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In Totalitarianism in the Postmodern Age Piotr Mazurkiewicz et al. seek to answer the question whether a possible spread of pre-totalitarian attitudes among youth may in the near future pose a threat to the contemporary liberal democratic societies. The authors offer a new approach to the study of totalitarian trends in European societies significantly different from the previous one exploring mainly the historical and institutional-procedural aspects. The book not only offers interesting conclusions drawn from empirical research but also proposes an intellectually attractive theoretical model of understanding totalitarianism that can be used for further research. The impulse for this reflection was the research work performed by the authors on a cohort of contemporary youths from seven countries of Central and Eastern Europe.
In Totalitarianism in the Postmodern Age Piotr Mazurkiewicz et al. seek to answer the question whether a possible spread of pre-totalitarian attitudes among youth may in the near future pose a threat to the contemporary liberal democratic societies. The authors offer a new approach to the study of totalitarian trends in European societies significantly different from the previous one exploring mainly the historical and institutional-procedural aspects. The book not only offers interesting conclusions drawn from empirical research but also proposes an intellectually attractive theoretical model of understanding totalitarianism that can be used for further research. The impulse for this reflection was the research work performed by the authors on a cohort of contemporary youths from seven countries of Central and Eastern Europe.
With fascism on the march in Europe and a second World War looming, a group of Britain's leading intellectuals – including T.S. Eliot, Karl Mannheim, John Middleton Murry, J. H. Oldham and Michael Polanyi – gathered together to explore ways of revitalising a culture that seemed to have lost its way. The group called themselves 'the Moot'. Drawing on previously unpublished archival documents, this is the first in-depth study of the group's work, writings and ideas in the decade of its existence from 1938-1947. Christian Modernism in an Age of Totalitarianism explores the ways in which an important and influential strand of Modernist thought in the interwar years turned back to Christian ideas to offer a blueprint for the revitalisation of European culture. In this way the book challenges conceptions of Modernism as a secular movement and sheds new light on the culture of the late Modernist period.
It is rare for anybody on the political "Left" to be critical of Political Correctness - it is after all a doctrine of their making - but in this book the anarchist Keith Preston is not only highly critical of the "PC" mindset, but he equates political correctness with the totalitarian regimes of Communist Russia and Nazi Germany. The banning of books, the intolerance of dissenters, and even show-trial by the media have all become part of the totalitarian regime that now dominates Western society. Our Political representatives can sleep soundly for endorsing financially motivated wars, the creation of mass unemployment, the cutting of welfare payments, and even opposing tax increases on the rich - but they fear being attacked in the media for the "non-pc" aspects of their private lives. Publishing houses who established their reputation publishing the works of libertarians such as Thomas Paine, Murray Rothbard and Gustav Landauer, now warn their contemporary authors to omit all references in their work that can be seen to suggest any endorsement of cultural or social inequality for fear of offending the ever vigilant "pc" storm-troopers. In "The Tyranny of the Politically Correct - Totalitarianism in the Postmodern Age" Keith Preston provides an analysis of how Political Correctness began, and how it has been embraced by not only the political left, but by global corporations in the furtherance of their mutual "One World - One people" agenda.
This anthology of mixed-genre writings on East European political culture examines the aesthetic character of Eastern Europe before and after 1989, the beginning of a "post-totalitarian age."
Homo Americanus is a powerful investigation into the origins and dynamics of Americanism. Drawing from many long-forgotten or suppressed sources in the fields of literature, history, anthropology and philosophy, this book represents an interdisciplinary critique of America's founding myths, its riddled present, and its questionable tomorrow. Dr. Tomislav Sunic casts strong light on many facets of the American question: the postmodern American psychology driven by a sense of Jewish-inspired chosenness, America's linguistic manipulations, its techno-scientific religion of boundless progress, and the American geopolitical reality as a menacing and self-destructive hegemon, which puts not only the survival of its own European legacy at risk, but also the heritage of all European peoples worldwide.
From its creation in 1950, to the fall of the Berlin Wall in 1989, the German Democratic Republic’s Ministry for State Security closely monitored its nation’s citizens. Known as the Staatssicherheit or Stasi, this organization was regarded as one of the most repressive intelligence agencies in the world. Florian Henckel von Donnersmarck’s 2006 film The Lives of Others (Das Leben der Anderen) has received international acclaim—including an Academy Award, an Independent Spirit Award, and multiple German Film Awards—for its moving portrayal of East German life under the pervasive surveillance of the Stasi. In Totalitarianism on Screen, political theorists Carl Eric Scott and F. Flagg Taylor IV assemble top scholars to analyze the film from philosophical and political perspectives. Their essays confront the nature and legacy of East Germany’s totalitarian government and outline the reasons why such regimes endure. Other than magazine and newspaper reviews, little has been written about The Lives of Others. This volume brings German scholarship on the topic to an English-speaking audience for the first time and explores the issue of government surveillance at a time when the subject is often front-page news. Featuring contributions from German president Joachim Gauck, prominent singer-songwriter Wolf Biermann, journalists Paul Hockenos and Lauren Weiner, and noted scholars Paul Cantor and James Pontuso, Totalitarianism on Screen contributes to the growing scholarship on totalitarianism and will interest historians, political theorists, philosophers, and fans of the film.
WINNER OF THE 2017 NATIONAL BOOK AWARD IN NONFICTION FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS WINNER OF THE NEW YORK PUBLIC LIBRARY'S HELEN BERNSTEIN BOOK AWARD NAMED A BEST BOOK OF 2017 BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, WASHINGTON POST, BOSTON GLOBE, SEATTLE TIMES, CHRISTIAN SCIENCE MONITOR, NEWSWEEK, PASTE, and POP SUGAR The essential journalist and bestselling biographer of Vladimir Putin reveals how, in the space of a generation, Russia surrendered to a more virulent and invincible new strain of autocracy. Award-winning journalist Masha Gessen's understanding of the events and forces that have wracked Russia in recent times is unparalleled. In The Future Is History, Gessen follows the lives of four people born at what promised to be the dawn of democracy. Each of them came of age with unprecedented expectations, some as the children and grandchildren of the very architects of the new Russia, each with newfound aspirations of their own--as entrepreneurs, activists, thinkers, and writers, sexual and social beings. Gessen charts their paths against the machinations of the regime that would crush them all, and against the war it waged on understanding itself, which ensured the unobstructed reemergence of the old Soviet order in the form of today's terrifying and seemingly unstoppable mafia state. Powerful and urgent, The Future Is History is a cautionary tale for our time and for all time.
In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.