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Tim Edensor describes the conflicting narratives which surround the Taj Mahal, including those which remain rooted in western post-colonialism and others which challenge this ethnocentricity.
Clearly written and fascinatingly illustrated, Tourists at the Taj describes the conflicting narratives which surround the site. For some the Taj is an evocative symbol of the colonial past. For others it is a symbolic centre of Islamic power. For many of the thousands of tourists that visit it each year it is simply a monument of love. The author shows how tourism can be seen as a performance and the tourist site as a stage on which tourists are directed and rehearsed but also able to improvise their own cultural rituals.
This book shows how a diverse array of places around the world are being produced and made fit for tourist consumption. It analyzes tourist performances such as eating, shopping, waling, photographing and clubbing.
An enduring monument of haunting beauty, the Taj Mahal seems a symbol of stability itself. The familiar view of the glowing marble mausoleum from the gateway entrance offers the very picture of permanence. And yet this extraordinary edifice presents a shifting image to observers across time and cultures. The meaning of the Taj Mahal, the perceptions and responses it prompts, ideas about the building and the history that shape them: these form the subject of Giles Tillotson's book. More than a richly illustrated historyÑthough it is that as wellÑthis book is an eloquent meditation on the place of the Taj Mahal in the cultural imagination of India and the wider world. Since its completion in 1648, the mausoleum commissioned by the fifth Mughal emperor, Shah Jahan, for his wife Mumtaz Mahal, has come to symbolize many things: the undying love of a man for his wife, the perfection of Mughal architecture, the ideal synthesis of various strands of subcontinental aesthetics, even an icon of modern India itself. Exploring different perspectives brought to the magnificent structureÑby a Mughal court poet, an English Romantic traveler, a colonial administrator, an architectural historian, or a contemporary Bollywood filmmakerÑthis book is an incomparable guide through the varied and changing ideas inspired by the Taj Mahal, from its construction to our day. In Tillotson's expert hands, the story of a seventeenth-century structure in the city of Agra reveals itself as a story about our own place and time.
A sumptuously illustrated portrait of perhaps the most fascinating architectural marvel of all time. Built between 1632 and 1643 by the Mughal emperor Shah Jahan in honor of his deceased wife Mumtaz Mahal, the Taj Mahal is unquestionably the most renowned mausoleum in the world. Now this legendary monument to love can be seen as no visitor to the site has ever viewed it. On the pages of this exquisitely illustrated volume, the Taj Mahal is revealed detail by detail. Starting inside the mausoleum, a sequence of closeups show the semiprecious stones, inlaid in white marble, that form the interior's Koranic calligraphy and floral patterns. The next sequence of images presents the octagonal plan of the structure, emphasizing both its perfect symmetry and its subtle variations. The final sequence is devoted to the decorative patterns carved in the walls of the mosque and entrance gate. In addition, four lavish fold-out photographs show the entire Taj Mahal complex from different perspectives. In their informative texts, authors Amina Okada and M.C. Joshi provide historical and architectural analyses of the Taj Mahal. Quotations from the Koran and from the journals of travelers as diverse as Jean-Bapiste Tavernier, Pierre Loti, and Aldous Huxley complete a breathtaking tribute.
This is a fully revised edition of the groundbreaking study on tourism, which was originally published in 1990. The original chapters have been empirically updated and many new research findings incorporated and evaluated. This Second Edition deepens our understanding of how the tourist gaze orders and regulates the relationship with the tourist environment, demarcating the `other′ and identifying the `out-of-the-ordinary′. It elucidates the relationship between tourism and embodiment and elaborates on the connections between mobility as a mark of modern and postmodern experience and the attraction of tourism as a lifestyle choice. The result is a book that builds on the proven strengths of the first edition and revitalizes the argument to address the needs of researchers and students in the new century. Praise for the First Edition: `There is much to be applauded here...this is an engaging and thought provoking book which should be read by those interested in advertising and the changing nature of contemporary culture′ - Contemporary Sociology `The book is written in a very accessible style that would serve as a good point of entry for anyone interested in leisure, tourism, and cultural change in contemporary societies. The scope of Urry′s book is breathtaking, one is left with a feeling of coming to terms with the complex set of social relations that are tourism, both in their production and consumption′ - Planning Practice and Research