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Identical twin sisters Payton and Emma Mills have “traded faces” and created “twin-dentical chaos” at school and at home. But you haven’t seen anything yet. Payton and Emma are off to “twin-vade” New York City! Payton’s drama club plans a field trip to see an off-Broadway show, and Emma’s mathletes team will compete in an elite competition. Sounds twin-tastic! But Payton never imagined the star of the show would be Ashlynn, her old nemesis from summer camp whose chores Payton traded for designer clothes. Are Payton’s “Summer Slave” days coming back to haunt her? Or will she be saved by a flip-flop twin swap? Emma has her own nemesis to face—she and Jazmine James are on the same team. But teamwork? Not so much. Since Jazmine is in it to win it…will Emma have to “twin” it? Payton and Emma must do a ‘twins-formation’ to rescue each other again. And again! (Not again!) Toss in cute boys, crazy triplet poofy Pomeranian stage puppies, and New York City and things get a little twin-sane. Is the big city ready for Payton and Emma! (or is it Emma and Payton?) and their mixed-up mayhem? Which is which in the biggest twin switch yet!
When Payton and Emma take on a trio of triplets at the Twin Festival, it’s double—make that triple—the twin-switch fun! Emma and Payton are home from Hollywood, but the drama continues: Not only is the Homecoming Dance coming up fast, but there’s someone new in school! Three someones, actually: triplets. Oliver, Dexter, and Asher look exactly the same, dress exactly the same, and—worse—have exactly the same superior attitude. When the triplets mention they’re participating in a regional Twins & SuperTwins Festival that has a Tweens Division and twin-related contests, Payton and Emma are instantly interested. Emma’s been suffering from competition withdrawal ever since Jazmine James managed to get her disqualified from the upcoming science fair, so she’s got her game face on. And once Payton convinces Mrs. Burkle that the festival is perfect for a VOGScast field trip, the whole gang takes a road trip and the games really get going. But attempts to take down the triplets threaten to land everyone in hot water. Can Emma and Payton switch their way out of trouble, or are they stuck in a multiples mess?
Payton and Emma left a trail of chaos in their wake when they “traded faces” just for fun. This time they’ll switch places to help each other and their friends out of a ginormous mess! Payton is helping out on the middle school musical while Emma puts her brains to use by tutoring—more like “twotoring”—identical twin boys. But when the boys turn out to be double trouble, Payton and Emma’s worlds collide and lead to more middle-school mix-ups and mayhem. In the end, Payton and Emma realize that no matter what, they have each other’s backs (as well as faces).
"Twins Payton and Emma are off to Hollywood to star in a TV commercial but nothing goes as planned and it may take a twin switch or two to help things work out"--
Do you struggle with "another side of yourself" that shows up at inopportune times, unpredictably, even against your will? Or, perhaps you may live or work with someone who acts one way here, another way there, and a completely different way somewhere else. How does this happen? Why? What flips the switch that causes a person to "trade faces" and "become someone else?"
In Trading Faces, identical twin sisters Emma (the smart one) and Payton (the popular one) start seventh grade at a brand-new school and discover they’ve been assigned entirely different schedules—so when they get sick of their respective cliques, they secretly switch places. What ensues is a hilarious yet poignant romp from middle school to the mall as the twins learn what it means to be true to yourself, even when the rest of the world isn’t making it easy.
A biblical and practical guide on how to replace false identities with the healthy truth Seeking fulfilment, many Christians turn to identities that promise to give their lives meaning: profession, roles as spouse or parent, personality types, even sexuality--anything that can be held up to others as the empowering core of who they are. But when these new labels don't give them any real foundation for hope, they end up feeling disappointed, directionless, and defeated. Those false identities turn out to be only sand. John and Angel Beeson have seen this problem again and again in their respective roles as pastor and counselor. And they want searching Christians to know the truth: a fulfilling understanding of self can only be found by rooting one's identity in the unchangeable and nonnegotiable understanding of who we were created to be. This husband-and-wife team considers ten identities that masquerade as truth and challenge readers to trade those labels for the ones Christ offers. They explain why true identity matters, how our masks can suffocate us, and how substitute identities can become idolatry. They share real struggles from real people. And they offer hope in a comprehensive index of our identities in Christ, both individual and the collective identity of the church.
Drawing together the insights of postcolonial scholarship and cultural studies, Popular Postcolonialisms questions the place of ‘the popular’ in the postcolonial paradigm. Multidisciplinary in focus, this collection explores the extent to which popular forms are infused with colonial logics, and whether they can be employed by those advocating for change. It considers a range of fiction, film, and non-hegemonic cultural forms, engaging with topics such as environmental change, language activism, and cultural imperialism alongside analysis of figures like Tarzan and Frankenstein. Building on the work of cultural theorists, it asks whether the popular is actually where elite conceptions of the world may best be challenged. It also addresses middlebrow cultural production, which has tended to be seen as antithetical to radical traditions, asking whether this might, in fact, form an unlikely realm from which to question, critique, or challenge colonial tropes. Examining the ways in which the imprint of colonial history is in evidence (interrogated, mythologized or sublimated) within popular cultural production, this book raises a series of speculative questions exploring the interrelation of the popular and the postcolonial.
A book of 422 song lyrics written from 2006 - 2018. About love, affection, romance, marriage, divorce, fiction, scientific, political and just about anything that enters my head. Most of what i write is basically my views which are influenced by sight or sound or words that just enter my head. I try and write as simple as possible so anyone can understand or relate to it. I like to make it sound as if it's for anyone whether male or female. As a self acclaimed musician in retirement years. I have arranged music on the internet or my keyboard and sing to the backing track. With 15 songs done myself all alone in my room, using either a DV mini cam or my camera phone. With so many song lyrics i can't possible put music to all so anyone wishing to use my lyrics please contact me. You can find me on Face Book, YouTube, Sound-cloud, Reverb-nation, Myspace, Twitter and just about everywhere. Google my name and i'm there.
The fifth edition of The Corporate Counsellor's Deskbook offers insightful analysis of the key areas of the law of critical interest to in-house counsel and corporate law departments, as well as outside firms and attorneys who represent corporate clients on a regular basis.The authors provide step-by-step guidance on issues such as: Employment agreements and executive compensationManaging complex litigation and litigation budgetingImplementing internal procedures to protect against insider trading and internal file controlsTaking advantage of alternative dispute resolution formatsCounseling on employment law and intellectual propertyNoncompetition agreementsImport regulation and customs complianceEnvironmental law concerns.Additional topics in the Fifth Edition include: