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Words and music for sixty-two songs of Irish, English, Scottish, and North American origin.
Edith Fowke (1913-1996) was a renowned Canadian folklorist, folk song collector, researcher, writer, and teacher who during her long career recorded nearly two thousand songs. Awarded the Order of Canada in 1978 and named a Fellow of the Royal Society of Canada in 1983, Fowke's legacy is recognized by folk singers and scholars alike as the most comprehensive work in its field. Producing radio programs for the CBC throughout the 1950s and 1960s, she was responsible for discovering such eminent singers as LaRena Clark, Tom Brandon, and O. J. Abbott. O. J. Abbott was one of Fowke's most prolific singers, as she collected and recorded over 120 of his songs, 66 of them transcribed for this collection. The songs, mostly of Irish origin, were popular among settlers to the Ottawa valley and in the lumber camps of northern Ontario in the late 1800s. Born in England in 1872, Abbott worked throughout Ontario and Quebec in lumber camps before settling in Hull, Quebec. He recorded numerous records for the Folkways label and performed with such folk heroes as The Travellers, Ian and Sylvia, and Pete Seeger. Songs of the North Woods as sung by O.J. Abbott and collected by Edith Fowke includes a detailed musical analysis that outlines the meter, scale, and range of each song, an index that indicates where each song can be found on the original source tapes, and extensive field notes, interviews, and recording details.
Contains over 500 articles Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography. Special features *More than 2000 contributors *Over 500 articles spotlight folk literature, music, crafts, and more *Alphabetically arranged *Entries accompanied by up-to-date bibliographies *Edited by America's best-known folklore authority
Notes and Sources to Folk Songs of the Catskills, also published by the State University of New York Press, is the companion volume to Folk Songs of the Catskills. It contains extensive reference notes that exemplify and support detailed citations in the commentary preceding each song. The book also includes a comprehensive list of sources, including books, broadsides or pocket songsters, disc recordings, music publications, periodicals, tape archives, and other miscellaneous material, as well as information on variants, adaptations, comments or references, texts, and tunes. These notes are designed to provide succinct reference information.
This volume makes available the full range of the American/Canadian musical experience, covering-for the first time in print-all major regions, ethnic groups, and traditional and popular contexts. From musical comedy to world beat, from the songs of the Arctic to rap and house music, from Hispanic Texas to the Chinese communities of Vancouver, the coverage captures the rich diversity and continuities of the vibrant music we hear around us. Special attention is paid to recent immigrant groups, to Native American traditions, and to such socio-musical topics as class, race, gender, religion, government policy, media, and technology.
"One of the finest works to come out in recent years on cowboy songs, in addition to being the first good collection of the cowboy's bawdy material. . . . A must for anyone who is a student of cowboy music--or anyone who just likes the sound of dirty subject matter rhyming." -- Hal Cannon, Journal of Country Music "A brave and honest step toward increasing our understanding of what cowboys really sing." -- Bob Bovee, Old Time Herald "A thorough piece of scholarship and collectanea and a valuable, welcome addition to cowboy song literature." -- Keith Cunningham, Mid-America Folklore "Logsdon has written the book with a scholar's attention to detail. But what shows through the scholarship is the collector's enthusiasm for the material. . . . A superb job in a difficult area." -- Angus Kress Gillespie, Journal of American History "A major contribution to the folklore and popular culture, history, and social psychology of American cowboy culture." -- Kenneth S. Goldstein, former president, American Folklore Society
The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.
Like many other folklorists of his time, the author started out as a folksinger--guitar, levis, and all--but it wasn't long before his folksinging led him to folksong collecting. This book is a record of that collecting in Prince Edward Island, starting with his memorable trip up the Western Road in 1957, accompanied by the legendary "Big Jim" Pendergast. Based on his journals, field recordings (fourteen of which are included on an accompanying CD), and a prodigious memory, the author has reconstructed those visits to Prince Edward Island. This book is not only a collection of folksongs from Canada's smallest province, but also an account of the people he met and the adventures he had along the way. Part social history, part memoir, this book explores a traditional culture on the cusp of dramatic change.
Hailed as a landmark in Canadian literary scholarship when it was originally published in 1965, the Literary History of Canada is now being reissued, revised and enlarged, in three volumes. This major effort of a large group of scholars working in the field of English-language Canadian literature provides a comprehensive, up-to-date reference work. It has already proven itself invaluable as a source of information on authors, genres, and literary trends and influences. It represents a positive attempt to give a history of Canada in terms of writings which deserve attention because of significant thought, form, and use of language. Volume I comprises Parts I to III of the original edition, and covers the years from the beginning of Canadian literature in English to about 1920. The contributors to this volume are David Galloway, Victor G. Hopwood, Alfred G. Bailey, Fred Cogswell, James and Ruth Talman, Carl F. Klinck, Edith Gordon Roper, Rupert Schieder, S. Ross Beharriell, Brandon Conron, Elizabeth Waterston, Alec Lucas, John A. Irving, A.H. Johnson, A. Vibert Douglas, and Frank W. Watt.