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Picturesque but poor, abject yet sublime in its Gothic melancholy, the Ireland perceived by British visitors during the eighteenth and nineteenth centuries did not fit their ideas of progress, propriety, and Protestantism. The rituals of Irish Catholicism, the lamentations of funeral wakes, the Irish language they could not comprehend, even the landscapes were all strange to tourists from England, Wales, and Scotland. Overlooking the acute despair in England’s own industrial cities, these travelers opined in their writings that the poverty, bog lands, and ill-thatched houses of rural Ireland indicated moral failures of the Irish character.
This study, exploring a broad range of evocative Irish travel writing from 1850 to 1914, much of it highly entertaining and heavily laced with irony and humour, draws out interplays between tourism, travel literature and commodifications of culture. It focuses on the importance of informal tourist economies, illicit dimensions of tourism, national landscapes, ‘legend’ and invented tradition in modern tourism.
This volume offers a reasoned critical account of a wide range of travel writing about rural Ireland. The focus is on work by English travellers who visited Ireland for pleasure, from the ’scenic tourists’ of the post-Romantic period to Eric Newby in the 1980s. Ryle also discusses accounts by American and English anthropologists, as well as writing by Irish authors including J.M. Synge, George Moore, Sean O’Faolain and Colm Tóibín. The materials reviewed and discussed here, including many books which are now difficult to find, offer illuminating and sometimes entertaining evidence about the development of tourism. Ryle also shows how the discourses and practices of pleasurable travel have intersected with and been marked by the dimensions of power and proprietorship, hegemony, and resistance, which have characterised Anglo-Irish and Hiberno-English cultural relations over the last two centuries. Journeys in Ireland will interest all those concerned with the literature and history of those relations, and will be an invaluable resource for scholars, teachers and students concerned with travel writing and tourism with and beyond these islands.
This study, exploring a broad range of evocative Irish travel writing from 1850 to 1914, much of it highly entertaining and heavily laced with irony and humour, draws out interplays between tourism, travel literature and commodifications of culture. It focuses on the importance of informal tourist economies, illicit dimensions of tourism, national landscapes, 'legend' and invented tradition in modern tourism.
This is the third revision of this seminal work. Co-authored by original author Frank Mitchell and now Michael Ryan, the result is a stunning collaboration between masters giving all the elements of the original book, modified, updated and further enhanced by the inclusion of a new narrative of Irish archaeology from the Stone Age to the Norman Invasion. Together they have successfully undertaken the daunting task of giving in one book the story of the shaping of the land from the beginning of time until now, by all tbe varying forces of nature, sea, climate, man and machine. The story takes in the shaping of the crust, the movement of glaciers, the first men and their primitive agriculture, their buildings and their effect on the forests, the growth of bogs, new migrations, the rise of the monasteries of the Early Christians and the castles of conquest, the devastation of war, urban growth, modern agriculture and afforestation, all set against the backdrop of the landscape, arguably one Ireland's most precious resources.
For many years Ireland has been a popular tourist destination and tourism has been one of the most significant social, economic and cultural forces in Irish society. Irish Tourism: Image, Culture and Identity engages with major national and international debates on contemporary tourism through cutting-edge research. The book explores the multi-faceted nature of this important phenomenon, drawing on current work in sociology, cultural studies, ethnography, and language studies. For those who theorise about tourism and those who make practical day-to-day decisions on tourism policy, Irish Tourism will provide invaluable insights into historical and contemporary tourist representations, practices and impacts. In addressing issues such as the relationship between the local and the global in tourist settings, the construction of tourist imagery and products, and the development of tourism policy, contributors to Irish Tourism offer an innovative and critical analysis of the impact of global tourism on a small country. This book will be indispensable reading for students and scholars in Tourism Studies and Irish Studies and will also be essential for students of sociology, cultural studies, geography, languages and anthropology.
Based on the accounts of British and Anglo-Irish travelers, 'Creating Irish Tourism' charts the development of tourism in Ireland from its origins in the mid-eighteenth century to the country's emergence as a major European tourist destination a century later.
"This book highlights the principal themes and elements in the making of the landscape, and the sources which can assist historians and historical geographers in studying and understanding Irish landscape history. Major and local sources relating to the natural environment, cultural landscapes and the built environment are explored. The book also looks at representations of landscapes in literature, painting and other artistic sources which can provide insights into the nature of real and imagined worlds of the past. The ultimate source which features prominently throughout this study is the landscape itself on which generations before us have inscribed the marks of their presence in fields, farms, houses, villages, towns, roads, lanes and the infrastructure of settlement."--BOOK JACKET.
This is the first scholarly edited collection devoted to the work of the Anglo-Irish writer and cartographer Tim Robinson
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