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A book outlining various issues faced by Muslims with regards to imitating the disbelievers. This book takes you on a journey explaining their history and Islamic ruling concerning every matter. Imitation of the Kuffaar means imitating their clothing and appearance, and the customs that are unique to them. It does not mean that we should not ride what they ride or wear what they wear. But if they ride in a specific way that is unique to them, then we should not ride in that way. If they tailor their clothes in a certain fashion that is unique to them, we should not do likewise. But if we have cars that are similar to theirs and fabric that is similar to theirs, there is nothing wrong with that. As for customs, the basic principle is that they are permissible, unless there is evidence to prove that they are not allowed. Based on that, if the people are accustomed to something and anyone tells them that it is Haraam, then he is required to produce evidence; it should be said to him: Where is the evidence that it is Haraam? But in the case of acts of worship, if someone tells a person that a particular act of worship is an innovation, and he says that it is not an innovation, we say to him: Where is the evidence that is it is not an innovation? Because the basic principle with regard to acts of worship is that they are not allowed unless there is evidence to prove that they are Islamically prescribed. Topics covered are: Amulets & Talismans Beard & Mustache Celebrations, Events & Festivals - April Fool’s Day - Baby Shower - Birthday - Carnivals - Christmas - Father’s Day - Fiesta De San Fermín - Halloween - Holi - International Women’s Day - International Yoga Day - La Tomatina - Mardi Gras - Mother’s Day - National Day - New Year - Nowruz - SF Pride - Thanksgiving - Valentine’s Day Clapping Clothing & Accessories - Cross-Dressing - Graduation Gown & Cap - Specific Colors - Specific Styles - Wearing High Heels - Women Wearing Trousers Cohabitation Discrimination In Punishment Eating & Drinking With Your Left Hand Eyebrow Shaping & Plucking Excessive Love For Dogs Extreme Decoration Of Mosques Female Infanticide Feminism Greetings - Bowing - Curtsy - Namaste or Namaskar - Sembah - Touching Feet (Charan Sparsh) Growing & Keeping Long Nails Hair Styles Love Bite Meditation Men Wearing Bracelets Men Wearing Chains & Necklaces Moment Of Silence Nationalism Palmistry Piercings Proposing A Toast Proposing On One Knee Rallies & Protests Selfie Culture Shrines Sports Fanaticism Standing Ovation Standing Up For National Anthem Superstition Tattooing Weddings - Bachelor Party - Bridal Shower - Honeymoon Whistling Wife Taking The Husband’s Surname Wigs & Extensions Zodiac Signs
"This book is a study of the Muslim world's entanglement with colonial modernity. More specifically, it is an historical examination of the development of the long-standing, indigenous tradition of learning and praxis known as Islamic law (shari°a, fiqh) as a result of its imbalanced interaction with new European modes of knowing during, and in the immediate aftermath of, the colonial experience. Drawing upon the writings of jurist-scholars from the òHanaf åischool of law writing in Cairo, Kazan, Lucknow, Baghdad and Istanbul, Transformations of Tradition reveals several central shifts in Islamic legal writing that throw into doubt the possibility of reading its later trajectory through the lens of a continuous "tradition." By focusing especially on the work of Muòhammad Bakhåit al-Muòtåi°åi, Mufti of Egypt for a time and a leading scholar at the Azhar, Transformations shows that the colonial moment of the late nineteenth and early twentieth centuries marked a significant rupture in how Muslim jurists understood history and authority, science and technology, and religion and the secular, thereby upending the very ground upon which Islamic law had until then functioned"--
This thought provoking book deals with religious scholarship and important controversies of the early modern period, specifically those relating to the question of the salvation of the pagans and the afterlife. From the Reformation, through the Renaissance and on to the seventeenth and eighteenth century, this was a time when religious scholarship was updated with the discoveries of the New World and colonial expansion. These chapters present new work, shedding light on the interplay of philosophy and theology in key thinkers such as Montaigne, Leibniz, Bayle and Spinoza, but also in less known authors such as Gianfrancesco Pico della Mirandola and Sebastian Castellio. Readers will discover analysis of the reshaping of specific theological issues, focussing on the reception of ancient philosophical traditions such as Platonism, Aristotelianism, Stoicism, Epicureanism, and scepticism. The authors investigate the relationship between the ethical models inspired by the heroes and philosophers of antiquity and the ‘new philosophy’. Above all, this book enables exploration of the ways in which discussions of the salvation and virtues of pagans intersected with the early modern reception of ancient philosophy, including a reassessment of the question of the moral status of unbelievers in the early modern period. Students and faculty working on early modern intellectual history will find that this book both inspires and enriches their knowledge. Those with an interest in Renaissance humanism, the history of early modern philosophy and science, in theology, or the history of religion will also appreciate the new contributions that it makes.
In this biography Nico J.G. Kaptein studies the life and times of Sayyid ʿUthman (1822-1914), the most prominent Muslim scholar of his era in the Netherlands East Indies. During his long career, he provided guidance to the Muslim community and from 1889 onwards simultaneously served the colonial government as advisor for Muslim affairs after the famous C. Snouck Hurgronje had engaged him. Based on an analysis of his writings, Kaptein focuses on the question of how Sayyid ʿUthman viewed the place of Islam in the colonial state and the many reactions this provoked, both nationally and internationally, e.g. from the Cairo-based reformist Rashid Rida. For an online exhibition on "Sayyid ʿUthman of Batavia (1822-1914): A Life in the Service of Islam and Colonial Rule", see: http://www.library.leiden.edu/special-collections/special/sayyid-uthman-exhibition-now-online.html
This study illustrates why the language of the Qur'an is miraculous, unique, and evidence of divine authority. The author compares the language of the Qur'an with the language of pre-Islamic poetry, the Prophet's words (hadith), and the language of the Arabs both past and present, to demonstrate that although the Qur'an was revealed in Arabic it was at the same time an Arabic which was entirely new. Original and early Muslim audiences viewed this as miraculous and responded to the Qur'an's words, sounds, rhythms, etc. in a manner consistent with a deeper appreciation of its beauty and majesty which modern ears, trained by familiarity, and despite being surrounded by all manner of dictionaries and studies, are at a loss to capture. The author attempts to remove this veil and present the Qur'an to readers as if hearing it for the first time, to bring to life some of this wonder. In doing so he guides readers to appreciate the beauty of the Qur'an, to become more immersed in it, and to have a clearer understanding of its structure and flow. Devoting special attention to Surah Al Muddaththir, to underpin his analysis, Saeh thus brings the Revelation to life, to demonstrate that each surah has distinct features and characteristics that make it stand out uniquely within the design and sweep of the whole.
This book is concerned with the rationality and plausibility of the Muslim faith and the Qur'an, and in particular how they can be interrogated and understood through Western analytical philosophy. It also explores how Islam can successfully engage with the challenges posed by secular thinking. The Quran and the Secular Mind will be of interest to students and scholars of Islamic philosophy, philosophy of religion, Middle East studies, and political Islam.
This book is one of the many Islamic publications distributed by Mustafa Organization throughout the world in different languages with the aim of conveying the message of Islam to the people of the world. Mustafa Organization is a registered Organization that operates and is sustained through collaborative efforts of volunteers in many countries around the world, and it welcomes your involvement and support. Its objectives are numerous, yet its main goal is to spread the truth about the Islamic faith in general and the Shi`a School of Thought in particular due to the latter being misrepresented, misunderstood and its tenets often assaulted by many ignorant folks, Muslims and non-Muslims. Organization's purpose is to facilitate the dissemination of knowledge through a global medium, the Internet, to locations where such resources are not commonly or easily accessible or are resented, resisted and fought!
Although recent scholarship has increasingly situated the Qur'ān in the historical context of Late Antiquity, such a perspective is only rarely accompanied by the kind of microstructural literary analysis routinely applied to the Bible. The present volume seeks to redress this lack of contact between literary and historical studies. Contributions to the first part of the volume address various general aspects of the Qur’an’s political, economic, linguistic, and cultural context, while the second part contains a number of close readings of specific Qur’ānic passages in the light of Judeo-Christian tradition and ancient Arabic poetry, as well as discussions of the Qur’ān’s internal chronology and transmission history. Throughout, special emphasis is given to methodological questions.
Erwin Rosenthal’s Contemporary Art in the Light of History, originally published in 1971, is a small masterpiece of writing on the art of the twentieth century. A scholar of medieval art by training and a prominent antiquarian bookseller, Rosenthal, who died in l981, was equally entranced by modern art, particularly abstraction. His three linked essays in this book—“Contemporary Art in the Light of History,” “Art and Technology,” and “Art Theories and Manifestos, Old and New”—set out a path to understanding modern art through its affinities with the art of the past. Rosenthal engages with some of the enduring aesthetic questions: How do new forms and new artistic vocabularies respond to the deepest human needs and impulses? What is the relationship between artistic theory and artistic expression? Nicolas Poussin’s mythological landscapes, Paul Klee’s graphic abstractions, Bridget Riley’s op-art compositions—these and many other examples from centuries of painting, sculpture, poetry, and music take us, in these pages, on a fascinating cultural journey with a sophisticated and lucid guide. Rosenthal’s explorations of the theory and practice of twentieth-century artists bring us directly into the minds and studios of modern artists. What is more, like his previous The Changing Concept of Reality in Art, already republished by Arcade, this book invites us into a great intimacy with the origins of art.