Download Free Toronto Sketches 12 Book in PDF and EPUB Free Download. You can read online Toronto Sketches 12 and write the review.

After four straight decades as one of the Toronto Sunday Sun’s most popular columnists, Mike Filey is still telling the stories of Toronto, its people, places, and history. In this twelfth volume of his acclaimed columns, “The Way We Were,” Filey tackles the Union Station controversy, Toronto’s Kennedy family, and more.
Mike Filey brings the stories of Toronto, its people and places, to life. Mike Filey’s column “The Way We Were” first appeared in the Toronto Sunday Sun not long after the paper’s first edition hit newsstands on September 16, 1973. Now, almost four decades later, Filey’s column has had an uninterrupted stretch as one of the newspaper’s most widely read features. In 1992, a number of his columns were reprinted in Toronto Sketches: “The Way We Were.” Since then another eleven volumes have been published to great success, with over 5,000 copies sold. Includes: - Toronto Sketches 10 - Toronto Sketches 11 - Toronto Sketches 12
Ontario was known as "Upper Canada" from 1791 to 1841.
Mike Filey’s column "The Way We Were" first appeared in the Toronto Sunday Sun not long after the first edition of the paper hit the newsstands and front porches on September 16, 1973. Since that day more than three decades ago, Mike’s column has enjoyed an uninterrupted stretch as one of the paper’s most popular features. In 1992 a number of his columns were reprinted in Toronto Sketches: The Way We Were by Dundurn Press. Since then another seven volumes of Toronto Sketches have been published, each of which has attained great success both with Toronto book buyers and with former Torontonians wishing to relive an earlier, gentler time in the city’s past. This ninth volume features a variety of stories, including a look at Toronto’s 1904 inferno, the birth of Rex Heslop’s Rexdale community, a visit to Sunnyside Amusement Park, and a few fascinating tales about the city’s streetcars.
In this collection of essays, eight contemporary scholars examine the rich diversity in the subject, style, and geography of printmaking from 1913-1947, a singular period of artistic creation. Also, three distinguished printmakers, who were active during the 1930s and 1940s, share their recollections of those decades, offering rare, firsthand accounts of the political, social,and cultural elements that influenced the artists and their work. David Tatham has chosen two watershed events, the Armory Show of 1913 and the important Brooklyn Museum exhibition of 1947, as the temporal bookends for this collection. Recognizing this era as wholly distinct from what had gone before and what was to come after it in graphic arts, the volume’s contributors illuminate the period’s spirited and vital debate about style, content, and the role of prints in society. Offering fresh assessments and newly understood historical contexts, the essays bring well-deserved attention to artists whose work has often been neglected, while it reexamines the works of well-known artists. This volume represents an important contribution to the study of printmaking by illustrating the way in which historical and contemporary graphic arts occupy a vital and central presence in the culture of our times.
Mike Filey’s "The Way We Were" column in the Toronto Sun continues to be one of the paper’s most popular features. In More Toronto Sketches, the second volume in Dundurn Press’s Toronto Sketches series, Filey brings together some of the best of his columns. Each column looks at Toronto as it was, and contributes to our understanding of how Toronto became what it is. Illustrated with photographs of the city’s people and places of the past, Toronto Sketches is a nostalgic journey for the long-time Torontonian, and a voyage of discovery for the newcomer.
The 10th volume of Toronto Sketches highlights some of Torontos greatest landmarks and steps back in time to revisit the Avrocar, Miss Toronto of 1926, and The Hollywood, the citys first talkie theatre.
A Companion to American Art presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history. Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes “Americanness,” and the relationship of art to public culture Offers a fascinating portrait of the evolution and current state of the field of American art history and suggests future directions of scholarship