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Today, in growing numbers, from kitchen tables to nonprofit organizations to corporate boards, Americans are turning away from the bickering and division of politics as usual and turning toward a new politics-what activist-turned-attorney Mark Satin christens here as "radical middle" politics.Instead of the usual blame games, the radical middle appreciates the genuine and often very reasonable concerns of the left and right, which many of those disillusioned with political partisanship will find refreshing. As the nation heads into the 2004 presidential election, the radical middle dares to propose bold and innovative solutions to problems that affect us all, from health care reform to corporate accountability to the fight against terrorism.Radical Middle offers an innovative yet practical handbook that addresses many of the most vexing social problems of our time. A whole new movement is on the march-the radical middle movement-and this is its manifesto. It shows how to understand politics, how to quiet the din of overheated rhetoric, and how to make modern politics reflect the true expression of rational and creative people everywhere.
This book doesn’t endorse any systematic theology; rather, it’s about how we theologize. Why do two equally trained theologians, studying the same book and loving the same Lord, arrive at such different conclusions? This theological disagreement, at times becoming personal, spills over from the academia to seminaries and churches. And if history is any indicator, this always weakens the unity of the church. Who needs unity when correct doctrines are at stake, right? But, is the defense of all doctrines worth foregoing the unity of the church, despite Jesus’ prayer that “they may be one even as we are one”? At bottom, our theological contentiousness stems from not recognizing that the way biblical revelation is framed is not designed to be handled the way seminaries typically do. Regardless, we strive for the rightness of our tidy theology, even disowning those who disagree while doing so. The disavowal of continuationists by the Strange Fire crowd is the most recent instance in a long line of placing doctrinal purity over the unity of the body. This book uncovers how Scripture is really structured and how, therefore, we need to theologize differently so that we may grow spiritually in Word and Spirit.
Updated with a new introduction, this fifteenth anniversary edition of A Return to Modesty reignites Wendy Shalit’s controversial claim that we have lost our respect for an essential virtue: modesty. When A Return to Modesty was first published in 1999, its argument launched a worldwide discussion about the possibility of innocence and romantic idealism. Wendy Shalit was the first to systematically critique the "hook-up" scene and outline the harms of making sexuality so public. Today, with social media increasingly blurring the line between public and private life, and with child exploitation on the rise, the concept of modesty is more relevant than ever. Updated with a new preface that addresses the unique problems facing society now, A Return to Modesty shows why "the lost virtue" of modesty is not a hang-up that we should set out to cure, but rather a wonderful instinct to be celebrated. A Return to Modesty is a deeply personal account as well as a fascinating intellectual exploration into everything from seventeenth-century manners to the 1948 tune "Baby, It’s Cold Outside." Beholden neither to social conservatives nor to feminists, Shalit reminds us that modesty is not prudery, but a natural instinct—and one that may be able to save us from ourselves.
In 1947 Horkheimer and Adorno connected the Enlightenment with totalitarianism. Since when the Left has drifted into the language and imagery of the European Counter-Enlightenment, the movement against 1776 and 1789. Bronner sets out to reclaim the heritage of progressive politics.
This book doesn't endorse any systematic theology; rather, it's about how we theologize. Why do two equally trained theologians, studying the same book and loving the same Lord, arrive at such different conclusions? This theological disagreement, at times becoming personal, spills over from the academia to seminaries and churches. And if history is any indicator, this always weakens the unity of the church. Who needs unity when correct doctrines are at stake, right? But, is the defense of all doctrines worth foregoing the unity of the church, despite Jesus' prayer that "they may be one even as we are one"? At bottom, our theological contentiousness stems from not recognizing that the way biblical revelation is framed is not designed to be handled the way seminaries typically do. Regardless, we strive for the rightness of our tidy theology, even disowning those who disagree while doing so. The disavowal of continuationists by the Strange Fire crowd is the most recent instance in a long line of placing doctrinal purity over the unity of the body. This book uncovers how Scripture is really structured and how, therefore, we need to theologize differently so that we may grow spiritually in Word and Spirit.
In Makers of Democracy A. Ricardo López-Pedreros traces the ways in which a thriving middle class was understood to be a foundational marker of democracy in Colombia during the second half of the twentieth century. Drawing on a wide array of sources ranging from training manuals and oral histories to school and business archives, López-Pedreros shows how the Colombian middle class created a model of democracy based on free-market ideologies, private property rights, material inequality, and an emphasis on a masculine work culture. This model, which naturalized class and gender hierarchies, provided the groundwork for Colombia's later adoption of neoliberalism and inspired the emergence of alternate models of democracy and social hierarchies in the 1960s and 1970s that helped foment political radicalization. By highlighting the contested relationships between class, gender, economics, and politics, López-Pedreros theorizes democracy as a historically unstable practice that exacerbated multiple forms of domination, thereby prompting a rethinking of the formation of democracies throughout the Americas.
As someone who clocked more time in mosh pits and at pro–choice rallies than kneeling in a pew, Kaya Oakes was not necessarily the kind of Catholic girl the Vatican was after. But even while she immersed herself in the punk rock scene and proudly called herself an atheist, something kept pulling her back to the religion of her Irish roots. After running away from the Church for thirty years, Kaya decides to return. Her marriage is under stress, her job is no longer satisfying, and with multiple deaths in her family, a darkness looms large. In spite of her frustration with Catholic conservatism, nothing brings her peace like Mass. After years of searching to no avail for a better religious fit, she realizes that the only way to find harmony—in her faith and her personal life—is to confront the Church she'd left behind. Rebellious and hypercritical, Kaya relearns the catechisms and achieves the sacraments, all while trying to reconcile her liberal beliefs with contemporary Church philosophy. Along the way she meets a group of feisty feminist nuns, a "pray–and–bitch" circle, an all–too handsome Italian priest, and a motley crew of misfits doing their best to find their voices in an outdated institution. This is a story of transformation, not only of Kaya's from ex–Catholic to amateur theologian, but ultimately of the cultural and ethical pushes for change that are rocking the world's largest religion to its core.
A strange, thrilling novel about desperate love, paranoia, and heartbreak by one of America's most singular writers. “What’s new. What else. What next. What’s happened here.” Pitch Dark is a book about love. Kate Ennis is poised at a critical moment in an affair with a married man. The complications and contradictions pursue her from a house in rural Connecticut to a brownstone apartment in New York City, to a small island off the coast of Washington, to a pitch black night in backcountry Ireland. Composed in the style of Renata Adler’s celebrated novel Speedboat and displaying her keen journalist’s eye and mastery of language, both simple and sublime, Pitch Dark is a bold and astonishing work of art.