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This book introduces students, professionals and the general public to the architectural achievements of diverse cultures outside the Euroamerican tradition. Rather than concentrating on geographic or chronological categories, however, the authors have arranged their subject matter thematically in order to focus on the basic needs common to all human communities. The book is divided into five major sections, each of which deals with vernacular as well as monumental structures. These five topics are discussed in terms of particular architectural solutions, comparing and contrasting geographically separated buildings and construction traditions. For example, the issue of architectural meaning is studied through symbolic gardens in China, verbal ornament in the Islamic world, and the wall paintings of Ndebele women of southeast Africa. Theoretical issues related to particular building traditions are illuminated by these juxtapositions. Traditions in Architecture begins with an investigation into the ways in which the continuity of traditional forms is maintained. Next, the authors explore practical issues such as housing and food structures, climate and ecology, building materials, and architectural forms and methods. Architectural goals and purposes, which determine what is built, vary from culture to culture and are given special attention. Planning and design -- ways in which space is used in patterns of organization -- constitute a discussion ranging from urban plans to landscaped settings. The text concludes with an examination of cultural values, investigating the interaction between architecture and social relations, traditional theories, decision-making, and the economics of building.
The book is an attempt to bridge the gap between the past and the future the vernacular and the contemporary. It questions the relevance of the vernacular in contemporary times and illustrates the inherent sustainability in vernacular built form. Emphasizing on the fact that apart from the preservation of vernacular architecture it is more important to carry forward the valuable lessons of the past into the future, the book presents myriad examples of contemporary architectural works and showcases how vernacular traditions can be reinterpreted to form contemporary buildings. It encourages young designers to look within India for models of sustainable design rather than importing international designs which may or may not be relevant to the Indian context.
India is a lively and diverse country that in recent years has developed into one of the largest industrialized nations in the world. This process is also reflected in its architecture. Recent developments betray a new consciousness and the search for an Indian identity. International influences are merging with traditional styles to create a unique new architectural language, which also bears the stamp of Le Corbusier and Louis Kahn, who worked there. In its introduction, the book depicts the rise of modern architecture in India since independence in 1947. The main section describes the important tendencies of contemporary Indian architecture in thematic chapters, each with built examples. In addition to the new younger generation of Indian architects, it also considers the first post-independence generation, including Balkrishna Doshi and Charles Correa.
The first book on the houses and interiors of a firm known for its sensitive and sumptuous residential work in traditional and contemporary styles. Whether for a plantation guesthouse in South Carolina or a Dutch Colonial home on Long Island Sound, Eric J. Smith's evocative designs are the result of thoughtful planning integrated with a deep understanding of his clients' lives and lifestyles, a design ethos beautifully evident in the book. From a Georgian home in California and a French Country home on Long Island to a Shelter Island fishing camp, Smith's work is at once an homage to tradition and an expression of the living beauties these traditions still offer. Over the course of a storied career, and often working with prestigious interior designers--including Alexa Hampton, David Easton, and William Diamond--Smith has garnered a reputation for a kind of personal architecture that is, in each case, in sync with the homeowner, whomever he or she may be, and the place, whether it is oceanfront, on a hillside, or set beside a lake or stream. Renewing Tradition features custom residential projects from New York to California, and Bermuda to the United Kingdom, and Smith's houses, apartments, and country cabins are a revelation, work to be savored and which will serve to inspire homeowners in search of a guide to achieving comfortable elegance in the home.
Architectural conservation and national narratives -- Styles for the nation and state -- Appropriation of heritage(s).
Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
The rich and diverse architectural traditions of the Eastern Mediterranean and adjacent regions are the subject of this book. Representing the visual residues of a "forgotten" Middle Ages, the social and cultural developments of the Byzantine Empire, the Caucasus, the Balkans, Russia, and the Middle East parallel the more familiar architecture of Western Europe. The book offers an expansive view of the architectural developments of the Byzantine Empire and areas under its cultural influence, as well as the intellectual currents that lie behind their creation. The book alternates chapters that address chronological or regionally-based developments with thematic studies that focus on the larger cultural concerns, as they are expressed in architectural form.
Fifteen lavishly detailed Southern houses in Atlanta, Georgia, South Carolina, the Virginia Piedmont, along the Florida coasts, and in the mountains of North Carolina, from a leader in traditional architecture. Esteemed Atlanta architect Norman Davenport Askins made his name with his mastery of historical precedent. His gracious and livable designs recall such diverse sources as Italian Renaissance country villas, hillside castles in the Dordogne, and the very strong presence of the Colonial Revival and Federal houses in Atlanta and the greater South. Inspired by Tradition presents a portrait of Southern elegance through Askins’s trademark infusion of traditional design with understated innovation and style. New color photographs of interiors and landscape, commissioned specially for the book, complement traditional hand-drawn plans and elevations. In a special section dedicated to “Elements of Tradition,” Askins identifies the key components of traditional design and the parameters for using them successfully. Ultimately he believes in approaching tradition with innovation and individuality—adding touches of glamour, humor, and romance that bring his houses to life.
A monograph drawing together all the strands of India's architectural history.