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Full color look at the history of traditional and ceremonial clothing in China.
By using the medium of dress, Evolution & Revolution explores the dramatic cultural, social, economic and political changes which have occurred in mainland China, Hong Kong and Taiwan over th past three centuries. This history is revealed through the luxury court robes of the Qing Dynasty (1644-1911); the tight-fitting, side-slitted East-West cheungsam; the ubiquitous Mao suit, symbol of Communist ideology; and the bold new directions of contemporary designers. Written by authors from Australia, mainland China, Hong Kong and Taiwan and rich with visual material, this unique book offers an accessible, informative and inspiring treatment of Chinese history, culture and dress.
Much has been written on the courtly dress and formal costumes of the Qing Dynasty, but this book is the first to offer a detailed account of the clothing worn by ordinary people. Valery Garrett's unique study looks at how life was lived, and the kind of clothing that was worn, in the ruralareas of south China before political disturbances and the encroachment of urbanization changed so much for ever. The result is a valuable document of a traditional style of clothing, now fast disappearing.
Intensively researched and lavishly illustrated, this book provides a comprehensive history of Chinese clothing design. "This beautifully designed and printed volume is one of the best".--The New York Times.
A definitive and detailed pictorial guide to the beautifully embroidered dress accessories used every day by the imperial family and the middle classes in China during the Qing dynasty and early twentieth century. A first of its kind!
Tang dynasty (618–907) China hummed with cosmopolitan trends. Its capital at Chang’an was the most populous city in the world and was connected via the Silk Road with the critical markets and thriving cultures of Central Asia and the Middle East. In Empire of Style, BuYun Chen reveals a vibrant fashion system that emerged through the efforts of Tang artisans, wearers, and critics of clothing. Across the empire, elite men and women subverted regulations on dress to acquire majestic silks and au courant designs, as shifts in economic and social structures gave rise to what we now recognize as precursors of a modern fashion system: a new consciousness of time, a game of imitation and emulation, and a shift in modes of production. This first book on fashion in premodern China is informed by archaeological sources—paintings, figurines, and silk artifacts—and textual records such as dynastic annals, poetry, tax documents, economic treatises, and sumptuary laws. Tang fashion is shown to have flourished in response to a confluence of social, economic, and political changes that brought innovative weavers and chic court elites to the forefront of history. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/empire-of-style
The Great Han is an ethnographic study of the Han Clothing Movement, a neotraditionalist and racial nationalist movement that has emerged in China since 2001. Participants come together both online and in person in cities across China to revitalize their utopian vision of the authentic “Great Han” and corresponding “real China” through pseudotraditional ethnic dress, reinvented Confucian ritual, and anti-foreign sentiment. Analyzing the movement’s ideas and practices, this book argues that the vision of a pure, perfectly ordered, ethnically homogeneous, and secure society is in fact a fantasy constructed in response to the challenging realities of the present. Yet this national imaginary is reproduced precisely through its own perpetual elusiveness. The Great Han is a pioneering analysis of Han identity, nationalism, and social movements in a rapidly changing China.
2 dolls and 16 elaborately embroidered robes, dresses, and tunics represent over 1,000 years of Chinese fashion history from the Tang dynasty (618907 AD) to the Republican period (19111949)."
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