Download Free Torontos Local Movie Theatres Of Yesteryear Book in PDF and EPUB Free Download. You can read online Torontos Local Movie Theatres Of Yesteryear and write the review.

Relive Toronto’s golden age of local movie houses, when the city boasted over 150 theatres. A night at the movies was the highlight of the week for adults, and the Saturday afternoon matinee the most anticipated event in a child’s life.
The history, heritage, and architectural significance of Toronto's most notable theatres and movie houses. Movie houses first started popping up around Toronto in the 1910s and '20s, in an era without television and before radio had permeated every household. Dozens of these grand structures were built and soon became an important part of the cultural and architectural fabric of the city. A century later the surviving, defunct, and reinvented movie houses of Toronto's past are filled with captivating stories. Explore fifty historic Toronto movie houses and theaters, and discover their roles as repositories of memories for a city that continues to grow its cinema legacy. Features stunning historic photography.
In 1947, grocer Johnny Lombardi went on air for the first time to share the sounds of "sunny Italy" with the radio listeners of Toronto. Meanwhile, in cities across the country, a handful of theatres began to show films in foreign languages. In the decade after the Second World War, these events were some of the earliest indications of the nationwide changes taking place in Canadian media as it responded to the new cultural, political, and economic visibility of cultural and linguistic minorities. Identity and Industry explores how ethnocultural media in Canada developed between the end of the Second World War and the arrival of digital media. Through chapters dedicated to film exhibition, newspapers, radio, and television, Mark Hayward documents the industrial and institutional frameworks that defined the role of media in Canadian multiculturalism. Drawing on extensive archival research, the book situates late twentieth-century "ethnic" media at the intersection of demand, cultural integration, and the changing economics of popular culture. As the development of ethnocultural media continues to shape Canadian society in the age of digital media, Identity and Industry provides richly detailed historical context for contemporary debates about identity and culture.
Lost Toronto is the latest in the series from Pavilion Books that traces the cherished places in a city that time, progress and fashion swept aside before the National Register of Historic Places could save them from the wrecker's ball. As well as celebrating forgotten architectural treasures, Lost Toronto looks at buildings that have changed use, vanished under a wave of new construction or been drastically transformed.Beautiful archival photographs and informative text allows the reader to take a nostalgic journey back in time to visit some of the lost treasures that the city let slip through its grasp. Organised chronologically, starting with the earliest losses and ending with the latest, the book features much-loved Toronto institutions that have been consigned to history. Losses include: King’s College, Holland House, Hotel Hanlan, St. Patrick’s Market, The Grand Opera House, Metropolitan Methodist Church, Old Union Station, St. Andrew’s Market, Yonge Street Arcade, Sunnyside Beach Amusement Park, Shea’s Hippodrome, S. S. Cayuga, High Park Mineral Baths, Tivoli Theatre, Riverdale Zoo, Odeon Carlton, Cyclorama on Front Street, Eaton’s Santa Claus Parade, Colonial Tavern, Sam the Record Man, The World’s Biggest Book Store.
The Toronto Carrying Place trail linked Lake Ontario to Lake Simcoe, and helped shape the development of Ontario. Its influence is still felt today, though much of the original trail is obscured. Glenn Turner guides readers on a three-day journey that reconnects modern-day Toronto with its history, Native heritage, and the natural world.
Exploring Toronto’s history through tantalizing true tales of romance, marriage, and lust. Toronto’s past is filled with passion and heartache. The Toronto Book of Love brings the history of the city to life with fascinating true tales of romance, marriage, and lust: from the scandalous love affairs of the city’s early settlers to the prime minister’s wife partying with rock stars on her anniversary; from ancient First Nations wedding ceremonies to a pastor wearing a bulletproof vest to perform one of Canada’s first same-sex marriage ceremonies. Home to adulterous movie stars, faithful rebels, and heartbroken spies, Toronto has been shaped by crushes, jealousies, and flirtations. The Toronto Book of Love explores the evolution of the city from a remote colonial outpost to a booming modern metropolis through the stories of those who have fallen in love among its ravines, church spires, and skyscrapers.
Toronto has long been a financial powerhouse in North America, and this is represented by its many grand bank buildings. Canada's capital may be Ottawa, but the financial power emanates from this thriving city, the fourth most populous in North America.Sites include: Toronto Harbour, Fort York, Queen's Quay Lighthouse, Toronto Island Ferries, Queen's Quay Terminal, Canadian National Exhibition, Sunnyside Bathing Pavilion, Princes' Gates, Royal York Hotel, Union Station, City Hall, St. Lawrence Market, St. James Cathedral, Canadian Pacific Building, Bank of Montreal, Dineen Building, Elgin Theatre, Arts and Letters Club, Old Bank of Nova Scotia, Ryrie Building, Masonic Temple, Osgoode Hall, Royal Alexandra Theatre, Gurney Iron Works, Boer War Monument, CN Tower, Old Knox College, Victory Burlesque Theatre, Maple Leaf Gardens, University of Toronto and much more.
Based on Sam Raimi¿s 80s cult classic films, EVIL DEAD tells the tale of 5 college kids who travel to a cabin in the woods and accidentally unleash an evil force. And although it may sound like a horror, it's not! The songs are hilariously campy and the show is bursting with more farce than a Monty Python skit. EVIL DEAD: THE MUSICAL unearths the old familiar story: boy and friends take a weekend getaway at abandoned cabin, boy expects to get lucky, boy unleashes ancient evil spirit, friends turn into Candarian Demons, boy fights until dawn to survive. As musical mayhem descends upon this sleepover in the woods, ¿camp¿ takes on a whole new meaning with uproarious numbers like ¿All the Men in my Life Keep Getting Killed by Candarian Demons,¿ ¿Look Who¿s Evil Now¿ and ¿Do the Necronomicon.¿
This scholarly anthology presents a new framework for understanding early cinema through its usage outside the realm of entertainment. From its earliest origins until the beginning of the twentieth century, cinema provided widespread access to remote parts of the globe and immediate reports on important events. Reaching beyond the nickelodeon theatres, cinema became part of numerous institutions, from churches and schools to department stores and charitable organizations. Then, in 1915, the Supreme Court declared moviemaking a “busines, pure and simple,” entrenching the film industry’s role as a producer of “harmless entertainment.” In Beyond the Screen, contributors shed light on how pre-1915 cinema defined itself through institutional interconnections and publics interested in science, education, religious uplift, labor organizing, and more.