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Can we logically combine recent research on human origins with ancient legends of floods, paradise lost, and cloud clad gods destroying civilizations? Yes, says author Alan Daniel, who has thoughtfully joined key primordial legends with mitochondrial DNA research, archeological and anthropological finds, and geological evidence in Tracking Ancient Legends. DNA evidence shows a small band of humans crossed out of Africa into Eurasia about 100,000 BC; however, why is lost to the primordial mists. But the why may be answered by primeval legends overlooked until now. The author theorizes that prehistoric legends may explain the flight from Africa. The model set forth is fascinating, as well as epic in scope. Competing theories are examined, including the ancient astronaut concepts, and the foundations of theory itself. Are aliens from other worlds the source of our legends, or is something much more earthly and surprising the groundwork of our legendary past?
Traces the story of how ancient cultures envisioned artificial life, automata, self-moving devices and human enhancements, sharing insights into how the mythologies of the past related to and shaped ancient machine innovations.
A provocative look at the vital connection between human beings, the natural world and meaningful knowledge. While tracking a lion with a Samburu headman and then, later, eluding human assailants who may be tracking him, Jon Turk experiences people at their best and worst. As the tracker and the tracked, Jon reveals how the stories we tell each other, and the stories spinning in our heads, can be moulded into innovation, love and co-operation -- or harnessed to launch armies. Seeking escape from the confusion we create for ourselves and our neighbours with our think-too-much-know-it-all brains, Jon finds liberation within a natural world that spins no fiction. Set in a high-adventure narrative on the unforgiving savannah, Tracking Lions, Myth, and Wilderness in Samburu explores the aboriginal wisdoms that endowed our Stone Age ancestors with the power to survive - and how, since then, myth, art, music, dance, and ceremony have often been hijacked and distorted within our urban, scientific, oil-soaked world.
From the most ancient time of human existence, stories of strange man-animals have been passed down in legends and myth. These stories have been told in all parts of the world, and are remarkably similar. How could such stories be created, and why? Could the collective unconscious memory of humanity hold within it lurking shadows of creatures we once knew? Creatures that today exist only as legend and myth-could there be more-is there more? Fossil records firmly establish that once there did exist a giant ape-like creature called Gigantopithecus. Scientists have determined that this ape-like creature was between 10 and 12 feet in height and weighed approximately 1,200 pounds. This creature actually did exist, but no one really knows much more about about it other than its weight and height, and no one knows anything about its behavioral characteristics. Could it have been the ancestor to the sasquatch of today? no one really knows-nor does it matter. The simple fact that such creatures did exist at one time makes the possibility of ape-like giants existing today real. "Notes From the Field, Tracking North America's sasquatch" is a study into this issue, it covers ancient descriptions from different parts of the wotld and tracks this creature to modern times and discusses recent field discoveries.
"What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In this book, the first in-depth study of how post-classical societies use the creatures from ancient myth, Liz Gloyn reveals the trends behind how we have used monsters since the 1950s to the present day, and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world. Her argument takes her readers through a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in detail at the afterlives of the Medusa and the Minotaur. She develops a broad theory of the ancient monster and its life after antiquity, investigating its relation to gender, genre and space to offer a bold and novel exploration of what keeps drawing us back to these mythical beasts. From the siren to the centaur, all monster lovers will find something to enjoy in this stimulating and accessible book."--Bloomsbury Publishing.
The ancient Greeks had several different theories with regard to the origin of the world, but the generally accepted notion was that before this world came into existence, there was in its place a confused mass of shapeless elements called Chaos. These elements becoming at length consolidated (by what means does not appear), resolved themselves into two widely different substances, the lighter portion of which, soaring on high, formed the sky or firmament, and constituted itself into a vast, overarching vault, which protected the firm and solid mass beneath. Thus came into being the two first great primeval deities of the Greeks, Uranus and Ge or Gæa. Uranus, the more refined deity, represented the light and air of heaven, possessing the distinguishing qualities of light, heat, purity, and omnipresence, whilst Gæa, the firm, flat,1 life-sustaining earth, was worshipped as the great all-nourishing mother. Her many titles refer to her more or less in this character, and she appears to have been universally revered among the Greeks, there being scarcely a city in Greece which did not contain a temple erected in her honour; indeed Gæa was held in such veneration that her name was always invoked whenever the gods took a solemn oath, made an emphatic declaration, or implored assistance. Uranus, the heaven, was believed to have united himself in marriage with Gæa, the earth; and a moment's reflection will show what a truly poetical, and also what a logical idea this was; for, taken in a figurative sense, this union actually does exist. The smiles of heaven produce the flowers of earth, whereas his long-continued frowns exercise so depressing an influence upon his loving partner, that she no longer decks herself in bright and festive robes, but responds with ready sympathy to his melancholy mood. The first-born child of Uranus and Gæa was Oceanus,2 the ocean stream, that vast expanse of ever-flowing water which encircled the earth. Here we meet with another logical though fanciful conclusion, which a very slight knowledge of the workings of nature proves to have been just and true. The ocean is formed from the rains which descend from heaven and the streams which flow from earth. By making Oceanus therefore the offspring of Uranus and Gæa, the ancients, if we take this notion in its literal sense, merely assert that the ocean is produced by the combined influence of heaven and earth, whilst at the same time their fervid and poetical imagination led them to see in this, as in all manifestations of the powers of nature, an actual, tangible divinity. But Uranus, the heaven, the embodiment of light, heat, and the breath of life, produced offspring who were of a much less material nature than his son Oceanus. These other children of his were supposed to occupy the intermediate space which divided him from Gæa. Nearest to Uranus, and just beneath him, came Aether (Ether), a bright creation representing that highly rarified atmosphere which immortals alone could breathe. Then followed Aër (Air), which was in close proximity to Gæa, and represented, as its name implies, the grosser atmosphere surrounding the earth which mortals could freely breathe, and without which they would perish. Aether and Aër were separated from each other by divinities called Nephelae. These were their restless and wandering sisters, who existed in the form of clouds, ever floating between Aether and Aër. Gæa also produced the mountains, and Pontus (the sea). She united herself with the latter, and their offspring were the sea-deities Nereus, Thaumas, Phorcys, Ceto, and Eurybia.
Somewhere deep inside, you know what your gift, purpose, and mission are. Boyd Varty, a lion tracker and life coach, reveals how the wisdom from the ancient art of tracking can teach you how to recognize these essential ingredients in a meaningful life. Know how to navigate, don’t worry about the destination, and stay alert. These are just a few of the strategies that contribute to both successful lion tracking and a life of fulfillment. When we join Boyd Varty and his two friends tracking lions, we are immersed in the South African bush, and, although we learn some of the skills required for actual tracking, the takeaways are the strategies that can be applied to our everyday lives. Trackers learn how to use all of their senses to read the environment and enter into a state of “greater aliveness.” When we learn to find and follow our inner tracks, we learn to see what is deeply important to us. In the same way the trip in the classic Zen and the Art of Motorcycle Maintenance was a vehicle to examine how to live out our values, the story of this one-day adventure—with danger and suspense along the way—uses the ancient art of tracking to convey profound lessons on how to live a purposeful, meaningful life of greater harmony.