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What does it mean to be in the presence of God's holiness? How can it affect us whether we seek it out or stumble upon it? Can it truly change our very reality to encounter it? The essayists in this volume explore these questions at the heart of Christian worship, considering the oft-neglected Old Testament as essential to understand our purpose in worship. Following the structure of the Hebrew canon -- beginning with the Pentateuch, moving through to the Psalms, then wisdom literature -- each chapter considers a separate aspect of worship, from theater to the Sabbath to sacred space, offering new inspiration. In the final essay Carol Bechtel "rereads the book of Job through the lens of our human limitations (as opposed to the usual theme of theodicy)," with compelling applications for both life and worship. Each of these essays concludes with two appropriately themed hymns and a "For Further Reading" list. Five of the seven contain sidebars that illustrate and enrich key points. Evocative woodcut artwork by Margaret Adams Parker provides a striking backdrop to the text. Taken together, these essays testify powerfully to the belief that the Old Testament is not only valuable but also essential to "whole" and fully foundational preaching and worship. Written primarily by Old Testament professors, Touching the Altar will make an engaging supplemental text for introductory or elective Old Testament courses and will also go far toward providing deeper worship for any Christian. Contributors: Carol M. Bechtel Thomas A. Boogaart Corrine L. Carvalho Ellen F. Davis J. Clinton McCann Jr. Dennis T. Olson Margaret Adams Parker John D. Witvliet
From the 2020 winner of the Thomas Shapcott Award comes a sophisticated, impressive and rich collection of poetry that unpacks the complexity of family, grief, and cross-cultural and queer identity. These richly allusive poems weigh violence and tenderness, wound and cure, history and future. Boldly and tenderly, they balance loss and gain, adventure and quiet, as they hum to one another of love and loss. This is a scintillating and exhilarating collection from an accomplished and distinctive new voice.
In Touching the Passion — Seeing Late Medieval Altarpieces through the Eyes of Faith, Donna Sadler explores the manner in which worshipers responded to the carved and polychromed retables adorning the altars of their parish churches. Framed by the symbolic death of Christ re-enacted during the Mass, the historical account of the Passion on the retable situated Christ’s suffering and triumph over death in the present. The dramatic gestures, contemporary garb, and wealth of anecdotal detail on the altarpiece, invited the viewer’s absorption in the narrative. As in the Imitatio Christi, the worshiper imaginatively projected himself into the story like a child before a dollhouse. The five senses, the sculptural medium, the small scale, and the rhetoric of memory foster this immersion.
The basis for the film starring Kieran Culkin. “Evoked with the rare, genuine sort of candor that made Holden Caulfield—and J.D. Salinger—famous.”—Vogue Set in Savannah, Georgia, in the early 1970s, this is a novel of the anarchic joy of youth and encounters with the concerns of early adulthood. Francis Doyle, Tim Sullivan, and their three closest friends are altar boys at Blessed Heart Catholic Church and eighth-grade classmates at the parish school. They are also inveterate pranksters, artistic, and unimpressed by adult authority. When Sodom vs. Gomorrah ’74, their collaborative comic book depicting Blessed Heart’s nuns and priests gleefully breaking the seventh commandment, falls into the hands of the principal, the boys, certain that their parents will be informed, conspire to create an audacious diversion. Woven into the details of the boys’ preparations for the stunt are touching, hilarious renderings of the school day routine and the initiatory rites of male adolescence, from the first serious kiss to the first serious hangover. “Fuhrman takes wicked pleasure in scraping teen innocence against the graveled, perverse underbelly of suburban childhood.”—Newsday “The freshness of Fuhrman’s novel comes from his ability to squeeze out of a time of transition universal evocations of rebellion against growing up . . . Fuhrman provides his story and characters with enough originality to keep the narrative clipping along and his reader totally absorbed.”—Chicago Tribune “Heartbreaking yet hilarious . . . chronicles a school year in the life of narrator Francis Doyle, an eighth-grader at the parish school of the Blessed Heart . . . can be compared to many of the classic coming-of-age novels.”—Publishers Weekly
Hindu canonical text; critically edited Sanskrit text with English translation.
A highly regarded Old Testament scholar provides a comprehensive evangelical exegesis of the book of Exodus.
Unlike the other senses, touch ranges beyond a single sense organ, encompassing not only the skin but also the interior of the body. It mediates almost every aspect of interpersonal relations in antiquity, from the everyday to the erotic, just as it also provides a primary point of contact between the individual and the outside world. The essays in this volume explore the ways in which touch plays a defining role in science, art, philosophy, and medicine, and shapes our understanding of topics ranging from aesthetics and poetics to various religious and ritual practices. Whether we locate the sense of touch on the surface of the skin, within the body or – less tangibly still – within the emotions, the sensory impact of touching raises a broad range of interpretive and phenomenological questions. This is the first volume of its kind to explore the sense of touch in antiquity, bringing a variety of disciplinary approaches to bear on the sense that is usually disregarded as the most base and obvious of the five. In these pages, by contrast, we find in touch a complex and fascinating indicator of the body’s relation to object, environment, and self.
From New York Times bestselling author Jane Feather comes the first of a wonderful new trilogy, The Blackwater Brides, set in the sensually im-proper Georgian period, in which three noble brothers discover they will be forced to find brides under highly unusual circumstances. Jasper Sullivan, Earl of Blackwater, needs a prostitute. Not in the usual way, however. His wealthy uncle’s will promises to divide his huge fortune among his nephews if each rescues a fallen woman . . . by marrying her! And since Jasper’s estates were already mortgaged to the hilt before he inherited them, when he catches a pretty young prostitute trying to pick his pocket, he immediately makes his proposal. Clarissa Astley is not at all what Jasper believes. The orphaned daughter of a prosperous merchant, she is searching the seedier districts of London for her young brother, abducted by their evil guardian, who wants the little boy’s inheritance. But she needs powerful help, and the darkly handsome Earl of Blackwater is certainly that. So she pretends to be exactly what he assumed— a risky charade for an innocent virgin. But when passion flares between Jasper and Clarissa, the deception becomes even more difficult to handle. . . .
In the late middle ages (ca. 1200-1520), both religious and secular people used manuscripts, was regarded as a most precious item. The traces of their use through touching and handling during different rituals such as oath-taking, public reading, and memorializing the dead, is the subject of Kathryn Rudy’s research in Touching Parchment. This second volume, Social Encounters with the Book, delves into the physical interaction with books in various social settings, including education, courtly assemblies, and confraternal gatherings. Looking at acts such as pointing, scratching, and ‘wet-touching’, the author zooms in on smudges and abrasions on medieval manuscripts as testimonials of readers’ interaction with the book and its contents. In so doing, she dissects the function of books in oaths, confraternal groups, education, and courtly settings, illuminating how books were used as teaching aids and tools for conveying political messages. The narrative paints a vivid picture of medieval reading, emphasizing bodily engagement, from page-turning to the intimate act of kissing pages. Overall, this text offers a captivating exploration of the tactile and social dimensions of book use in late medieval Europe broadening our perspective on the role of objects in rituals during the middle ages. Social Encounters with the Book provides a fundamental resource to anybody interested in medieval history and book materiality more widely.