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One of the Handbooks of Korean Art series designed to provide an introduction to major aspects of Korea's artisitic heritage. This book focuses on folk painting.
The first comprehensive survey to explore the rich and complex history of contemporary Korean art - an incredibly timely topic Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world.
Special Lecture on Korean Paintings provides readers with a comprehensive and readable introduction to major aspects of old Korean arts. The volume explores the vast heritage of Korean paintings, providing a rich panorama of information that stretches across the entire spectrum of Korean painting. The book will have wide appeal, not least to art lovers and students of Koreana. Throughout the book, the author takes a humanities approach to various topics, ranging from the climate, history of Korea, and Chinese poetry to the human spirit and the aesthetic
There are few books available in the west on Korean art. The objects in this highly illustrated book range from the 5th century AD to the present day. The five central chapters discuss how the objects were made and used deal with Ceramics, Metalwork, Furniture and Lacquer, Textiles and Contemporary Crafts.
North Korean Art: Paradoxical Realism at the 2018 Gwangju Biennale is an exhibition that reflects the culmination of an eight-year exploration into the art of the Democratic People's Republic of Korea (DPRK). During that time, BG Muhn made nine research trips to the DPRK to pursue a growing passion for the uniqueness and mystery surrounding Chosonhwa, the North Korean name for traditional ink wash painting on rice paper. The DPRK is notably the only country in the world after the fall of the Soviet Union in 1991 that continues to create Socialist Realism art. This exhibition is likely the first opportunity for people around the world to see North Korean Chosonhwa in such a broad range of images within Socialist Realism art.
The first major exhibition in the United States of chaekgeori painting, including on view for the first time many screens from private collections and various Korean institutions.
A crucial artistic movement of twentieth-century Korea, Tansaekhwa (monochromatic painting) also became one of its most famous and successful. In this full-color, richly illustrated account--the first of its kind in English--Joan Kee provides a fresh interpretation of the movement's emergence and meaning that sheds new light on the history of abstraction, twentieth-century Asian art, and contemporary art in general.