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Jean-François Lyotard was one of the most influential European thinkers in recent decades. He was a leading participant in debates about post-modernism and the decline of Marxism, and he made important contributions to ethics, aesthetics and political philosophy. In this authoritative introduction, Williams tracks the development of Lyotard's thought from his early writings on the libidinal economy to his more recent work on the post-modern condition. Williams argues that despite the wide-ranging character of Lyotard's writings, they are animated by a long-standing concern to develop a new theory of political action. Lyotard's productive use of avant-garde art and the aesthetics of the sublime are interpreted within this context. In the final chapters some of the main criticisms that have been levelled at Lyotard's work are outlined and assessed. A challenging but also accessible book, it will be welcomed by students and researchers in continental philosophy, literary theory and the humanities generally.
In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.
While growing churches dot our urban centers and country landscapes, church-goers and students today are actually less likely to maintain a Christian worldview than in the past. In fact, the majority of society does not even believe in objective truth. A minister out of touch with this culture is like an uninformed missionary trying to teach in a foreign country. To communicate God's Word effectively in the twenty-first century, teachers need to know how to connect with and confront an audience of postmodern listeners. In Preaching to a Postmodern World, Johnston shows pastors, seminary students, professors, lay teachers, and church leaders can reach the present age without selling out to it. The book discusses how to: • distinguish between modernism and postmodernism • understand postmodern worldviews • change the style of preaching without compromising the substance • take advantage of new opportunities provided by the cultural shift • show an inattentive society the relevance of God's truth The author's keen insights into contemporary pop and media culture also help equip speakers to address today's listeners with clarity and relevance.
"Markey emphasizes the coherence of Calvino's literary production and convincingly and carefully argues that postmodernism--first latent and then increasingly (and exasperatingly) overt--is Calvino's essential muse."--Wiley Feinstein, Loyola University, Chicago "By thoroughly and persuasively interpreting and explaining Calvino's contributions to the postmodern esthetic, this book provides not only a better appreciation of postmodern literature but a better understanding of our postmodern world, where reality and textuality mingle, a world which Calvino anticipated, interrogated, and ultimately helped to fashion, and one which Markey now helps us to perceive and comprehend."--Sante Matteo, Miami University This primer for Italo Calvino fans looks at the international author in English translation, appraising his place in world literature and tracing his development as a postmodern writer from the start of his career during World War II to his death in 1985. Constance Markey, who knew Calvino personally, correlates details of his life with the growth of his thinking and artistry, using summaries and analysis of his novels, short stories, and essays to underscore the link between his life and work. Starting with his early writing as a political neorealist, she traces his move away from realism, first toward modernism and fantasy, eventually toward full maturation as a postmodern writer. Though Calvino chronicled uncommon events during a turbulent era, Markey shows that his writing evolved in a consistent, unified, and logical way. Writing for both the novice Calvino reader and those expert in his work, Markey also examines in depth his ties to other authors such as Conrad, Beckett, Borges, Kafka, and even Twain. She establishes Calvino's influence as a major force in the shaping of 20th-century literature and offers a persuasive account of postmodernism. Constance Markey teaches Italian at DePaul University, where she has served as head of the Italian section. She has written widely on Italian and European authors and on film and has published articles in Italica, Italian Quarterly, and Quaderni d'italianistica, and book reviews in the Chicago Tribune.
Addresses the promises and perils of postmodernity for the church today.
Postmodernism, as a mode of the contemporary short story, has been clearly established and recognized by short story theorists. But postmodern theory, as pervasive as it has become among academics in the last half century, has scarcely been applied to the short story genre in particular. Many contemporary scholars, nonetheless, are currently making use of certain postmodern thematic approaches to help them determine meanings of particular short stories. T Short story theory began with Edgar Allan Poe's review of Twice-Told Tales, a collection of stories by his contemporary, Nathaniel Hawthorne. But theoretical discussions of the short story languished until modernism and the new criticism provided impetus for further development. Surprisingly, though, the next large critical movement, postmodernism, failed to address the short story as a genre. But while there is little postmodern theory concerning the short story, contemporary scholars have used certain postmodern critical approaches to help determine meaning. This book demonstrates the effect of postmodern theory on the study of the short story genre. The expert contributors to this volume examine such topics as genre and form, the role of the reader, cultural and ethnic diversity, and feminist perspectives on the short story. In doing so, they apply postmodern theoretical approaches to international short stories, be they in the traditional mode, the modern mode, or the postmodern mode. The volume looks at fiction by Edith Wharton, Henry James, Katherine Mansfield, and other authors, and at Iranian short fiction, the postcolonial short story, the fantastic in short fiction, and other subjects.
This introductory 2003 guide offers examples of different types of contemporary theology and Christian doctrine in relationship to postmodernity.
A lucid exploration of the key features of postmodernism and the most important authors from Beckett to DeLillo.