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This catalog is published in conjunction with a touring exhibition titled "Masterworks in Haitian Art from the Collection of the Davenport Museum of Art," February 1995-March 1997. Beginning with a donation of 19 paintings 28 years ago, The Davenport Museum has developed one of the most comprehensive collections of Haitian art in the US. The catalog comprises several essays, interview with contemporary Haitian artists and artist-survivors of the 1991 coup d'Etat, full discussion and color reproductions of highlights from the collection, and brief description of works in the exhibition. Annotation copyright by Book News, Inc., Portland, OR
T. S. Eliot's lifelong quest for a world of the spirit is the theme of this book by leading Eliot scholar A. David Moody. The first four essays in the collection map Eliot's spiritual geography: the American taproot of his poetry, his profound engagement with the philosophy and religion of India, his near and yet detached relations with England, and his problematic cultivation of a European mind. At the centre of the collection is a study of the Latin poem Pervigilium Veneris, a fragment of which figures enigmatically in the concluding lines of The Waste Land. The third part of the collection is a set of five investigations of Eliot's poems, dealing particularly with The Waste Land, Ash Wednesday and Four Quartets, and attending to how they express and shape what he called 'the deeper, unnamed feelings which form the substratum of our being'.
While many of the most significant black intellectual movements of the second half of the twentieth century have been perceived as secular, Josef Sorett demonstrates in this book that religion was actually a fertile, fluid and formidable force within these movements. Spirit in the Dark examines how African American literary visions were animated and organized by religion and spirituality, from the New Negro Renaissance of the 1920s to the Black Arts movement of the 1960s.
"Charts the rise of pneumatology alongside developments in modern history and proposes an alternate doctrine of the Spirit to address perennial existential questions"--
Examines tragedy in Hegel’s Phenomenology of Spirit.
In this volume, Marjorie O’Rourke Boyle probes significant concepts of the human spirit in Western religious culture across more than two millennia, from the book of Genesis to early modern science. The Human Spirit treats significant interpretations of human nature as religious in political, philosophical, and physical aspects by tracing its historical subject through the Priestly tradition of the Hebrew Bible and the writings of the apostle Paul among the Corinthians, the innovative theologians Augustine and Aquinas, the reformatory theologian Calvin, and the natural philosopher and physician William Harvey. Boyle analyzes the particular experiences and notions of these influential authors while she contextualizes them in community. She shows how they shared a conviction, although distinctly understood, of the human spirit as endowed by or designed by a divine source of everything animate. An original and erudite work that utilizes a rich and varied array of primary source material, this volume will be of interest to intellectual and cultural historians of religion, philosophy, literature, and medicine.
"The problem of the relation between mind and brain has been among the most persistent in modern Western thought, one that even recent advances in neuroscience haven't been able to put to rest. Historian Larry McGrath's Making Spirit Matter is about how a particularly productive and influential generation of late nineteenth- and early twentieth-century French thinkers attempted to answer this puzzle by showing the mutual dependence of spirit and matter. The veritable revolution taking place across disciplines, from philosophy to psychology, located our spiritual powers in the brain and offered a radical reformulation of the meaning of science, spirit, and the self. Pulling out connections between thinkers such as Bergson, Blondel, and FouilleáI p1 se, among others, McGrath plots the intellectual movements that brought back to life themes of agency, time, and experience by putting into action the very sciences that seemed to undermine metaphysics and theology. In so doing, Making Spirit Matter lays bare the long legacy of this moment in the history of ideas and how it might renew our understanding of the relationship between mind and brain"--
Tracing the Lines takes on the project of what Christian scholarship is, and should be, today. It does so, however, with an eye to locating similarities in the rich tradition the last nearly two thousand years of Christian scholarship has given birth to. With humility and a sympathetic ear, Sweetman traces the way certain lines of thought have developed over time, showing their strengths, their weaknesses, and their motivation for shaping Christian scholarship in particular ways. Though he locates his own thought within a particular one of these streams, he shows how all of them have contributed in different ways to the formation of the work of Christian scholarship. Offering in the end an understanding of Christian scholarship as scholarship attuned to the shape of our Christian hearts, this book reaches across disciplines to connect Christians engaged in scholarship in all areas of the academy, whether at public or private institutions.
This book provides a comprehensive literary and theological analysis of Gregory of Nyssa's theology of union with God, culminating in a fresh reading of his final written work, In Canticum Canticorum (c.391), a collection of fifteen allegorical homilies on the Song of Songs. Part I gives the essential background for the study of In Canticum Canticorum by analysing several of Gregory's earlier works (c.370--385), tracing the main contours of his account of the human transformation and union with God. Author Alexander Abecina explores topics such as Gregory's theology of virginity and spiritual marriage, his theology of baptism, his trinitarian theology, and his Spirit-based Christology. In Part II Abecina builds on his key findings in Part I to structure a detailed analysis of In Canticum Canticorum. Engaging with the latest contemporary scholarship on Gregory of Nyssa, the author shows how Gregory's allegorical interpretation of the Song of Songs represents a corresponding account of human transformation and union with God from the perspective of subjective experience of this reality. Rather than marking a new development in Gregory's mature thought, Abecina demonstrates that the subjective experience gained from Gregory's reading of the Song of Songs recapitulates the key elements of his objective account and therefore renders coherent his earlier soteriological doctrine.