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In recent decades, there has been a growing recognition of the significance of the supernatural in a Victorian context. Studies of nineteenth-century spiritualism, occultism, magic, and folklore have highlighted that Victorian England was ridden with spectres and learned magicians. Despite this growing body of scholarship, little historiographical work has addressed the Devil. This book demonstrates the significance of the Devil in a Victorian context, emphasising his pervasiveness and diversity. Drawing on a rich array of primary material, including theological and folkloric works, fiction, newspapers and periodicals, and broadsides and other ephemera, it uses the diabolic to explore the Victorians' complex and ambivalent relationship with the supernatural. Both the Devil and hell were theologically contested during the nineteenth century, with an increasing number of both clergymen and laypeople being discomfited by the thought of eternal hellfire. Nevertheless, the Devil continued to play a role in the majority of English denominations, as well as in folklore, spiritualism, occultism, popular culture, literature, and theatre. The Devil and the Victorians will appeal to readers interested in nineteenth-century English cultural and religious history, as well as the darker side of the supernatural.
This edited collection analyses the phenomenon of coin use for religious and ritual purposes in different cultures and across different periods of time. It proposes an engagement with the theory and interpretation of the ‘material turn’ with numismatic evidence, and an evidence-based series of discussions to offer a fuller, richer and fresh account of coin use in ritual contexts. No extensive publication has previously foregrounded coins in such a model, despite the fact that coins constitute an integrated part of the material culture of most societies today and of many in the past. Here, interdisciplinary discussions are organised around three themes: coin deposit and ritual practice, the coin as economic object and divine mediator, and the value and meaning of coin offering. Although focusing on the medieval period in Western Europe, the book includes instructive cases from the Roman period until today. The collection brings together well-established and emerging scholars from archaeology, art history, ethnology, history and numismatics, and great weight is given to material evidence which can complement and contradict the scarce written sources.
A systematic exploration of Thomas Hardy's imaginative assimilation of particular Victorian sciences, this study draws on and swells the widening current of scholarly attention now being paid to the cultural meanings compacted and released by the nascent 'sciences of man' in the nineteenth century. Andrew Radford here situates Hardy's fiction and poetry in a context of the new sciences of humankind that evolved during the Victorian age to accommodate an immense range of literal and figurative 'excavations' then taking place. Combining literary close readings with broad historical analyses, he explores Hardy's artistic response to geological, archaeological and anthropological findings. In particular, he analyzes Hardy's lifelong fascination with the doctrine of 'survivals,' a term coined by E.B. Tylor in Primitive Culture (1871) to denote customs, beliefs and practices persisting in isolation from their original cultural context. Radford reveals how Hardy's subtle reworking of Tylor's doctrine offers a valuable insight into the inter-penetration of science and literature during this period. An important aspect of Radford's research focuses on lesser known periodical literature that grew out of a British amateur antiquarian tradition of the nineteenth century. His readings of Hardy's literary notebooks disclose the degree to which Hardy's own considerable scientific knowledge was shaped by the middlebrow periodical press. Thus Thomas Hardy and the Survivals of Time raises questions not only about the reception of scientific ideas but also the creation of nonspecialist forms of scientific discourse. This book represents a genuinely new perspective for Hardy studies.
Learn how to cultivate a herbal apothecary, sow a glorious flowerbed, and grow fruits and vegetables using this magical guide of age-old knowledge and charms. There is that in the hum and business of a garden that makes for peace; the senses are softly stirred even as the heart finds wings.—Calthrop, 1910 An ideal gardening companion, Garden Magic will help you reconnect with the power of nature. With guidance on sowing, propagating, and harvesting, including everything from practical advice and growing tips to incantations and spells. Discover how to predict the weather, protect your plants and crops from pests, and explore the properties and powers of various herbs, trees, and flowers. Combining traditional green thumb practices with the ancient art of witchcraft, this collection of folkloric knowledge will help your garden flourish. Garden Magic is perfect for herbalists, gardening enthusiasts, and those looking to tune into the power of the natural world.
This book features a selection of the most representative papers presented during the international conference Dying and Death in 18th-21st Century Europe (ABDD). It invites you on a fascinating journey across the last three centuries of Europe, with death as your guide. The past and present realities of the complex phenomena of death and dying in Romania, the United Kingdom, Bulgaria, Serbia, the Czech Republic, the Netherlands, and Italy are dealt with, by authors from varying backgrounds: historians, sociologists, priests, humanists, anthropologists, and doctors. This is yet more proof that death as a topic cannot be confined to one science, the deciphering of its meanings and of the shifts it effects requiring a joint, interdisciplinary effort.