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Two-and-a half millennia after it was created, Homer's Odyssey remains one of humanity's most memorable adventure stories. In this re-creation of Homer's classic as a young adult novel, we see the aftermath of the Trojan War through the eyes of Alexi, a fifteen-year-old Trojan boy. Orphaned by the war and enslaved by Odysseus himself, Alexi has a very different view of the conquering heroes of legend. Despite a simmering anger towards his captors, Alexi gradually develops a grudging respect for them. As the Greeks fight off the angry Cicones, weather a storm that pushes them far beyond charted waters, and nearly succumb to the blandishments of the bewitching Lotus-eaters, he realizes that they are not the demons they were said to be, but people like himself.
Two-and-a half millennia after it was created, Homer's Odyssey remains one of humanity's most memorable adventure stories. In this re-creation of Homer's classic as a young adult novel, we see the aftermath of the Trojan War through the eyes of Alexi, a fifteen-year-old Trojan boy. Orphaned by the war and enslaved by Odysseus himself, Alexi has a very different view of the conquering heroes of legend.Despite a simmering anger towards his captors, Alexi gradually develops a grudging respect for them. As the Greeks fight off the angry Cicones, weather a storm that pushes them far beyond charted waters, and nearly succumb to the blandishments of the bewitching Lotus-eaters, he realizes that they are not the demons they were said to be, but people like himself.At the same time, Alexi's quick thinking, bravery, and the healing skills that he learned from his father prove to his captors that he is no ordinary slave. His key role in their escape from the Cyclops earns the respectof his master, Odysseus, and a striking discovery during their escape gives his life a newfound purpose.Straddling the boundary between historical fiction and mythology, Torn from Troy is written in a hard, realistic style and brings to life the travails of a bronze-age slave of the Greeks in a form that will appeal especially to teen boys. While this book is the first volume of the author's Odyssey of a Slave trilogy, it is a compelling and fully-realized work on its own.
The second volume in the trilogy that revisions Homer’s Odyssey is once again told from the viewpoint of Alexi, the young Trojan boy. Captured by Odysseus after the fall of Troy, Alexi is forced to accompany the Greeks on their sea journey home to Ithaca. Cursed by the Sea God contains many of the iconic adventures of the homeward journey, including the encounter with the keeper of the winds, the descent into Hades, the fateful visit to the cannibal Laestrygonians, the encounters with Circe the sorceress, the songs of the Sirens, and the deadly passage between the monster Scylla and the whirlpool Charybdis. Having earned his master’s respect in saving him from the Sirens, Alexi loses it all though mischance, and his own circumstances take a turn for the worse as he is given away to the most brutal soldier on the ship. It takes all of Alexi’s skill and determination just to stay alive. The first volume in the trilogy, Torn from Troy, was nominated for the 2012 OLA Red Maple Award and has proved to be a best seller.
Alexi continues his voyage with the Greeks after they leave the city of Troy. But he loses the respect with the Greeks when he is blamed for a disaster.
Reception studies have transformed the classics. Many more literary and cultural texts are now regarded as 'valid' for classical study. And within this process of widening, children's literature has in its turn emerged as being increasingly important. Books written for children now comprise one of the largest and most prominent bodies of texts to engage with the classical world, with an audience that constantly changes as it grows up. This innovative volume wrestles with that very characteristic of change which is so fundamental to children's literature, showing how significant the classics, as well as classically-inspired fiction and verse, have been in tackling the adolescent challenges posed by metamorphosis. Chapters address such themes as the use made by C S Lewis, in The Horse and his Boy, of Apuleius' The Golden Ass; how Ovidian myth frames the Narnia stories; classical 'nonsense' in Edward Lear; Pan as a powerful symbol of change in children's literature, for instance in The Wind in the Willows; the transformative power of the Orpheus myth; and how works for children have handled the teaching of the classics.
Fiction. The second volume in the trilogy that revisions Homer's Odyssey is once again told from the viewpoint of Alexi, the young Trojan boy. Captured by Odysseus after the fall of Troy, Alexi is forced to accompany the Greeks on their sea journey home to Ithaca. Cursed by the Sea God contains many of the iconic adventures of the homeward journey, including the encounter with the keeper of the winds, the descent into Hades, the fateful visit to the cannibal Laestrygonians, the encounters with Circe the sorceress, the songs of the Sirens, and the deadly passage between the monster Scylla and the whirlpool Charybdis. Having earned his master's respect in saving him from the Sirens, Alexi loses it all though mischance, and his own circumstances take a turn for the worse as he is given away to the most brutal soldier on the ship. It takes all of Alexi's skill and determination just to stay alive. The first volume in the trilogy, TORN FROM TROY, was nominated for the 2012 OLA Red Maple Award and has proved to be a best-seller.
Greece and Rome have long featured in books for children and teens, whether through the genres of historical fiction, fantasy, mystery stories or mythological compendiums. These depictions and adaptations of the Ancient World have varied at different times, however, in accordance with changes in societies and cultures. This book investigates the varying receptions and ideological manipulations of the classical world in children’s literature. Its subtitle, Heroes and Eagles, reflects the two most common ways in which this reception appears, namely in the forms of the portrayal of the Greek heroic world of classical mythology on the one hand, and of the Roman imperial presence on the other. Both of these are ideologically loaded approaches intended to educate the young reader.
Since their composition almost 3,000 years ago the Homeric epics have lost none of their power to grip audiences and fire the imagination: with their stories of life and death, love and loss, war and peace they continue to speak to us at the deepest level about who we are across the span of generations. That being said, the world of Homer is in many ways distant from that in which we live today, with fundamental differences not only in language, social order, and religion, but in basic assumptions about the world and human nature. This volume offers a detailed yet accessible introduction to ancient Greek culture through the lens of Book One of the Odyssey, covering all of these aspects and more in a comprehensive Introduction designed to orient students in their studies of Greek literature and history. The full Greek text is included alongside a facing English translation which aims to reproduce as far as feasible the word order and sound play of the Greek original and is supplemented by a Glossary of Technical Terms and a full vocabulary keyed to the specific ways that words are used in Odyssey I. At the heart of the volume is a full-length line-by-line commentary, the first in English since the 1980s and updated to bring the latest scholarship to bear on the text: focusing on philological and linguistic issues, its close engagement with the original Greek yields insights that will be of use to scholars and advanced students as well as to those coming to the text for the first time.
From Stephen Mitchell, the renowned translator whose Iliad was named one of The New Yorker’s Favorite Books of 2011, comes a vivid new translation of the Odyssey, complete with textual notes and an illuminating introductory essay. The hardcover publication of the Odyssey received glowing reviews: The New York Times praised “Mitchell’s fresh, elegant diction and the care he lavishes on meter, [which] brought me closer to the transfigurative experience Keats describes on reading Chapman’s Homer”; Booklist, in a starred review, said that “Mitchell retells the first, still greatest adventure story in Western literature with clarity, sweep, and force”; and John Banville, author of The Sea, called this translation “a masterpiece.” The Odyssey is the original hero’s journey, an epic voyage into the unknown, and has inspired other creative work for millennia. With its consummately modern hero, full of guile and wit, always prepared to reinvent himself in order to realize his heart’s desire—to return to his home and family after ten years of war—the Odyssey now speaks to us again across 2,600 years. In words of great poetic power, this translation brings Odysseus and his adventures to life as never before. Stephen Mitchell’s language keeps the diction close to spoken English, yet its rhythms recreate the oceanic surge of the ancient Greek. Full of imagination and light, beauty and humor, this Odyssey carries you along in a fast stream of action and imagery. Just as Mitchell “re-energised the Iliad for a new generation” (The Sunday Telegraph), his Odyssey is the noblest, clearest, and most captivating rendition of one of the defining masterpieces of Western literature.