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This book reconstructs the narratological system and its geometrics.Bachelard set out to study the psychological problem presented by our convictions about fire.
How have developments in literary and cultural theory transformed our understanding of narrative? What has happened to narrative in the wake of poststructuralism? What is the role and function of narrative in the contemporary world? In this revised, updated and expanded new edition of an established text, Mark Currie explores these central questions and guides students through the complex theories that have shaped the study of narrative in recent decades. Postmodern Narrative Theory, Second Edition: • establishes direct links between the workings of fictional narratives and those of the non-fictional world • charts the transition in narrative theory from its formalist beginnings, through deconstruction, towards its current concerns with the social, cultural and cognitive uses of narrative • explores the relationship between postmodern narrative and postmodern theory more closely • presents detailed illustrative readings of known literary texts such as Stevenson's Dr Jekyll and Mr Hyde and Conrad's Heart of Darkness, and now features a new chapter on Coetzee's Elizabeth Costello and Slow Man. Approachable and stimulating, this is an essential introduction for anyone studying postmodernism, the theory of narrative or contemporary fiction.
In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.
"Once upon a time, everything was understood through stories....The philosopher Friedrich Nietzsche once said that 'if we possess our why of life we can put up with almost any how.'...Stories always dealt with the why' questions. The answers they gave did not have to be literally true; they only had to satisfy people's curiosity by providing an answer, less for the mind than for the soul." --From Chapter 1 Each of us has a story to tell that is uniquely personal and profoundly meaningful. The goal of the modern therapist is to help clients probe deeply enough to find their own voice, describe their experiences, and create a narrative in which a life story takes shape and makes sense. Emphasizing the vital connections among personal experience, family, and community, the authors of this provocative new book explore the role of narrative therapy within the context of a postmodern culture. They employ the interactional dynamics of family therapy to demonstrate how to help people deconstruct oppressive and debilitating perspectives, replace them with liberating and legitimizing stories, and develop a framework of meaning and direction for more intentional, more fulfilling lives. Blending scientific theory with literary aesthetics, Story Re-Visions presents a comprehensive collection of specific narrative therapy techniques, inventions, interviewing guidelines, and therapeutic questions. The book examines the development of the postmodern phenomenon, tracing its evolution across time and disciplines. It discusses paradigmatic traditions, the meaning of modernism, and the ways in which the ancient, binding narratives have lost their power to inspire uncritical assent. Methods for doing narrative therapy in a destoried world are presented, with suggestions for meeting the challenges of postmodern value systems and ethical dilemmas. Numerous case examples and dialogues illustrate ways to help people become authors of their own stories, and each of the last four chapters concludes with an appendix that provides additional information for the practicing clinician. Detailing ways in which a narrative framework enhances family therapy, the authors describe how the therapist and client may act together as revisionary editors, and present techniques for keeping the story re-vision alive, well, and in charge. Finally, the book examines re-vision techniques for clinical training and supervision settings, with discussion of how therapists may help one another create stories about their clients, as well as themselves. Accessibly written and profoundly enlightening, Story Re-Visions is ideal for family therapists, psychologists, psychiatrists, and anyone else interested in doing therapy from a narrative stance. It is also valuable as supplemental reading for courses in family therapy and other psychotherapeutic disciplines.
Stories are everywhere, from fiction across media to politics and personal identity. Handbook of Narrative Analysis sorts out both traditional and recent narrative theories, providing the necessary skills to interpret any story. In addition to discussing classical theorists, such as Gérard Genette, Mieke Bal, and Seymour Chatman, Handbook of Narrative Analysis presents precursors (such as E. M. Forster), related theorists (Franz Stanzel, Dorrit Cohn), and a large variety of postclassical critics. Among the latter particular attention is paid to rhetorical, cognitive, and cultural approaches; intermediality; storyworlds; gender theory; and natural and unnatural narratology. Not content to consider theory as an end in itself, Luc Herman and Bart Vervaeck use two short stories and a graphic narrative by contemporary authors as touchstones to illustrate each approach to narrative. In doing so they illuminate the practical implications of theoretical preferences and the ideological leanings underlying them. Marginal glosses guide the reader through discussions of theoretical issues, and an extensive bibliography points readers to the most current publications in the field. Written in an accessible style, this handbook combines a comprehensive treatment of its subject with a user-friendly format appropriate for specialists and nonspecialists alike. Handbook of Narrative Analysis is the go-to book for understanding and interpreting narrative. This new edition revises and extends the first edition to describe and apply the last fifteen years of cutting-edge scholarship in the field of narrative theory.
An analysis of the way postmodern novels respond to changes in the experience of time.
The author critiques postmodern/narrative theory, with its underlying antirealist/constructivist philosophy that the knower makes rather than discovers reality. As an alternative, she introduces readers to the integrative/eclective therapy movement and proposes "modest realism".
According to Olav Bryant Smith, Kant's "critical philosophy," precisely his defense of necessary knowledge, inadvertantly opened the door to discussions of interpretive philosophy and ultimately postmodernity. This unique opening to a discussion of postmodern thought framesMyths of the Self: Narrative Identity and Postmodern Metaphysics. Author Olav Smith uses process philosophy, specifically the constructive postmodern metaphysics of Alfred North Whitehead, to move away from the skepticism of modernity. This maneuver, along with an invigorating discussion of not often paired philosophers: Kant, Heidegger, Whitehead, and Ricoeur, leads readers into a discussion of the self that is a synthesis of a narrative theory of identity and a constructive "postmodern" metaphysics. Smith's original approach to Kant'sCritique of Reason, his unique pairing of Heidegger and Whitehead as well as Whitehead and Ricoeur makes this book essential reading for philisophers working in the Continental and especially the Analytic American tradition.
Edited by rising Tunisian literary scholar Hassen Zriba, Postmodernism and Narratives of Erasure in Culture, Literature, and Language is a collection of interdisciplinary essays arguing that the concept of "erasure" is an essential analytical tool/mode of thought in shaping conceptualizations of change and continuity in subjects of human knowledge. It defines "erasure" as the act of deleting, of removing something, following the German philosopher Martin Heidegger in his book Being and Time, and proceeds with the French deconstructionist Jacques Derrida's meaning of the inadequacy, but "necessariness," of some words and concepts. In this volume's working definition, "erasure" is vital to unlocking the paradoxical nature of the very subject under erasure, allowing us to move beyond fixed binary creations of meaning and significance. Accordingly, erasure substitutes the classical "metaphysics of presence" (fixed meaning) with an alternative "metaphysics of absence," where meaning is always under construction. Signs are relational, not referential. This book is unique in its use of an interdisciplinary approach to detect how "erasure" emerges in language, culture, and literature. It examines how the concept shapes and is shaped by various discursive and critical formations in culture, language, and literature. Its major contribution is to expound a fundamental concept of postmodern theory that has been under-theorized to advance understanding the realities of our post-modern times.