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From the iconic Eiffel Tower and the bustling streets of Montmarte to the glamorous Champs Elysee and the historic Latin Quarter, this book presents readers with a unique view of the life, the sites, streets and people of one of Europe's premier capitals.
A moving, dramatic social history of the liberation of Paris in 1944, one of the most inspiring and momentous events of the twentieth century. The fall of Paris to the Nazis on June 14th, 1940, was one of the darkest days of World War II. And the liberation of the city on August 25th, 1944, felt like the brightest. The liberation was also the biggest party of the century: champagne flowed freely, total strangers embraced—it was a celebration of life renewed against the backdrop of the world's favorite city, as experienced by the likes of Ernest Hemingway, J. D. Salinger, Pablo Picasso, and Robert Capa. But there was nothing preordained about this happy ending. Had things transpired differently, Paris might have gone down as a ghastly monument to Nazi nihilism. Paris 1944—timed for the eightieth anniversary of the liberation of Paris—tells the story of those iridescent days in a startling new way. Cutting through decades of myth-making, the reader watches the city’s fate hanging in the balance against the drama, heroism, joy, and suspense of one of the most explosive moments of the twentieth century.
Born in the shadow of Windsor Castle in Great Britain, the author left England for the Mediterranean in search of the sun. Adventures in several capitals allowed him to meet other expatriates who crossed deserts and mountains to observe conflicts, culture and decolonisation. His artwork, photography and theatrical presence left their mark in several cities, ending up as a radio-television journalist and presenter for French State media. As an English expatriate, Paris Made Me offers an objective view of European evolution as seen from France, souvenirs of helping Lawrence Durrell on Cyprus when the island was becoming a Republic, performing in a Roman temple in Lebanon and meeting Rudolf Nureyev and Margot Fonteyn, capturing the city of Beirut in photographs and filming in Copenhagen, before Paris beckoned him to become a journalist for Paris Radio France Internationale and Radio Australia, meeting such celebrities such as Orson Wells, Audrey Hepburn, Maurice Chevalier, Peter Ustinov and Jacques Brel.
This open access book offers innovative and wide-ranging responses to the continuously flourishing literary phenomenon of autofiction. The book shows the insights that are gained in the shift from the genre descriptor to the adjective, and from a broad application of “the autofictional” as a theoretical lens and aesthetic strategy. In three sections on “Approaches,” “Affordances,” and “Forms,” the volume proposes new theoretical approaches for the study of autofiction and the autofictional, offers fresh perspectives on many of the prominent authors in the discussion, draws them into a dialogue with autofictional practice from across the globe, and brings into view texts, forms, and media that have not traditionally been considered for their autofictional dimensions. The book, in sum, expands the parameters of research on autofiction to date to allow new voices and viewpoints to emerge.
Deleuze’s and Guattari’s philosophy in the field of artistic research Gilles Deleuze’s intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze’s subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze’s concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama on the intersection between music, art, philosophy, and scholarship. The forty-eight chapters in this publication present a kaleidoscopic view of different fields of knowledge and artistic practices, exposing for the first time the diversity and richness of a world situated between artistic research and the philosophy of Gilles Deleuze and Félix Guattari. Within different understandings of artistic research, the authors—composers, architects, performers, philosophers, sculptors, film-makers, painters, writers, and activists—map practices and invent concepts, contributing to a creative expansion of horizons, materials, and methodologies. Contributors VOLUME 1: Paulo de Assis, Arno Böhler, Edward Campbell, Diego Castro-Magas, Pascale Criton, Zornitsa Dimitrova, Lois Fitch, Mike Fletcher, Paolo Galli, Lindsay Gianoukas, Keir GoGwilt, Oleg Lebedev, Jimmie LeBlanc, Nicolas Marty, Frédéric Mathevet, Vincent Meelberg, Catarina Pombo Nabais, Tero Nauha, Gabriel Paiuk, Martin Scherzinger, Einar Torfi Einarsson, Steve Tromans, Toshiya Ueno, Susanne Valerie, Audronė Žukauskaitė VOLUME 2: Éric Alliez, Manola Antonioli, Jūratė Baranova, Zsuzsa Baross, Anna Barseghian, Ian Buchanan, Elena del Río, Luis de Miranda, Lucia D’Errico, Lilija Duoblienė, Adreis Echzehn, Jae Emerling, Verina Gfader, Ronny Hardliz, Rahma Khazam, Stefan Kristensen, Erin Manning, John Miers, Elfie Miklautz, Marc Ngui, Andreia Oliveira, Federica Pallaver, Andrej Radman, Felix Rebolledo, Anne Sauvagnargues, Janae Sholtz, Mhairi Vari, Mick Wilson, Elisabet Yanagisawa