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Hughina Harold paints a powerful picture of a world that no longer exists in this compelling account of her experiences as a young teacher and nurse on the remote Broughton Archipelago on British Columbia’s coast in the 1930s. Fresh from nursing school in Victoria and eager to start work, Harold could not have imagined the challenges that awaited her in the tiny village of Mamalilikulla. Leaving the comforts of Victoria behind for a cold, leaky floathome that she shared with two elderly missionaries, she had to adapt quickly to her new circumstances. Travelling in unreliable boats to remote outposts to treat the sick, attending births in the most primitive conditions and teaching—from standard, middle-class textbooks—children who had never even seen a car, this gutsy young woman rose to the challenge. The clash of cultures Hughina experienced was extreme, but through it she developed a new understanding of the people she had been sent to teach and treat, discovering their age-old traditions and witnessing “things that should not be forgotten. Written decades later and based on letters Harold had written home, Totem Poles and Tea ensures that her memories will be preserved.
The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
A short series of profiles about medical pioneers in Central British Columbia, many of whom set up practice there in the latter part of the 19th century.
DigiCat Publishing presents to you this special edition of "Klee Wyck" by Emily Carr. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Buying Saffron, a 24-foot racing sailboat, was an act of desperation meant to help single parent June Cameron and her youngest son validate themselves. It did that and more. A friend persuaded June to race the boat, and over the next decade June, either solo or with her all-female crew, competed in BC's major sailing races, taking home a lot of the hardware for their class. Shelter from the Storm is a fascinating memoir about finding one's place, even if that place is at sea.
Received Honourable Mention for the 2019 Lieutenant Governor's Medal for Historical Writing Telegraph Cove, one of Vancouver Island’s most visited tourist destinations, has humble origins as a one-shack telegraph station, established a century ago. The community grew, first with a salmon saltery and sawmill, then with new industries developed by the ingenuity of the Cove’s inhabitants. From the 1920s, Irish, Chinese, Japanese, German, Danish, Italian, and English community members, along with other old and new Canadians, were neighbours in a place accessible only by boat. In this book, more than 25 women tell their own stories and memories of life in the Cove. They faced down the impacts of isolation, hazardous terrain, war, occupation, immigration, internment, social change, economic development, community decline, and environmental degradation—remarkable, given that Telegraph Cove’s population peaked at 60. From these lives come stories of resilience, resourcefulness, heartbreak, humour, and triumph. Boom and Bust draws the reader in for an intimate view, accompanied by never-before-published archival photographs.
This is the story of Dr. Eldon Lee and his first practice in Hazelton, BC. Lee was the region's first obstetrician, and he delivered more than 4,500 babies. In an era of corporate medicine and malpractice insurance, Lee's story is a refreshing reminder of what doctoring is all about. In the 1940s, Eldon left the family ranch to join the air force. He returned to ranching with brother Todd after the war only to discover needs that his rural world could not satisfy. At 25, he headed for Seattle, where the University of Washington Medical School awaited. Seattle's King County and Vancouver's General and Shaughnessy hospitals prepared him for his lifelong odyssey.
In 1935, a young woman left the comfort and security of home to take her first job in an isolated village, which was the home of the Mamalilikulla people and two dedicated English ladies who operated a small mission outpost and preventorium for children suffering from tuberculosis. Shocked by isolation and the primitive facilities, Hughina spent many hours documenting the details and perceptions of her days there. "I knew I had witnessed things that should not be forgotten", she said. The result is her account of two years in a world that no longer exists -- a first hand historic perspective and coming-of-age story of a gutsy young woman.
In 1884, the Canadian government enacted a ban on the potlatch, the foundational ceremony of the Haida people. The tradition, which determined social structure, transmitted cultural knowledge, and redistributed wealth, was seen as a cultural impediment to the government’s aim of assimilation. The tradition did not die, however; the knowledge of the ceremony was kept alive by the Elders through other events until the ban was lifted. In 1969, a potlatch was held. The occasion: the raising of a totem pole carved by Robert Davidson, the first the community had seen in close to 80 years. From then on, the community publicly reclaimed, from the Elders who remained to share it, the knowledge that has almost been lost. Sara Florence Davidson, Robert’s daughter, would become an educator. Over the course of her own education, she came to see how the traditions of the Haida practiced by her father—holistic, built on relationships, practical, and continuous—could be integrated into contemporary educational practices. From this realization came the roots for this book.