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Daniel Arceneaux has a goal and Alyssa being alive is not on the agenda. When she’s taken captive, her entire family and friends—both living and alive—have to come to her rescue. Can Alyssa be saved? What role will Awena play in this milennia old game?
"Cinderella is in the bluebell woods at Poacher's Dell...." The anonymous note means nothing to ancestor detective Natasha Blake. Then one of her clients, an enigmatic old man who had commissioned a family tree of his granddaughter's boyfriend, is shot dead at his isolated farm in the Cotswolds, just as shocking facts about the past are brought to light. Is there a link? Seemingly unconnected yet haunting stories begin to emerge, like slowly developing photographs: two young soldiers---one German, one British---playing football; two young women---inseparable friends until a fatal mistake tears them apart; and the eerie echo of a child in an English country house. It is these individual lives that becomes the clues in Natasha's investigation, ghostly fingerprints that she must use to solve a cold-blooded, blue-blooded crime, hidden for generations in the bluebell woods at Poacher's Dell.
Do you believe you are descended from the aristocracy, or even from royalty? Or do you have a line of descent from a blue-blooded family, but want to know more? How far back do noble and royal lines go? How do coats of arms work, and how can heraldic records tell you more? How can genetics help you find your aristocratic origins?In Tracing Your Aristocratic Ancestors leading British genealogist, Anthony Adolph explains how to decode family stories, to find the truth and prove your descent from blue-blooded forebears. His book shows you how to expand your aristocratic pedigree sideways and backwards, incorporating heraldic records and printed pedigrees such as those in Burkes Peerage. In a series of concise, fact-filled chapters he explains how to find out about and prove aristocratic ancestry, defines who is blue-blooded, and describes all the sources that researchers can use to explore this fascinating subject. Under Adolphs guidance, you will travel back into the distant past, using cutting-edge DNA technology and arcane genealogies, back to the evolution of the human race, and the point where real ancestors fade into mythical ones Adam and Eve, the heroes of old and, ultimately, the very gods themselves.
A discussion of the emergence of Hispano identity among the Spanish-speaking people of New Mexico during the 19th and 20th centuries.
Visual texts uniquely demonstrate the contested terms of American identity. In American Archives Shawn Michelle Smith offers a bold and disturbing account of how photography and the sciences of biological racialism joined forces in the nineteenth century to offer an idea of what Americans look like--or "should" look like. Her varied sources, which include the middle-class portrait, baby picture, criminal mugshot, and eugenicist record, as well as literary, scientific, and popular texts, enable her to demonstrate how new visual paradigms posed bodily appearance as an index to interior "essence." Ultimately we see how competing preoccupations over gender, class, race, and American identity were played out in the making of a wide range of popular and institutional photographs. Smith demonstrates that as the body was variously mapped and defined as the key to essentialized identities, the image of the white middle-class woman was often held up as the most complete American ideal. She begins by studying gendered images of middle-class domesticity to expose a transformation of feminine architectures of interiority into the "essences" of "blood," "character," and "race." She reads visual documents, as well as literary texts by Nathaniel Hawthorne, Pauline Hopkins, and Theodore Dreiser, as both indices of and forms of resistance to dominant images of gender, class, race, and national identity. Through this analysis Smith shows how the white male gaze that sought to define and constrain white women and people of color was contested and transformed over the course of the nineteenth century. Smith identifies nineteenth-century visual paradigms that continue to shape debates about the terms of American belonging today. American Archives contributes significantly to the growing field of American visual cultural studies, and it is unprecedented in explaining how practices of racialized looking and the parameters of "American looks" were established in the first place.
One of the most extensive studies of class in nineteenth-century African American literature to date, Dividing Lines unveils how black fiction writers represented the uneasy relationship between class differences, racial solidarity, and the quest for civil rights in black communities. By portraying complex, highly stratified communities with a growing black middle class, these authors dispelled notions that black Americans were uniformly poor or uncivilized. The book argues that the signs of class anxiety are embedded in postbellum fiction: from the verbal stammer or prim speech of class-conscious characters to fissures in the fiction's form. Andreá N. Williams delves into the familiar and lesser-known works of Frances E. W. Harper, Pauline Hopkins, Charles W. Chesnutt, Sutton Griggs, and Paul Laurence Dunbar, showing how these texts mediate class through discussions of labor, moral respectability, ancestry, spatial boundaries, and skin complexion. Dividing Lines also draws on reader responses—from book reviews, editorials, and letters—to show how the class anxiety expressed in African American fiction directly sparked reader concerns over the status of black Americans in the U.S. social order. Weaving literary history with compelling textual analyses, this study yields new insights about the intersection of race and class in black novels and short stories from the 1880s to 1900s.
Genealogy has become a widely popular pursuit, as millions of people now research their family history, trace their forebears, attend family reunions and travel to ancestral home sites. Geographers have much to contribute to the serious study of the family history phenomenon. Land records, maps and even GIS are increasingly used by genealogical investigators. As a cultural practice, it encompasses peoples' emotional attachments to ancestral places and is widely manifest on the ground as personal heritage travel. Family history research also has significant potential to challenge accepted geographical views of migration, ethnicity, socio-economic class and place-based identities. This volume is possibly the first ever book to address the geographical and scholarly aspects of this increasingly popular social phenomenon. It highlights tools and information sources used by geographers and their application to family history research. Furthermore, it examines family history as a socio-cultural practice, including the activities of tourism, archival research and DNA testing.