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Have you ever wondered what left behind those prints and tracks on the seashore, or what made those marks or dug those holes in the dunes? Life Traces of the Georgia Coast is an up-close look at these traces of life and the animals and plants that made them. It tells about how the tracemakers lived and how they interacted with their environments. This is a book about ichnology (the study of such traces) and a wonderful way to learn about the behavior of organisms, living and long extinct. Life Traces presents an overview of the traces left by modern animals and plants in this biologically rich region; shows how life traces relate to the environments, natural history, and behaviors of their tracemakers; and applies that knowledge toward a better understanding of the fossilized traces that ancient life left in the geologic record. Augmented by illustrations of traces made by both ancient and modern organisms, the book shows how ancient trace fossils directly relate to modern traces and tracemakers, among them, insects, grasses, crabs, shorebirds, alligators, and sea turtles. The result is an aesthetically appealing and scientifically grounded book that will serve as source both for scientists and for anyone interested in the natural history of the Georgia coast.
A richly illustrated examination of photography as a technology for documenting, creating, and understanding the processes of modernization in turn-of-the-century Brazil and the Amazon Photography at the turn of the twentieth century was not only a product of modernity but also an increasingly available medium to chronicle the processes of modernization. Traces of the Unseen: Photography, Violence, and Modernization in Early Twentieth-Century Latin America situates photography’s role in documenting the destruction wrought by infrastructure development and extractive capitalist expansion in the Amazon and outside the Brazilian metropole. Combining formal analysis of individual photographs with their inclusion in larger multimedia assemblages, Carolina Sá Carvalho explores how this visual evidence of violence was framed, captioned, cropped, and circulated. As she explains, this photographic creation and circulation generated a pedagogy of the gaze with which increasingly connected urban audiences were taught what and how to see: viewers learned to interpret the traces of violence captured in these images within the larger context of modernization. Traces of the Unseen draws on works by Flavio de Barros, Euclides da Cunha, Roger Casement, Claude Lévi-Strauss, and Mario de Andrade to situate an unruly photographic body at the center of modernity, in all its disputed meanings. Moreover, Sá Carvalho locates historically specific practices of seeing within the geopolitical peripheries of capitalism. What emerges is a consideration of photography as a technology through which modern aspirations, moral inclinations, imagined futures, and lost pasts were represented, critiqued, and mourned.
A key unresolved issue lies at the heart of our science -- the quest of Aristotle, Newton, Einstein, Hawking and many others, now widely known as the Theory of Everything. This ultimate understanding is expected to transform science and resolve its many mysteries -- all via one single overlooked principle in nature that will explain, simplify and unify everything. This quest has produced theories such as Special Relativity, General Relativity and Quantum Mechanics, enormous investments in powerful particle accelerators and space telescopes, and such recent pursuits as "Dark Matter" and "Dark Energy." But enormous problems remain: these theories, projects and pursuits are all completely separate and frequently incompatible, presenting unresolved abstractions, speculation, paradoxes and mysteries that often even violate our laws of physics, upon closer examination. As a result, the Theory of Everything continues to elude us, with no clear way forward. The Final Theory clearly shows why this is the case, exposing centuries of well-intentioned but misguided scientific thought that has locked us into an erroneous and highly troubled energy-based science that has taken us far off track. It corrects the errors in our scientific legacy, showing that energy is actually a misunderstanding of the unifying principle we have sought for centuries -- a principle that is active all around us, producing all known phenomena such as gravity, light, electricity and magnetism. This new understanding replaces both Newton's "gravitational force" theory and Einstein's "warped space-time" General Relativity Theory, while also overturning such theories as Special Relativity and Quantum Mechanics. In their place is a single simple principle that finally demystifies, explains and unifies everything. Read The Final Theory and judge for yourself whether the Theory of Everything has finally arrived!
This book constitutes the thoroughly refereed post-conference proceedings of the Third International Conference on Runtime Verification, RV 2012, held in Istanbul, Turkey, in September 2012. The 25 revised full papers presented together with 3 invited papers and 2 tutorials were carefully reviewed and selected from 50 submissions. The papers address a wide range of specification languages and formalisms for traces, specification mining, program instrumentation, monitor construction techniques, logging, recording, and replay, fault detection, localization, recovery and repair, program steering and adaptation, metrics and statistical information gathering, combination of static and dynamic analyses and program execution visualization.
Strategic Occidentalism examines the transformation, in both aesthetics and infrastructure, of Mexican fiction since the late 1970s. During this time a framework has emerged characterized by the corporatization of publishing, a frictional relationship between Mexican literature and global book markets, and the desire of Mexican writers to break from dominant models of national culture. In the course of this analysis, Ignacio M. Sánchez Prado engages with theories of world literature, proposing that “world literature” is a construction produced at various levels, including the national, that must be studied from its material conditions of production in specific sites. In particular, he argues that Mexican writers have engaged in a “strategic Occidentalism” in which their idiosyncratic connections with world literature have responded to dynamics different from those identified by world-systems or diffusionist theorists. Strategic Occidentalism identifies three scenes in which a cosmopolitan aesthetics in Mexican world literature has been produced: Sergio Pitol’s translation of Eastern European and marginal British modernist literature; the emergence of the Crack group as a polemic against the legacies of magical realism; and the challenges of writers like Carmen Boullosa, Cristina Rivera Garza, and Ana García Bergua to the roles traditionally assigned to Latin American writers in world literature.
This book illuminates the real effects of regulations on people’s everyday lives. It traces the effects of regulations on an economy by working through the ripple effects of changes. In so doing, the book provides a fundamental understanding for the economy as an organism rather than a machine, and enlightens the reader by offering a model for understanding the economy and market. Regulations, which are restrictions placed on the working of the economy, have consequences, both intended and unintended, direct and indirect. While the direct effects are well understood, the indirect effects are often overlooked because they don’t fit with the machine understanding of an economy. More to the point, this book emphasizes the real effects of regulation and market change on individual actors, thereby stressing how the economy works to provide an individual with the options that exist in choice situations. We draft a new definition of prosperity and well-being which focuses on the individual’s access to valuable alternatives. From this point of view, the real implications of regulation are traced step by step, following the logic of exchange and the effects on individual actors rather than the economy as a whole.
Sixteen-year-old Jacques Rebière is living a humble life in rural France, studying butterflies and frogs by candlelight in his bedroom. Across the Channel, in England, the playful Thomas Midwinter, also sixteen, is enjoying a life of ease-and is resigned to follow his father's wishes and pursue a career in medicine. A fateful seaside meeting four years later sets the two young men on a profound course of friendship and discovery; they will become pioneers in the burgeoning field of psychiatry. But when a female patient at the doctors' Austrian sanatorium becomes dangerously ill, the two men's conflicting diagnosis threatens to divide them--and to undermine all their professional achievements. From the bestselling author of Birdsong comes this masterful novel that ventures to answer challenging questions of consciousness and science, and what it means to be human.
Reprint of the original, first published in 1884.
“Beautifully written . . . advances scholarship on Marion, and offers a sustained and critical analysis of two weaknesses in Marion’s phenomenology.” —Tamsin Jones, author of A Genealogy of Marion’s Philosophy of Religion The philosophical work of Jean-Luc Marion has opened new ways of speaking about religious convictions and experiences. In this exploration of Marion’s philosophy and theology, Christina M. Gschwandtner presents a comprehensive and critical analysis of the ideas of saturated phenomena and the phenomenology of givenness. She claims that these phenomena do not always appear in the excessive mode that Marion describes and suggests instead that we consider degrees of saturation. Gschwandtner covers major themes in Marion’s work—the historical event, art, nature, love, gift and sacrifice, prayer, and the Eucharist. She works within the phenomenology of givenness, but suggests that Marion himself has not considered important aspects of his philosophy. “Christina M. Gschwandtner has established herself as a valued reader of contemporary French philosophy in general and of Marion’s writings in particular. She was the first to consider at length Marion’s extensive reflections on Descartes and to evaluate their theological importance, and she has translated two of Marion’s books from the French. This new study, Degrees of Givenness, extends her contribution to our understanding of this fecund philosopher.” —Notre Dame Philosophical Reviews