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* A resplendent selection of garments from the many tribes who call Saudi Arabia home* Developed in partnership with the Mansoojat Foundation: a charity dedicated to preserving ethnic textiles and designs* An informative, accessible and beautiful celebration of cultureBorn out of fourteen years of collaboration with the Mansoojat Foundation, this book pays homage to Saudi Arabia's rich textile heritage. From the Labah Sadr of the Bal Harith tribe (a silver necklace decorated with colored glass beads, often recycled from old car lights) to the resplendent jasmine headdresses worn by the Jazan, Traditional Costumes of Saudi Arabia captures the stunning scope of traditional accessories and garb. Bright colors, bold patterns, intricate detail and eye-catching designs - the beauty of Arabian textiles is undeniable. Yet many in the western world do not appreciate the extent to which costume and culture are intertwined. Each headdress, thobe and necklace is an expression of identity, incorporating Islamic, Indian, Indonesian, Malay and Chinese influences that date back to the days of the Silk Road. Preserving costumes that are no longer worn and celebrating those which remain at the heart of communities, this book provides valuable insight into the history of Saudi Arabia through the voices of its oldest inhabitants.
Saudi Arabia is a young nation with an ancient history. It is one of the most conservative traditional societies in the world grappling with the impact of modernization wrought by the influx of great oil wealth beginning only in the mid twentieth century. Saudi culture is in constant flux, and the culture gap between the West and Saudi Islamic culture is wide. Culture and Customs of Saudi Arabia is the first cultural overview of country and provides timely, authoritative insight into a major Middle Eastern power. The Saudis are a proud people with a closed society, but circumstances have caused them to play an important role in current world affairs. The author has lived and worked in Saudi Arabia and has extensively used his contacts there to provide up-to-date material. Saudi culture developed through age-old interactions between the Arabian peoples and their harsh desert environment. Saudi Arabia is the birthplace of Islam, and the basic Islamic values of Saudi culture have remained to this day. The themes of an ancient desert society infused with Islam values on a collision course with modernity are interplayed throughout chapters on the land, people, and history, traditional Islamic culture and modernization, the extended family and gender roles, cuisine and dress, social customs, rites of passage, and holidays, communication and mass media, and artistic expression. Color photos and a map, chronology, and glossary round out the narrative.
This is a new issue of an acknowledged classic in the field of Saudi Arabian desert crafts. With new photographs and updated text, it has already become the standard work for a new generation of Arabian enthusiasts. Covering the costumes, equipment, and artefacts of the Bedouin of Saudi Arabia, it examines the work of jewellery makers, leather workers, basket weavers, carpenters and metal workers, with stunning colour photographs to illustrate each example. In the engaging text, written by experts in the field, we get a real sense of the traditional lifestyle and ethnology of this enigmatic people. The majority of the costumes, jewellery and weavings shown in this book belong to John Topham, whose important collection has been exhibited throughout the USA and Arabia.
The historical and cultural richness of Palestine is reflected visually in its costume and embroidery. Distinguished by boldness of color, richness of pattern, and diversity of style, and combined with great needlework skill, these textiles have long played an important role in Palestinian culture and identity and manifested themselves in every aspect of Palestinian life. Based on over twenty-five years of extensive field research and the culling of museum resources and publications from around the world, this book presents the most exhaustive and up-to-date study of the origins of Palestinian embroidery and costume--from antiquity through medieval Arab textile arts to the present. It documents region by region the evolution of costume and the textile arts in Palestine in the nineteenth and early twentieth centuries. It is lavishly illustrated with over 500 full-color photographs from the highly praised Munayyer Collection, which includes a whole range of embroidered textiles from traditional costumes and coin headdresses of Palestinian village women to cloaks and jackets worn by village men to belts, sashes, and footwear. The exquisite colors of the silk stitching on natural linens are a feast for the eye. The sumptuous photography and author's well-informed text greatly enrich our appreciation of Palestinian embroidery and make this book a valuable resource that displays this unique art in all its splendor.
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Every culture is governed by an internal code of conduct, and this publication captures the code of Saudi culture. Most Saudi norms have long been unwritten and only orally communicated among citizens. As a result, visitors to the country have been unable to read about these norms. For this reason, this book spells out these norms in bold print. It provides bite-sized descriptions of ‘the Saudi’. It is informed by around 2,000 interviews with Saudis and expats. It is the first to talk about the culture in a purely descriptive (and therefore non-judgemental) manner. Writings about Saudi culture tend to be too serious; however, this publication is meant not to be taken too seriously. It is, rather, intended to be entertaining (and, surely, informative). It is written mostly on the toilet (and is, likewise, meant to be read on the toilet). It avoids being biased, recording both ‘negative’ and ‘positive’ norms. It tries to avoid using such sensitive words as ‘religion’ and ‘politics’, considering that it is written entirely for cultural orientation (not for religious or political matters). The book is the first to be written by a male Saudi who was born and raised in the country, who is still based there, who is a former officially-recognised ‘imam’ (i.e. a worship leader) and who comes from a working-class family. Yet, he is a traveller, professor and Oxford graduate. He has been with people from different ethnicities. He has published in different languages and with globally known publishers. Hence, he has shown an ability to communicate with international readers and convey information to foreign mentalities.