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Beginning in 1907, the anthropologist Robert H. Lowie visited the Crow Indians at their reservation in Montana. He listened to tales that for many generations had been told around campfires in winter. Vivid tales of Old-Man-Coyote in his various guises; heroic accounts of Lodge-Boy and the Thunderbirds; supernatural stories about Raven-Face and the Spurned Lover; and other tales involving the Bear-Woman, the Offended Turtle, the Skeptical Husband--all these were recorded by Lowie. They were originally published in 1918 in an Anthropological Paper by the American Museum of Natural History. Myths and Traditions of the Crow Indians is now reprinted with a new introduction by Peter Nabokov. These concretely detailed accounts served the Crow Indians as entertainers, moral lessons, cultural records, and guides to the workings of the universe.
Exploring the links between the nineteenth-century nomadic life of the Crow Indians and their modern existence, this book demonstrates that dislocation and conquest by outsiders drew the Crows together by testing their ability to adapt their traditions to new conditions.
Birds of mystery, intelligence, and curiosity, ravens and crows have fascinated humans for untold centuries. In this first in a series of beautifully illustrated books that celebrate the power and beauty of the animal kingdom, Catherine Feher-Elston considers the raven in the contexts of mythology, folklore, history, and science. From the raven's role as trickster in Native American religion to his ability to captivate ornithologists and biologists with his intriguing behaviors, Ravensong pays tribute to the elegance and grandeur of two of America's most ubiquitous avian species.
For nearly ten years between 1907 and 1931, anthropologist Robert H. Lowie lived among the Crow Indians, listening to the old men and women tell of times gone forever. Lowie learned much about what had been, and still was, a society remarkable for its variability and cohesion, and for its resistance to the encroachments of white civilization. Written with clarity and vigor, Lowie's study makes instantly accessible what had taken him years to discover. He sacrificed neither personal sensitivity nor narrative skill to scientific scruples, but brought his scientific work to life. Crow religion, ceremonies, taboos, kinship bonds, tribal organization, division of labor, codes of honor, and rites of courtship and wedlock receive their due. The Crow Indians is a masterpiece of ethnography, foremost for Lowie's portrayal of the different personalities he encountered: Gray-bull and his marital troubles; the great visionary Medicine-crow; Yellow-brow, the gifted storyteller; and many more.
Though not generally perceived as graceful, crows are remarkably so—a single curve undulates from the tip of the bird’s beak to the end of its tail. They take flight almost without effort, flapping their wings easily and ascending into the air like spirits. Crow by Boria Sax is a celebration of the crow and its relatives in myth, literature, and life. Sax takes readers into the history of crows, detailing how in a range of cultures, from the Chinese to the Hopi Indians, crows are bearers of prophecy. For example, thanks in part to the birds’ courtship rituals, Greeks invoked crows as symbols of conjugal love. From the raven sent out by Noah to the corvid deities of the Eskimo, from Taoist legends to Victorian novels and contemporary films, Sax’s book ranges across history and culture and will interest anyone who has ever been intrigued, puzzled, annoyed, or charmed by these wonderfully intelligent birds.
The oral historian of the Crow tribe collects stories which introduce the world of the Crow Indians, including its legends, humorous tales, history, and everday life.
“Crows and people share similar traits and social strategies. To a surprising extent, to know the crow is to know ourselves.”—from the Preface From the cave walls at Lascaux to the last painting by Van Gogh, from the works of Shakespeare to those of Mark Twain, there is clear evidence that crows and ravens influence human culture. Yet this influence is not unidirectional, say the authors of this fascinating book: people profoundly influence crow culture, ecology, and evolution as well. John Marzluff and Tony Angell examine the often surprising ways that crows and humans interact. The authors contend that those interactions reflect a process of “cultural coevolution.” They offer a challenging new view of the human-crow dynamic—a view that may change our thinking not only about crows but also about ourselves. Featuring more than 100 original drawings, the book takes a close look at the influences people have had on the lives of crows throughout history and at the significant ways crows have altered human lives. In the Company of Crows and Ravens illuminates the entwined histories of crows and people and concludes with an intriguing discussion of the crow-human relationship and how our attitudes toward crows may affect our cultural trajectory.
This Top Five Classics illustrated edition of Edgar Allan Poe’s The Raven includes: • All 25 illustrations by Gustave Doré for Harper & Brothers’ 1884 edition • An informative Introduction • A detailed Biography of Edgar Allan Poe • The illustrated version and text-only version of the full poem No poem has ever received the kind of immediate and overwhelming response that Poe’s “The Raven” did when it first appeared in the New York Evening Mirror on January 29, 1845. It made Poe an overnight sensation (though his great fame never brought him much wealth) and the poem, a powerfully haunting elegy to lost love, remains one of the most beloved and recognizable verses in the English language. The illustrations that accompany this Top Five Classics edition are reproductions of the renowned French artist Gustave Doré’s steel-plate engravings created for Harper & Brothers’ 1884 release of The Raven. It would be Doré’s last commission as he died shortly after completing the 25 illustrations in January 1883. His illustrations would become famous in their own right, evoking as they do the lyrical and mystical air of Poe’s masterpiece.