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The silks and costumes of Cambodia are among the most beautiful and complex in Southeast Asia. Gillian Green's comprehensive text provides a historical framework from the Angkorian period onwards. From every day dress and dance costumes, to temple hangings and monks robes, all aspects of Cambodian textiles are elucidated and illustrated in full colour.- from Amazon.
Illuminates many facets of these spectacular cloths.
"First published in 2012 by Tilleke & Gibbins International Ltd. ... in association with Serindia Publications, Inc.,,"--T.p. verso.
Textiles provide a visual history of a country's culture and crafting traditions in a way few other things can accomplish. In Textiles of Southeast Asia, Dr. Robyn Maxwell provides the definitive work on Southeast Asian textiles. Traditional textiles are one of the most widely collected and important categories of Southeast Asian art. Using an extensive range of locally produced raw materials and an astonishing array of techniques—including applique, weaving, batik and embroidery—the textiles of Southeast Asia are astonishing in their versatility and originality. Textiles are used to fashion everything from everyday clothing to sacred and ceremonial costumes, shrouds and wrapping cloths, hangings, banners and ritual regalia—all of which are represented and explained in Textiles of Southeast Asia. This authoritative text focuses on the changing relationship between indigenous Southeast Asian traditions and the outside influences continuing to be brought to the area, which change the nature of the region's textile traditions. This book considers the various ways Southeast Asian textile artisans reacted over the centuries to the steady stream of new and powerful ideas and raw materials arriving from India, China, the Islamic world and Europe. A detailed and definitive resource, Textiles of Southeast Asia is a welcome addition to the field of textiles.
The Princess of the Flaming Womb, the Javanese legend that introduces this pioneering study, symbolizes the many ambiguities attached to femaleness in Southeast Asian societies. Yet, despite these ambiguities, the relatively egalitarian nature of male-female relations in Southeast Asia is central to arguments claiming a coherent identity for the region. This challenging work by senior scholar Barbara Watson Andaya considers such contradictions while offering a thought-provoking view of Southeast Asian history that focuses on women's roles and perceptions. Andaya explores the broad themes of the early modern era (1500-1800) - the introduction of new religions, major economic shifts, changing patterns of state control, the impact of elite lifestyles and behaviors - drawing on an extraordinary range of sources and citing numerous examples from Thai, Vietnamese, Burmese, Philippine, and Malay societies.
"Angkor, the temple and palace complex of the ancient Khmer capital in Cambodiais one of the world's most famous monuments. Hundreds of thousands oftourists from all over the globe visit Angkor Park, one of the finest UNESCO WorldHeritage Sites, every year. Since its UNESCO listing in 1992, the Angkor regionhas experienced an overwhelming mushrooming of hotels and restaurants; theinfrastructure has been hardly able to cope with the rapid growth of mass tourismand its needs. This applies to the access and use of monument sites as well. The authors of this book critically describe and analyse the heritage nominationprocesses in Cambodia, especially in the case of Angkor and the temple ofPreah Vihear on the Cambodian/Thai border. They examine the implications theUNESCO listings have had with regard to the management of Angkor Park andits inhabitants on the one hand, and to the Cambodian/Thai relationships on theother. Furthermore, they address issues of development through tourism thatUNESCO has recognised as a welcome side-effect of heritage listings. They raisethe question whether development through tourism deepens already existinginequalities rather than contributing to the promotion of the poor"--Publisher's description.
"Part travelogue, part silk-weaving primer, this is a tender portrait of an American family's travels in Laos's Houaphon Province. As they learn about the ancient silk weaving traditions in the hill tribe community of Xam Tai, so too they gain an appreciation for the strong sense of well-being in Lao culture. Over the past decade, Beck and Hirschstein have developed deep connections with the villagers of Xam Tai who produce the finest, most intricate, most traditional silks in the world. The weavers raise their own fiber from silkworms, dye it using local natural dyes, and weave the patterns of their ancestors into healing cloths, ceremonial textiles, and daily wear. Hirschstein and Beck provide an in-depth and rare view into the everyday lives, cultures, and craft of Lao silk weavers"--Front cover French flap.
This ground-breaking book documents the weaving traditions and textiles of one of Asia's most ethnically diverse areas, placing them in a regional context. Based on more than a decade of first-hand study in the field, the authors record the traditions of Miao, Yao, Buyi, Dong, Zhuang, Maonan, Dai and Li weavers from Guizhou to Hainan Island. They describe the looms and techniques of these groups, including diagrams, descriptions and photographs of the weaving processes and woven structures. Each tradition is illustrated with outstanding examples of textiles, drawn from the He Haiyan collection in Beijing, including many 19th century examples.The authors present a novel analysis of loom technology across the Asian mainland, using techniques derived from linguistics and biology. They use these to chart the evolutionary history of looms in Asia, demonstrating that all the major traditions are related in spite of their apparent diversity. The results have far-reaching implications, for example shedding light on the development of the Chinese Drawloom and showing how key patterning features were derived from Tai-Kadai looms.The book is a visual delight as well as a resource for scholars, collectors and curators. The fieldwork in this book is a primary, while the looms and techniques will be essential reading for those interested in weaving and textile history, as well as contemporary weavers and designers wishing to learn how to reproduce traditional patterns and methods. The account of the development and links between weaving cultures will be a revelation for those interested in cultural evolution and the diversity of mankind.