Soul transference, time travel, cloning, space ships, Hollywood and the Loch Ness Monster all come together for the first time in one action-packed and beautifully typeset novel. Preincarnate, Micallef’s first – and very probably only – novel, shows not only that he is the rightful heir to the mantle of White but also the unruly bastard son of Barry Humphries, Clive James and Miles Franklin (obviously they’d all been very drunk that night).
One Leg Too Few will feature an extensive range of fresh interviews, previously unpublished archive material and a wealth of information about the most creative (and explosive) double act that British comedy has ever produced. One Leg Too Few is a book about an extraordinary relationship: a friendship, a partnership - almost, at times, a marriage. Like a lot of marriages it ended badly, but for nearly 20 years, between the first date and the inevitable divorce, Peter Cook and Dudley Moore were the funniest thing on three continents. One Leg Too Few is the story of that relationship, and the comedy that came from it.
Portion of edition statement found on back cover.
If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...
A young woman is haunted by the ghost of her conjoined twin, in Lisa Brown's The Phantom Twin, a sweetly spooky graphic novel set in a turn-of-the-century sideshow. Isabel and Jane are the Extraordinary Peabody Sisters, conjoined twins in a traveling carnival freak show—until an ambitious surgeon tries to separate them and fails, causing Jane's death. Isabel has lost an arm and a leg but gained a ghostly companion: Her dead twin is now her phantom limb. Haunted, altered, and alone for the first time, can Isabel build a new life that's truly her own?
There are two things about being a twinless twin in which I am absolutely positive about. There is nothing more painful than witnessing someone suffer, especially when that someone holds half of your heart. She is always with me. Sometimes for the good, sometimes for the bad, but I always know she's always there. Twin bonds are forever, even
Launched in 1914, two years after the ill-fated voyage of her sister ship, RMS Titanic, the Britannic was intended to be superior to her tragic twin in every way. But war intervened and in 1915 she was requisitioned as a hospital ship. Just one year later, while on her way to collect troops wounded in the Balkans campaign, she fell victim to a mine laid by a German U-boat and tragically sank in the middle of the Aegean Sea. There her wreck lay, at a depth of 400 feet, until it was discovered 59 years later by legendary explorer Jacques Cousteau. In 1996 the wreck was bought by the author of this book, Simon Mills. Exploring the Britannic tells the complete story of this enigmatic ship: her construction, launch and life, her fateful last voyage, and the historical findings resulting from the exploration of the well-preserved wreck over a period of 40 years. With remarkable sonar scans and many never before seen photographs of the wreck, plus the original Harland & Wolff ship plans, not previously published in their entirety, Exploring the Britannic finally details how the mysteries surrounding the 100-year-old enigma were laid to rest, and what the future might also hold for her.
The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.