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The Black Church is an institution that emerged in rebellion against injustice perpetrated upon black bodies. How is it, then, that black women's oppression persists in black churches? This book engages the Chalcedonian Definition as the starting point for exploring the body as a moral dilemma.
The Black Church is an institution that emerged in rebellion against injustice perpetrated upon black bodies. How is it, then, that black women's oppression persists in black churches? This book engages the Chalcedonian Definition as the starting point for exploring the body as a moral dilemma.
* Evaluates options in Christian ethics * Evokes profound rethinking of what it means to "ethical"
I Found God in Me is the first womanist biblical hermeneutics reader. In it readers have access, in one volume, to articles on womanist interpretative theories and theology as well as cutting-edge womanist readings of biblical texts by womanist biblical scholars. This book is an excellent resource for women of color, pastors, and seminarians interested in relevant readings of the biblical text, as well as scholars and teachers teaching courses in womanist biblical hermeneutics, feminist interpretation, African American hermeneutics, and biblical courses that value diversity and dialogue as crucial to excellent pedagogy.
A womanist church has great power to transform church and society, primarily because womanist theology centers the experiences of Black women while working for the survival and wholeness of all people and all creation. Experiences of the triple oppression of racism, sexism, and classism give Black women an epistemological insight into recognizing injustice and creating solutions that benefit all. The Gathering is unique, the only church founded and identified as ""womanist,"" applying womanist theology to the full life and worship of a church. The Gathering, a womanist faith community in Dallas, Texas, welcomes all people to partner in pursuing racial equity, LGBTQ equality, and dismantling PMS (patriarchy, misogyny, and sexism), following Jesus in liberating the oppressed and lifting up the marginalized. The Gathering, A Womanist Church tells the story of the birth and ongoing development of a womanist faith community. This book includes personal narratives of people transformed in this community, womanist co-pastors' sermons informed by their experiences and those of other Black women, and litanies for womanist worship.
This book is about Black women's search for relationships and encounters that support healing from intimate and cultural violence. Narratives provide an ethnographic snapshot of this violence, while raising concerns over whether or not existing paradigms for pastoral care and counseling are congruent with how many Black women approach healing.
FEATURING: Judith Butler Lia Chavez Katherine James D. S. Martin Thomas Nail PLUS: What Does Where You're From Matter? * Ta-Nehisi Coates and the Power of Lament * Sing More Like a Girl * Jesus Doesn't Want Me for a Sunbeam * Occupied Identity * What's So Holy about Matrimony? AND MORE . . . "We the people . . ." So begins the familiar first line to the Preamble of the United States Constitution. But even in its initial context, in a document intended to be a manifesto of hope and freedom, the matter of who exactly was to be included in this "we" was unclear and contested. First-person pronouns (i.e., I and we) roll off the tongue-or onto parchment paper-with ease, but their common use often belies an underlying complexity. Who am I? Who are we? Who does my theology say that I am? Identity is at the same time essential to life and yet also deeply contested, problematic, and enigmatic. The world may be becoming more one and, yet, it seems also to be becoming more different, fragmented, agonistic, and isolated. In this issue of The Other Journal, we explore the valences of identity, both individual and communal, personal and public. We take up the theme of identity in multiple ways, examining its interconnections with gender and race, the dissolution and reconstitution of borders, and, yes, even the 2016 presidential campaign. The issue features essays by Derek Brown, Zach Czaia, Ryan Dueck, Julie M. Hamilton, Peter Herman, Zen Hess, Kimberly Humphrey, Katherine James, Russell Johnson, Sus Long, Willow Mindich, Angela Parker, Taylor Ross, and Erick Sierra; interviews by Stephanie Berbec and Zachary Thomas Settle with Judith Butler and Thomas Nail, respectively; poetry by T. M. Lawson, D. S. Martin, Oluwatomisin Oredein, and Erin Steinke; performance art by Lia Chavez; and photography by Jennifer Jane Simonton, Pilar Timpane, and Mark Wyatt.
Moved by the Spirit: Religion and the Movement for Black Lives explores the religious and theological significance of the Black Lives Matter Movement. The volume argues for engaging the complex ways religion is present in the movement as well as how the movement is changing religion. The contributors analyze this relationship from a variety of religious and theological perspectives on public protest, the meaning of freedom, Black humanity, the arts and practices of Black religious culture, and the transformation of Black religious communities. The volume reveals that the Movement for Black Lives is changing our understanding of religious experience and communities.
The late Katie Geneva Cannon was the founder of womanist ethics. Her work continues to generate new explorations of womanist moral thought. In this volume, leading womanist ethicists and theologians come together to continue Cannon’s work in four critical areas: justice, leadership, embodied ethics, and sacred texts. The goal is to continue Cannon’s pursuit of a world of inclusivity and hope, while realistically analyzing the discrimination, disenfranchisement, and systemic hatred that stand as obstacles to the world. Contributors include Emilie Townes, Shawn Copeland, Eboni Marshall Turman, Angela Sims, Paula Parker, Nikia Robert, Alison Gise Johnson, Vanessa Monroe, Faith B. Harris, Stacey Floyd-Thomas, Melanie Jones, Renita Weems.
This book explores the history of reggae in modern Britain from the time it emerged as a cultural force in the 1970s. As basslines from Jamaica reverberated across the Atlantic, so they were received and transmitted by the UK’s Afro-Caribbean community. From roots to lovers’ rock, from deejays harnessing the dancehall crowd to dub poets reporting back from the socio-economic front line, British reggae soundtracked the inner-city experience of black youth. In time, reggae’s influence permeated the wider culture, informing the sounds and the language of popular music whilst also retaining a connection to the street-level sound systems, clubs and centres that provided space to create, protest and innovate. This book is therefore a testament to struggle and ingenuity, a collection of essays tracing reggae’s importance to both the culture and the politics of late twentieth and early twenty-first century Britain.