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(Music Minus One). Internationally renowned oboe soloist and orchestral musician John Winstead plays the demo tracks for this book/2-CD pack which includes 14 classical favorites: Larghetto from Cimarosa's Oboe Concerto in C Minor * Allegro from Telemann's Fantasia III * Allegro Guisto, Grave, and Allegro from Vivaldi's Concerto in F Major * Pan, Phaeton, Niobe, Bacchus, Narcissus, and Arethusa from Britten's The Six Metamorphoses After Ovid * and Stehe Still, Im Treibhaus and Traume from Wagner's Wesendonch Lieder Suite .
A Collection of 15 oboe solos for the beginning to intermediate oboist. the solos are on classic and folk favorites. A piano accompaniment for each solo is available as a free internet download. These solos are ideal for concert, recital and fun.
After decades of experimentation, musicians have begun to utilize a strikingly colorful palette of sounds on woodwind instruments. Flute, clarinet, and saxophone players, in many different musical settings, regularly use sounds that were unheard of in the middle of the twentieth century. Oboists, in comparison, have lagged somewhat behind their more adventurous colleagues. In writing Oboe Unbound: Contemporary Techniques, author Libby Van Cleve opens up the tradition-bound assumptions of the instrument’s capabilities. Not only does she include descriptions of the instrument’s standard technique from range and reeds to the use of vibrato, but she also discusses recent techniques, such as multiphonics, microtones, altered timbres, and extended range, to name a few. Van Cleve bolsters this book with numerous music examples and professionally-tested fingering charts, and concludes with basic information about the use of electronics for amplification, recording, and sound enhancement. The book’s appendixes include a substantial bibliography of music and literature and a discography including jazz, non-western, and art music recordings. The revised edition incorporates new information about resources now available through the internet and marks the launch of a website that includes examples of all the contemporary sounds as well as audio and video recordings of unreleased compositions.
WORKS FOR SOLO OBOE AND ENGLISH HORN BY CONTEMPORARY GREEK COMPOSERS, by Konstantinos Tiliakos. Doctor of Musical Arts: Oboe Performance. ABSTRACT: The Doctoral Performance and Research submitted by Konstantinos Tiliakos, under the direction of Professor Marc Vallon at the University of Wisconsin-Madison, in fulfillment of the requirements for the degree Doctor of Musical Arts consists of the following: I. DMA project: "Works for solo oboe and English horn by contemporary Greek composers"; A professionally recorded, mixed and edited recording of four works for solo oboe or English horn by contemporary Greek composers. The recording is accompanied by a written paper with a brief history of Western music in Greece during the past two centuries, including a more detailed reference to the music of the 20th century and the more significant composers of this time. Program: Five Likes, for solo oboe / Th. Antoniou ; Monologue, for solo oboe / A. Carastathis ; Syrna, for solo oboe / A. Philippakopoulos ; Folk cadenza no. 5, for English horn solo / M.I. Alexiadis. II. Chamber Recital, 01/29/2013, Morphy Hall (Quintet op. 68 #3 / F. Danzi ; Der Hirt auf dem Felsen, D 965 / F. Schubert ; Cinq pièces en trio / J. Ibert ; Four pieces / E. Krenek ; Epitaph / W. Lutoslawski). III. Chamber Recital, 03/18/2013, Morphy Hall (Arias: "Gott versorget alles Leben" from Cantata BWV 187, "Seufzer, Tränen" from Cantata BWV 21, and "Sich üben im Lieben" from Cantata BWV 202 / J.S. Bach ; Ten Blake songs / R. Vaughan Williams ; Quintet op. 2 / G. Kurtàg ; Quintet for piano and winds, KV 452 / W.A. Mozart). IV. Solo Recital, 06/20/2013, Music Hall (Temporal variations / B. Britten ; Zephyrus, the Bringer of Spring / J. Papadatos ; Folk cadenza no. 5 / M.I. Alexiadis ; Sonate for English horn / P. Hindemith). V. Final Recital, 04/29/2016, Benaroya Hall, Seattle (Three romances, op. 94 / R. Schumann ; Time tatooes / D. Dediu ; Folk cadenza no. 5 / M.I. Alexiadis ; Temporal variations / B. Britten ; Sonate for oboe and piano / F. Poulenc). VI. Lecture Recital, 05/19/2016, Morphy Hall ("Works for solo oboe and English horn by contemporary Greek composers": Five Likes, for solo oboe / Th. Antoniou ; Monologue, for solo oboe / A. Carastathis ; Syrna, for solo oboe / A. Philippakopoulos ; Folk cadenza no. 5, for English horn solo / M.I. Alexiadis).
WORKS FOR SOLO OBOE AND ENGLISH HORN BY CONTEMPORARY GREEK COMPOSERS Konstantinos Tiliakos Doctor of Musical Arts: Oboe Performance ABSTRACT The Doctoral Performance and Research submitted by Konstantinos Tiliakos, under the direction of Professor Marc Vallon at the University of Wisconsin-Madison, in fulfillment of the requirements for the degree Doctor of Musical Arts consists of the following: I. DMA project: “Works for solo oboe and English horn by contemporary Greek composers” A professionally recorded, mixed and edited recording of four works for solo oboe or English horn by contemporary Greek composers. The recording is accompanied by a written paper with a brief history of Western music in Greece during the past two centuries, including a more detailed reference to the music of the 20th century and the more significant composers of this time. Program: Five Likes for solo oboe – Th. Antoniou Monologue for solo oboe – A. Carastathis Syrna for solo oboe – A. Philippakopoulos Folk Cadenza No. 5 for English horn solo – M.I. Alexiadis II. Chamber Recital, 01/29/2013, Morphy Hall Quintet Op.68#3 – F. Danzi Der Hirt auf dem Felsen, D965 – F. Schubert Cinq Pièces en trio – J. Ibert Four Pieces – E. Krenek Epitaph – W. Lutoslawski III. Chamber Recital, 03/18/2013, Morphy Hall Arias: “Gott versorget alles Leben” from Cantata BWV 187, “Seufzer, Tränen” from Cantata BWV 21, “Sich üben im Lieben” from Cantata BWV 202 – J.S. Bach Ten Blake Songs – R. Vaughan Williams Quintet op.2 – G. Kurtàg Quintet for Piano and Winds, KV452 – W.A. Mozart IV. Solo Recital, 06/20/2013, Music Hall Temporal Variations – B. Britten Zephyrus, the Bringer of Spring – J. Papadatos Folk Cadenza No.5 – M.I. Alexiadis Sonate for English horn – P. Hindemith V. Final Recital, 04/29/2016, Benaroya Hall, Seattle Three Romances, op.94 – R. Schumann Time Tatooes – D. Dediu Folk Cadenza No.5 – M.I. Alexiadis Temporal Variations – B.Britten Sonate for oboe and piano – F. Poulenc VI. Lecture Recital, 05/19/2016, Morphy Hall “Works for solo oboe and English horn by contemporary Greek composers” Five Likes for solo oboe – Th. Antoniou Monologue for solo oboe – A. Carastathis Syrna for solo oboe – A. Philippakopoulos Folk Cadenza No. 5 for English horn solo – M.I. Alexiadis
The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe’s prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument’s place in Romantic and Modernist music and analyze traditional and avant-garde developments after World War II. Noting the oboe’s appearance in paintings and other iconography, as well as in distinctive musical contexts, they examine what this reveals about the instrument’s social function in different eras. Throughout the book they discuss the great performers, from the pioneers of the seventeenth century to the traveling virtuosi of the eighteenth, the masters of the romantic period and the legends of the twentieth century such as Gillet, Goossens, Tabuteau, and Holliger. With its extensive illustrations, useful technical appendices, and discography, this is a comprehensive and authoritative volume that will be the essential companion for every woodwind student and performer.
An overview of the most popular contest and recital pieces written for oboe. The material has been carefully selected to match the technical capabilities of the younger advancing player. Levels 1 & 2 are available for each instrument (flute, oboe, clarinet, alto saxophone, F horn, trumpet, trombone, tuba, drum), both with supplementary piano accompaniment volumes. Correlated to the First Division Band Course.
The contents of the Solo Sounds folios features works on State Contest lists for each instrument (and pieces that are likely list candidates). Two folios are available for each instrument (flute, clarinet, oboe, alto saxophone, trumpet, trombone, French horn, and tuba), both with supplementary piano accompaniment volumes.