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Award-winning writer Rich Cohen excavates the real stories behind the legend of infamous criminal enforcers Murder, Inc. and contemplates the question: Where did the tough Jews go? In 1930s Brooklyn, there lived a breed of men who now exist only in legend and in the memories of a few old-timers: Jewish gangsters, fearless thugs with nicknames like Kid Twist Reles and Pittsburgh Phil Strauss. Growing up in Brownsville, they made their way from street fights to underworld power, becoming the execution squad for a national crime syndicate. Murder Inc. did for organized crime what Henry Ford did for the automobile, and Tough Jews is the first in-depth portrait of these men, a thrilling glimpse at the muscle that made possible the success of gangster statesmen such as Bugsy Siegel, Meyer Lansky, and Lucky Luciano. For Rich Cohen, who grew up in suburban Illinois in the 1980s taunted by the stereotype of Jews as book-reading rule followers, the very idea of the Jewish gangster was a relief; for once, a Jew in jail did not have to be a white collar criminal. With a clear eye and a comic sensibility, Cohen looks beyond the blood and ultimately encounters each of these ruthless killers’ matzo-ball heart. Tough Jews shows what can happen when a member of the tribe combines brains, heart, and a dangerous determination never to back down.
... Dilemma of American Jews.
What your rabbi probably has never told you, but could—if you'd only ask. "Every day I wonder if God is real, if the Torah is true. Every day I wonder why I’m a Jew. But that’s part of being Jewish. In the Torah, we’re called Yisrael—the ones who wrestle with God. Wrestling, asking, wondering, searching is just what God wants us to do! God loves good questions. Now tell me, what are your questions?" —from Chapter 1 In Judaism we’re allowed to ask questions. We are invited to ask them. But for young people, it often feels as if no one is willing to take tough questions about religion, ourselves, and the world seriously. This updated and expanded new edition of Tough Questions Jews Ask turns that all around. With honesty, humor and respect, Rabbi Edward Feinstein tackles topics as diverse as: Why Does God Let Terrible Things Happen? What Is God Anyway? If I Pray for Something, Will I get It? What’s the meaning of life? Is that a dumb question? Why Does Religion Need So Many Rules? Why Be Jewish? With insight and wisdom—and without pretending to have all the answers—Rabbi Feinstein encourages young people to make sense of the Jewish tradition by wrestling with what we don’t understand.
Riveting, poignant and uplifting, The Avengers is a powerful exploration of resistance and revenge, of courage and dedication, and an inside look at some of the intrepid individuals who fought against the Holocaust and the nazi occupation of Europe. Rich Cohen, author of the acclaimed Tough Jews, again narrates a little-known episode of Jewish history, this time altering what we thought we knew about the Holocaust. Abba Kovner, Vitka Kempner, Ruzka Korczak-comrades, lovers, friends. In the Lithuanian ghetto of Vilna, they were the heart of a breathtakingly courageous underground movement, and when the ghetto was liquidated, they fled to the forests and joined other partisans in continued sabotage and resistance.
INSTANT NEW YORK TIMES BESTSELLER An urgent primer on race and racism, from the host of the viral hit video series “Uncomfortable Conversations with a Black Man” “You cannot fix a problem you do not know you have.” So begins Emmanuel Acho in his essential guide to the truths Americans need to know to address the systemic racism that has recently electrified protests in all fifty states. “There is a fix,” Acho says. “But in order to access it, we’re going to have to have some uncomfortable conversations.” In Uncomfortable Conversations With a Black Man, Acho takes on all the questions, large and small, insensitive and taboo, many white Americans are afraid to ask—yet which all Americans need the answers to, now more than ever. With the same open-hearted generosity that has made his video series a phenomenon, Acho explains the vital core of such fraught concepts as white privilege, cultural appropriation, and “reverse racism.” In his own words, he provides a space of compassion and understanding in a discussion that can lack both. He asks only for the reader’s curiosity—but along the way, he will galvanize all of us to join the antiracist fight.
A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE A SAN FRANCISCO CHRONICLE BESTSELLER In AD 70, when the Second Temple was destroyed, a handful of visionaries saved Judaism by reinventing it, taking what had been a national religion and turning it into an idea. Whenever a Jew studied—wherever he was—he would be in the holy city, and his faith preserved. But in our own time, Zionists have turned the book back into a temple, and unlike an idea, a temple can be destroyed. With exuberance, humor, and real scholarship, Rich Cohen's Israel is Real offers "a serious attempt by a gifted storyteller to enliven and elucidate Jewish religious, cultural, and political history . . . A powerful narrative" (Los Angeles Times).
Examines the relationship between alcohol and the Jewish community throughout the nineteenth century and the period of Prohibition, describing the role of Jews in the liquor industry and the relationship between the anti-alcohol movement and anti-Semitism.
The #1 New York Times bestseller that traces the rise of the Guggenheims, the Goldmans, and other families from immigrant poverty to social prominence. They immigrated to America from Germany in the nineteenth century with names like Loeb, Sachs, Seligman, Lehman, Guggenheim, and Goldman. From tenements on the Lower East Side to Park Avenue mansions, this handful of Jewish families turned small businesses into imposing enterprises and amassed spectacular fortunes. But despite possessing breathtaking wealth that rivaled the Astors and Rockefellers, they were barred by the gentile establishment from the lofty realm of “the 400,” a register of New York’s most elite, because of their religion and humble backgrounds. In response, they created their own elite “100,” a privileged society as opulent and exclusive as the one that had refused them entry. “Our Crowd” is the fascinating story of this rarefied society. Based on letters, documents, diary entries, and intimate personal remembrances of family lore by members of these most illustrious clans, it is an engrossing portrait of upper-class Jewish life over two centuries; a riveting story of the bankers, brokers, financiers, philanthropists, and business tycoons who started with nothing and turned their family names into American institutions.
Jewish film characters have existed almost as long as the medium itself. But around 1990, films about Jews and their representation in cinema multiplied and took on new forms, marking a significant departure from the past. With a fresh generation of Jewish filmmakers, writers, and actors at work, contemporary cinemas have been depicting a multiplicity of new variants, including tough Jews; brutish Jews; gay and lesbian Jews; Jewish cowboys, skinheads, and superheroes; and even Jews in space. The New Jew in Film is grounded in the study of over three hundred films from Hollywood and beyond. Nathan Abrams explores these new and changing depictions of Jews, Jewishness, and Judaism, providing a wider, more representative picture of this transformation. In this compelling, surprising, and provocative book, chapters explore masculinity, femininity, passivity, agency, and religion in addition to a departure into new territory—including bathrooms and food. Abrams’s concern is to reveal how the representation of the Jew is used to convey confidence or anxieties about Jewish identity and history as well as questions of racial, sexual, and gender politics. In doing so, he provides a welcome overview of important Jewish films produced globally over the past twenty years.
Albert Fried recalls the rise and fail of an underworld culture that bred some of America's most infamous racketeers, bootleggers, gamblers, and professional killers, spawned by a culture of vice and criminality on New York's Lower East Side and similar environments in Chicago, Cleveland, Boston, Detroit, Newark, and Philadelphia. The author adds an important dimension to this story as he discusses the Italian gangs that teamed up with their Jewish counterparts to form multicultural syndicates. The careers of such high-profile figures as Meyer Lansky, Benjamin "Bugsy" Siegel, and "Dutch" Schultz demonstrate how these gangsters passed from early manhood to old age, marketed illicit goods and services after the repeal of Prohibition, improved their system of mutual cooperation and self-governance, and grew to resemble modern business entrepreneurs. A new afterword brings to a close the careers of the Jewish gangsters and discusses how their image is addressed in selected books since the 1980s. Fried also examines the impact of films such as The Godfather series, Once Upon a Time in America, and Bugsy.