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Describing an era of exploration during the Renaissance that went far beyond geographic bounds, this book shows how the evidence of the New World shook the foundations of the old, upsetting the authority of the ancient texts that had guided Europeans so far afield. What Anthony Grafton recounts is a war of ideas fought by mariners, scientists, publishers, and rulers over a period of 150 years. In colorful vignettes, published debates, and copious illustrations, we see these men and their contemporaries trying to make sense of their discoveries as they sometimes confirm, sometimes contest, and finally displace traditional notions of the world beyond Europe.
"The Tacit Dimension" argues that tacit knowledge -tradition, inherited practices, implied values, and prejudgments- is a crucial part of scientific knowledge. This volume challenges the assumption that skepticism, rather than established belief, lies at the heart of scientific discovery.
Owning Our Voices offers a unique, first-hand account of working within the Wolfsohn-Hart tradition of extended voice work by Margaret Pikes, an acclaimed voice teacher and founder member of the Roy Hart Theatre. This dynamic publication fuses Pikes’ personal account of her own vocal journey as a woman within this, at times, male-dominated tradition, alongside an overview of her particular pedagogical approach to voice work, and is accompanied by digital footage of Pikes at work in the studio with artist-collaborators and written descriptions of scenarios for teaching. For the first time, Margaret Pikes’ uniquely holistic approach to developing the expressive voice through sounding, speech, song and movement has been documented in text and on film, offering readers an introduction to both the philosophy and the practice of Wolfsohn-Hart voice work. Owning Our Voices is a vital book for scholars and students of voice studies and practitioners of vocal performance: it represents a synthesis of a life’s work exploring the expressive potential of the human voice, illuminating an important lineage of vocal training, which remains influential to this day.
"This work discusses the cross throughout history, from prehistoric times to modern day. Found within are chapters entitled: cross before the Christian Era and in prehistoric times; types of the cross; early form and use of the cross; legends of the cross; true cross and its traditionary history; title of the cross; doctrinal teaching of the crucifixion; cross and crucifix in early Christian art; various types of crosses; varieties of the cross; objects with the cross on them; sign of the cross; Puritan objections to the cross; and miscellaneous crosses."--B & N.
The bibliography lists about 10.000 titles of monographs, collections and articles in the field of the philosophy of religion and philosophical theology that appeared between 1955 and 2005. The majority of them are in the English language but publications in German, Dutch and French are listed as well. Though it is not claimed to be exhaustive, the bibliography offers a fairly representative survey of scholarly work on the main topics of interest. *** Publications have been systematically classified according to eleven main categories: Introductions, Surveys and Historical Issues (Part I), Religious Language (Part II), Religious Experience (Part III), Religious Epistemology (Part IV) , Theism (Part V), Hermeneutics (Part VI), Religion and Science (Part VII), Religion and Aesthetics (Part VIII), Religion and Morality (Part IX), Religious Pluralism (Part X) and Feminist Philosophy of Religion (Part XI). Part III has been subdivided into Religious Experience and Mystical Experience, Part VII into The Concept of God, (arguments for) The Existence of God, The Problem of Evil and Atheism, and Part VII into General and Historical Issues, Theological Issues and (implications of) Modern Physics, Cosmology and Biology. *** The bibliography will particularly be useful to scholars, teachers and students in the philosophy of religion, philosophical theology and systematic theology as well as to those who are interested, professionally or otherwise, in the results of academic scholarship in those fields.
'The course of true love never did run smooth' – so says Lysander in A Midsummer Night's Dream, and for more than 2000 years the problems faced by young men and women fighting to find and keep an appropriate sexual partner have been a theatrical staple. This book explores the shapes that Romantic Comedy has assumed from Greek New Comedy via Shakespeare to the present. Changing social values have helped to redefine the genre's traditional hetero-normativity, while the recent trend towards more fluid casting has opened up many romantic comedies to radical reinterpretations. Organized chronologically to allow readers to trace the development of the form against changing societal norms, the book features a range of case studies of key works from the British tradition, including A Midsummer Night's Dream, Twelfth Night, Susanna Centlivre's A Bold Stroke for a Wife, Oliver Goldsmith's She Stoops to Conquer, Stanley Houghton's Hindle Wakes, Noël Coward's Private Lives, Shelagh Delaney's A Taste of Honey, Ayub Khan-Din's East is East and David Eldridge's Beginning.