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“The Torn Skirt is a hot book, a thrilling romance of teen rage and longing—like S. E. Hinton’s The Outsiders, except about girls.” —Mary Gaitskill, author of Two Girls, Fat and Thin At Mt. Douglas (a.k.a. Mt. Drug) High, all the girls have feathered hair, and the sweet scent of Love’s Baby Soft can’t hide the musk of raw teenage anger, apathy, and desire. Sara Shaw is a girl full of fever and longing, a girl looking for something risky, something real. Her only possible salvation comes in the willowy form of the mysterious Justine, the outlaw girl in the torn skirt. The search for Justine will lead Sara on a daring odyssey into an underworld of hookers and johns, junkies and thieves, runaway girls and skater boys, and, ultimately, into a violent tragedy. “I loved and believed the narrative of a sixteen-year-old mind—immature, abandoned, and yet exploding. It came from a heartfelt and true perception, an authentic writer’s desire. Which made it rock.” —Thurston Moore, Sonic Youth “Imagine William S. Burroughs with a social conscience . . . An exhilarating, surreal, and dreamlike trip through the passionate teenage heart.” —The Globe and Mail “Teenage angst gets a surprisingly honest and effective rendering from a bright new voice . . . Giving witness yet again to the self-created drama of adolescence: a serious bullet of a book.” —Kirkus Reviews (starred review) “Godfrey’s prose is atmospheric, rhythmic, and filled with spot-on details . . . This first novel is at its best when sharply observing teenage disgust with adult behavior and the roots of young women’s rage.” —Booklist
*Now a Hulu limited series starring Lily Gladstone, Riley Keough, and Archie Panjabi!* “A swift, harrowing classic perfect for these unnerving times.” —Jenny Offill, author of Dept. of Speculation One moonlit night, fourteen-year-old Reena Virk went to join friends at a party and never returned home. In this “tour de force of crime reportage” (Kirkus Reviews), acclaimed author Rebecca Godfrey takes us into the hidden world of the seven teenage girls—and boy—accused of a savage murder. As she follows the investigation and trials, Godfrey reveals the startling truth about the unlikely killers. Laced with lyricism and insight, Under the Bridge is an unforgettable look at a haunting modern tragedy.
How do the people of a morally shattered culture and nation find ways to go on living? Cambodians confronted this challenge following the collective disasters of the American bombing, the civil war, and the Khmer Rouge genocide. The magnitude of violence and human loss, the execution of artists and intellectuals, the erasure of individual and institutional cultural memory all caused great damage to Cambodian arts, culture, and society. Author Boreth Ly explores the “traces” of this haunting past in order to understand how Cambodians at home and in the diasporas deal with trauma on such a vast scale. Ly maintains that the production of visual culture by contemporary Cambodian artists and writers—photographers, filmmakers, court dancers, and poets—embodies traces of trauma, scars leaving an indelible mark on the body and the psyche. Her book considers artists of different generations and family experiences: a Cambodian-American woman whose father sent her as a baby to the United States to be adopted; the Cambodian-French filmmaker, Rithy Panh, himself a survivor of the Khmer Rouge, whose film The Missing Picture was nominated for an Oscar in 2014; a young Cambodian artist born in 1988—part of the “post-memory” generation. The works discussed include a variety of materials and remnants from the historical past: the broken pieces of a shattered clay pot, the scarred landscape of bomb craters, the traditional symbolism of the checkered scarf called krama, as well as the absence of a visual archive. Boreth Ly’s poignant book explores obdurate traces that are fragmented and partial, like the acts of remembering and forgetting. Her interdisciplinary approach, combining art history, visual studies, psychoanalysis, cultural studies, religion, and philosophy, is particularly attuned to the diverse body of material discussed, including photographs, video installations, performance art, poetry, and mixed media. By analyzing these works through the lens of trauma, she shows how expressions of a national trauma can contribute to healing and the reclamation of national identity.
David and Bathsheba is a spellbinding story of a gifted king and the woman he loved but could not have. Told from Bathsheba's perspective, author Roberta Kells Dorr brings to life the passion that almost cost David his kingdom and tested a people's courage and faith in God. David and Bathsheba is colored richly with details of Bible-era Israel—from the details of the everyday way of life to details of the Jewish religion. Dorr brilliantly merges reality with folklore as she tells the story of two great characters of the biblical era. The book starts out with Bathsheba as a young girl and David as a strong-willed, rebellious military leader. It details the way they met and follows them all the way through their difficulties.
Do you have a light in your back garden or on your flat balcony? You know, the type which hangs from a bracket on the wall or from a post holding birdfeeders, perhaps. Have you ever looked closely at it when the light is shining? Well, Molly did just that and saw strange creatures moving about inside it. It turned out they were faeries, from The Land of Faerie: a fantastical world where pixies, faeries, unicorns, and other magical creatures live. We can briefly experience what it is like through our dreams – providing we have enough imagination. But Molly discovered it is possible to see and talk to some of these magical creatures not just in her dreams but also when she was awake: through what the faeries called “gateways” between our world and theirs. Yes, you guessed it, the gateways are usually garden lights. However, as you will know I am sure, such lights sometimes don’t work – most often because their batteries are run-down. When her light stopped working, Molly discovered that there was more to it than just some run-down batteries. Desperate to be able to talk again with her friends – Maple Leaf, Iris Flower, and Mayfly – she found herself on a journey of discovery which involved learning more about global warming and global dimming. It also involved the whole of The Land of Faerie trying to solve the problems which such conditions were creating for their gateways to our world.
The handsome Ben Thomas is one of four deputies to the Director of Education in a town hall in the south of England. His main interests are his feud with Andy Patfoul, an Inspector; his pursuit of Linda Foxton, his would-be girlfriend; and his love of intrigue. This leads him into the clutches of a powerful politician who wants Ben to take part in an ambitious scheme to renovate the city. He also becomes involved with a devious priest. He humiliates the headteacher in an interview and his wife suspects his affair with Lindy. He appoints a useless candidate to Andy’s team. His father-in-law evicts him from his home. His enemies are meeting each other. Ben needs a miracle!
Despite the unpopularity of the war in Nicaragua, the Marines experience a wide variety of activities and learn many lessons in a small wars environment, which will serve them well into the next century. Fighting insurgents, forming a host-nation's police force and army, ensuring safe elections, providing medical assistance for the rural population, building roads, constructing airfields, and organizing earthquake disaster relief will occupy the years from 1928 to 1933 for the Devil Dogs. If you ever hear a Marine say, "This is a lousy war, but it's the only one we have," you'll understand the mentality of the men in The Pound: Devil Dogs' War in Nicaragua.
They had a wonderful night.When they met again, she was married already. She didn't recognize him at all. When she recognized him, she was scared and hiding from him.Yet he couldn't give up. He tried everything to let her divorce and come back to his embrace."Mr. Gu, I'm married!" She said to him with tears in her eyes.He sneered, "What difference does it make to a woman who has only one man before and after her marriage?"He always showed up and saved her when she was in danger. In the face of her father's admonitions and her husband's reproaches, she finally discovered that she was pregnant with his child. This is Book 2 of I Love You So Much(10 books).