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Over 1,700 compact, graceful designs — a traditional part of many Japanese family histories — are featured in this handsome, versatile collection. Depicting plant, leaf, animal, and fan designs in circular motifs; astronomical images, and more, the authentic, royalty-free crests are ideal for use as spot illustrations in a variety of graphic projects.
Family crests (mon) have been a Japanese tradition since the eleventh century, when they decorated the costumes and carriages of courtiers. Later, they were used to identify warriors on the battlefield, as heraldic decorations on formal costumes, and as ornament on the kimonos of the common people. Small, compact, and graceful, with a strong sense of style, crest designs are ideal for spot illustrations, as logos, or for any graphic purpose requiring the classic simplicity, purity, and strength of Japanese design. This volume presents a total of 540 permission-free motifs, carefully selected for graphic impact and usefulness from several thousand crests known to exist. Featured are a wide variety of stylized designs depicting plants, animals, natural phenomena, geometric shapes, and manufactured objects.Among the subjects included in this selection are such traditional Japanese motifs as bamboo, crane, lightning, cherry blossom, peony, plum blossom, wave, rice, circle, and hollyhock. Immensely useful, this volume of permission-free designs is not only an invaluable source of graphic material for artists, designers, and craftspeople, but a fascinating picture book of Japanese culture.
Compact, graceful designs that have endured for ages as an art form depict astronomical images, plant, leaf, and animal motifs, the chrysanthemum crest of the Imperial family, and hundreds of other subjects — all classics of their kind. Ideal for use in a variety of print and craft projects. 920 black-and-white illustrations.
360 traditional Japanese designs and motifs redrawn in clean, crisp black-and-white, royalty-free illustrations.
These 212 vector-based images of visually striking Japanese crests from rare source materials include plants, animals, symbols, abstracts, and more. The versatile vector format allows the motifs to be presented as fully realized crests or as stencils. Bonus features include 40 texture fill patterns and color schemes for Adobe software programs.
This versatile collection of 360 traditional Japanese designs and motifs are drawn in clean, crisp, black-and-white lines while still preserving the original spirit and subtlety of detail.
The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty. In an age of feeble and ugly machine-made things, these essays call for us to deepen and transform our relationship with the objects that surround us. Inspired by the work of the simple, humble craftsmen Yanagi encountered during his lifelong travels through Japan and Korea, they are an earnest defence of modest, honest, handcrafted things - from traditional teacups to jars to cloth and paper. Objects like these exemplify the enduring appeal of simplicity and function: the beauty of everyday things.
In-depth guide to ancient Native American crafts focuses on the techniques of the western Sioux. Explanations of techniques involved in quillwork, including dyeing and sewing, beadwork methods. More than 80 photographs and drawings depict handsome motifs on articles of clothing including vests, shirts, robes, dresses, leggings, moccasins, blankets, saddlebags, and shields.
The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
This Compendium gives an outline of the historical, philosophical and ethical aspects of the return of cultural objects (e.g. cultural objects displaced during war or in colonial contexts), cites past and present cases (Maya Temple Facade, Nigerian Bronzes, United States of America v. Schultz, Parthenon Marbles and many more) and analyses legal issues (bona fide, relevant UNESCO and UNIDROIT Conventions, Supreme Court Decisions, procedure for requests etc.). It is a landmark publication that bears testament to the ways in which peoples have lost their entire cultural heritage and analyses the issue of its return and restitution by providing a wide range of perspectives on this subject. Essential reading for students, specialists, scholars and decision-makers as well as those interested in these topics.