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Essay inspired by conversations with the artist Jean-Luc Moulène addressing abstraction as a multifaceted project in the general domain of thought, and as a specific process of artistic experimentation. The fruit of numerous conversations with the artist Jean-Luc Moulène, Reza Negarestani's essay addresses abstraction as a multi-faceted project in the general domain of thought, and as a specific process of artistic experimentation. How can abstraction be so apparently ubiquitous in contemporary art, and yet so nebulously defined? "We have all heard of abstraction, but no one has ever seen one...." In Moulène's work, Negarestani discovers a renewal of the constitutive gesture of abstraction, rooted in the dialectic between form (mathematics) and sensible matter (physics). At once sensory, cognitive, and political, the disturbing force of the work compels us to reconnect the parochial art-historical notion of abstraction to a more comprehensive understanding of the term. Perhaps such a "formal cruelty of thought" is capable of "reactivating abstraction as a vector of disjunction and unity of art, philosophy, and science." Published by Sequence Press on the occasion of Jean-Luc Moulène's exhibition Torture Concrete, September 7-October 26, 2014, at Miguel Abreu Gallery, New York.
At one time in Europe, there was a point to pain: physical suffering could be a path to redemption. This religious notion suggested that truth was lodged in the body and could be achieved through torture. In Tortured Subjects, Lisa Silverman tells the haunting story of how this idea became a fixed part of the French legal system during the early modern period. Looking closely at the theory and practice of judicial torture in France from 1600 to 1788, the year in which it was formally abolished, Silverman revisits dossiers compiled in criminal cases, including transcripts of interrogations conducted under torture, as well as the writings of physicians and surgeons concerned with the problem of pain, records of religious confraternities, diaries and letters of witnesses to public executions, and the writings of torture's abolitionists and apologists. She contends that torture was at the center of an epistemological crisis that forced French jurists and intellectuals to reconsider the relationship between coercion and sincerity, or between free will and evidence. As the philosophical consensus on which torture rested broke down, and definitions of truth and pain shifted, so too did the foundation of torture, until by the eighteenth century, it became an indefensible practice.
Drawing on insights from political science, criminology, and sociology, Torture: An Interdisciplinary Approach investigates the nature and evolution of torture. By surveying the use of torture across time and space, this book considers the development of an international human rights discourse challenging the legitimacy of torture as an instrument of interrogation. Kathleen Barrett, George Klay Kieh, Jr., Gavin M. Lee, and Neema Noori critically assess the effectiveness of legal regimes, both national and international, that arose as a result of this discourse and the emergent global movement to ban the use of torture. In addition to grappling with colonial legacies of torture and the particular ways that great powers, whether liberal or illiberal, deploy these coercive practices, this book argues that torture continues to serve as a repressive practice that mediates the relationship between the state and its citizens in many countries within the global south. The authors demonstrate that as governments move away from one set of perceived atrocities, they develop new methods of torture and establish novel strategies for justifying these coercive practices.
This book develops, for the first time, a comprehensive discussion regarding the legality of torture and the efficacy of interrogation. Scientific research has concluded that torture is not effective. So, what interrogational methods are effective and how does one deploy those methods in such a way that is consistent with law and morality?
Over the course of human history, torture has been used as an instrument of war, a means of extracting information, and a mode of punishment. Many argue that it is a necessary weapon in times of war. Others insist that it constitutes cruel and unusual punishment, violates human rights laws, and fails to extract trustworthy information. This book dives into the debate over torture from all sides, using examples from recent history as well as sidebars, full-color photographs, and a glossary designed to improve young adults' understanding of this controversial topic.
Torture and Moral Integrity tackles a concrete moral problem that has been hotly debated by governments, scholars, and the media: the morality of interrogational torture. It discusses multiple types of torture with great philosophical acuity and seeks to explain why interrogational torture and other types of torture are always and everywhere morally wrong. At the same time, it rigorously plumbs the general structure of morality and the intricacies of moral conflicts and probes some of the chief grounds for the moral illegitimacy of various modes of conduct. It defends a deontological conception of morality against the subtle critiques that have been mounted over the past few decades by proponents of consequentialism. Kramer's recommendations concerning the legal consequences of the perpetration of torture by public officials or private individuals, for example, are based squarely on his more abstract accounts of the nature of torture and the nature of morality. His philosophical reflections on the structure of morality are a vital background for his approach to torture, and his approach to torture is a natural outgrowth of those philosophical reflections.
The United States' use of torture and harsh interrogation techniques during the "War on Terror" has sparked fervent debate among citizens and scholars surrounding the human rights of war criminals. Does all force qualify as "necessary and appropriate" in this period of political unrest? Examining Torture brings together some of the best recent scholarship on the incidence of torture in a comparative and international context. The contributors to this volume use both quantitative and qualitative studies to examine the causes and consequences of torture policies and the resulting public opinion. Policy makers as well as scholars and those concerned with human rights will find this collection invaluable.
The first days of October. The sun rising over the brown-tiled houses that looked like they had been stacked on top of each other and then toppled over, was like a lethargic servant waking people up reluctantly for a new day. as if. The sunlight touching the roofs of the houses now reveals all the flaws. The day is afraid of the night, and the night is afraid of the day; because it does not last long and they constantly reveal each other's secrets... These days, Çinçin is almost non-existent. Not as a piece of land, of course; but with the people who lived there leaving it, leaving it abandoned. What a huge pile of rubble is left now. The remaining large area is almost skyscraper-style housing estates as far as the eye can see… Despite such a large construction site, there is no sign of life. My heart truly aches. Would you like to hear from me about this neighborhood where thousands of people live but there is no sound? 'Çinçin' and 'silence' are words from two different worlds that cannot come together! So let's start from the beginning…
Fictioning in art is an open-ended, experimental practice that involves performing, diagramming or assembling to create or anticipate that which does not exist. In this extensively illustrated book containing over 80 diagrams and images of artworks, David Burrows and Simon O'Sullivan explore the technics of fictioning through three focal points: mythopoesis, myth-science and mythotechnesis. These relate to three specific modes of fictioning: performance fictioning, science fictioning and machine fictioning. In this way, Burrows and O'Sullivan explore how fictioning can offer us alternatives to the dominant fictions that construct our reality in an age of 'post-truth' and 'perception management'. Through fictioning, they look forward to the new kinds of human, part-human and non-human bodies and societies to come.
"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.