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This book aims at creating a deeper understanding and appreciation of the Indian dance and its cultural environment in India. The book is addressed to the general reader, dancer, and connoisseur, interested in the arts and traditions of India, where regional forms of dance rituals, dance-drama, folk dance, and classical dance forms have existed for centuries as an essential part of sacred rites and festivals, and as a classical art patronised and practised by the royalty.
Based on twelve years of research, this book provides detailed descriptions of the culture of folk theatre and outlines its importance for practitioners, audiences and the worldwide theatre industry, presenting a unique angle on selected performances.
India is a pioneer in Performing arts. This books deals with five classical dance forms of india in detai, viz., Bharatanatyam,Kathakali,orissi,manipuri and Kathak.
Throughout its history, the United States has become a new home for thousands of immigrants, all of whom have brought their own traditions and expressions of ethnicity. Not least among these customs are folk dances, which over time have become visual representations of cultural identity. Naturally, however, these dances have not existed in a vacuum. They have changed--in part as a response to ever-changing social identities, and in part as a reaction to deliberate manipulations by those within as well as outside of a particular culture. Compiled in great part from the author's own personal dance experience, this volume looks at how various cultures use dance as a visual representation of their identity, and how "traditional" dances change over time. It discusses several "parallel layers" of dance: dances performed at intra-cultural social occasions, dances used for representation or presentation, and folk dance performances. Individual chapters center on various immigrant cultures. Chiefly the work focuses on cultural representation and how it is sometimes manipulated. Key folk dance festivals in the United States and Canada are reviewed. Interviews with dancers, teachers, and others offer a first-hand perspective. An extensive bibliography encompasses concert programs and reviews as well as broader scholarly sources.
During the more than two decades publishing the Journal of Asian Martial Arts, we were fortunate to have Dr. Phillip Zarrilli on our Editorial Board. Internationally known for training actors through an infusion of Asian martial arts and yoga elements, he was a devoted teacher and theatre director/ performer. When he went to India at age 29 to study Kathakali dance, he was sidetracked after becoming captivated by kalaripayattu — the Indian martial art he studied in Kerala State. He eventually became the leading Western scholar who focused on martial arts and healing practice in south India. Just as we are finishing the preparation of this special anthology for publication, we learn that Dr. Zarrilli passed away on March 9, 2020. This work contains four of Dr. Zarrilli’s articles previously published in our journal. These are highly significant for anyone interested in Indian martial traditions and are of great value for comparative studies with other Asian martial arts. Dr. Zarrilli’s material here focuses on the combat arts of kalaripayattu and varma ati, and associated healing arts that encompass massage and herbal modalities. Those familiar with Far Eastern martial arts will find Dr. Zarrilli’s thorough presentation of vital spots and energy channels congruent with the theory and practices of acupuncture and the knowledge of energy meridians. Dr. Sara Schneider shares her experience studying kalaripayattu in Kerala as an American single female in a foreign culture. Her observations as a scholar are insightful. Although not recorded in her writing, it would be equally insightful to obtain the views of how the native guru, his family and students perceived her presence as a foreign academic researcher and martial art practitioner. Two more chapters broaden the coverage. Khilton Nongmaithem and Dainis Jirgensons present the martial art of Thang-Ta (“sword-spear”) as practiced in the northeastern state of Manipur. Their work also hints at the great depth and breadth of Indian martial traditions. Music and dance are natural companions with martial traditions. By looking at these art forms, Dr. Bandana Mukhopadhyay’s chapter brings out some essential elements that accompany the culture of warfare in India. We hope you will enjoy reading this special anthology — dedicated to Dr. Phillip Zarrilli.
Heir to a diverse array of traditions, the Indian subcontinent boasts customs that are distinguished by a constant juxtaposition of the ancient and the modern. The omnibus culture that has resulted from a rich history reflects an accommodation of ideas from across the globe and over time. This inviting narrative examines the tapestry of major events and beliefs that imbue everyday Indian life with vitality, and it presents the remarkable achievements in writing and the arts that have influenced individuals throughout the world.
Biography of a folk artist from Orissa.