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Don't miss the first and bestselling book in the beloved Pete the Cat series! Pete the Cat goes walking down the street wearing his brand-new white shoes. Along the way, his shoes change from white to red to blue to brown to WET as he steps in piles of strawberries, blueberries, and other big messes! But no matter what color his shoes are, Pete keeps movin' and groovin' and singing his song...because it's all good. Pete the Cat: I Love My White Shoes asks the reader questions about the colors of different foods and objects—kids love to interact with the story. The fun never stops—download the free groovin’ song. Don't miss Pete's other adventures, including Pete the Cat: Rocking in My School Shoes, Pete the Cat and His Four Groovy Buttons, Pete the Cat Saves Christmas, Pete the Cat and His Magic Sunglasses, Pete the Cat and the Bedtime Blues, Pete the Cat and the New Guy, Pete the Cat and the Cool Cat Boogie, Pete the Cat and the Missing Cupcakes, Pete the Cat and the Perfect Pizza Party, and Pete the Cat: Crayons Rock!
'Louis Wain invented a cat style, a cat society, a whole cat world'. Broadcast in 1925 by H.G. Wells, these words characteristically foretold the future of the Wain cat which has, once more, become the century's most recognisable image in cat art. During their heyday, in the time before the First World War, Louis Wain's cats, dressed as humans, portrayed that stylish Edwardian world having fun: at restaurants and tea parties, going to the Race and the Seaside, celebrating at Christmas and Birthdays, and disporting themselves with exuberant games of tennis, bowls, cricket and football. This is a titillating world of cats at play, uninhibited and slightly dangerous, with most group activities likely to turn into mishap, mayhem and catastrophe. This is Wain's world, funny, edgy and animated: a whole cat world. The first comprehensive exhibition of Wain's work was held at the Victoria and Albert Museum in London in 1972 and, since then, Louis Wain has steadily become more fashionable, and collected worldwide. This biography contains 300 plates of richness and variety, all of which are reproduced faithfully from the original artwork. This book is jointly published by Chris Beetles Ltd and Canongate Books.
Looking for tried and true ways to capture the attention of your three-year-olds? This comprehensive collection of over 600 teacher-created activities provides hours of fun and interesting activities perfectly tailored for this age group. Discover new ways to use everyday items to create fresh, exciting art projects; learn new classroom management techniques from experienced teachers; and find helpful tips for working with three-year-olds.
This book provides the veterinary practitioner, student, breeder and pet owner with a complete but quick reference to the diagnosis and management of breed-related medical conditions of dogs and cats. 171 recognized dog breeds and 42 cat breeds are included, organized alphabetically, with all information fully referenced and based on the most
Sigmar Polke's thirty-five-year career, during which he has produced a vast range of work in all mediums, has earned him a reputation as one of the most significant artists of his generation. Born in 1941, he began his creative output around 1963 in Dusseldorf during a time of enormous social, cultural, and artistic changes in Germany and elsewhere. Few of his works demonstrate more vividly his imagination, sardonic wit, and subversive approach than the drawings, watercolors, and gouaches produced during the 1960s and early 1970s. Embedded in these images are incisive and parodic commentaries on consumer society, the postwar political scene in Germany, and classic artistic conventions.
Contains 8 finger play poems plus activities and worksheets for each.
The latest in the Georgia Museum of Art's series of publications on drawings from its permanent collection, "Tracing Vision" focuses on nineteenth- and twentieth-century works by a huge range of artists. Contemporary feminist artists Lenore Tawney and Nancy Grossman are represented alongside Pierre Puvis de Chavannes, and Chuck Close is closely followed by American Scene artist Howard Cook and turn-of-the-century muralist Kenyon Cox. Carol Nathanson, who wrote by far the largest number of entries, also supplies a marvelous introductory essay that highlights the ties among this diverse selection of drawings and focuses on the importance of the medium throughout art history.