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“A major contribution to the understanding of Hasidic Wisdom and thought; it brings the reader closer to Hasidism’s greatest teller of tales.” —Elie Wiesel The search for spiritual meaning drives great leaders in all religions. This classic work explores the personality and religious quest of Nahman of Bratslav (1772–1810), one of Hasidism’s major figures. It unlocks the great themes of spiritual searching that make him a figure of universal religious importance. In this major biography, Dr. Arthur Green—teacher, scholar, and spiritual seeker—explores the great personal conflicts and inner torments that lay at the source of Nahman’s teachings. He reveals Nahman to have been marked at an early age by an exaggerated sense of sin and morbidity that later characterized his life and thought. While subject to rapid mood swings and even paranoia, Nahman is a model of spiritual and personal struggle who speaks to all generations. Green’s analysis of this troubled personality provides an important key to Nahman’s famous tales, making his teachings accessible for people of all faiths, all backgrounds. “If there is any single feature about Nahman’s tales, and indeed about Nahman’s life as well, that makes them unique in the history of Judaism, it is just this: their essential motif is one of quest. Nahman, both as teller and as hero of these tales, is Nahman the seeker. He has already told us, outside the tales, of his refusal ever to stand on any one rung, of his call for constant growth, of his need to open himself up to ever-new and more demanding challenges to his faith. The tales now affirm this endless quest...” —from Excursus II. The Tales
“If Hasidism begins in the life-enhancing spirituality of the Baal Shem Tov, it concludes in the tortuous, elitist and utterly fascinating career of Nahman of Bratslav (1722–1810) whose biography and teaching Arthur Green has set forth in his comprehensive, moving, and subtle study, Tormented Master. “Arthur Green has managed to lead us through the thickets of the Bratslaver discourse with a grace and facility thus far unequaled in the English language literature on Hasidism. Tormented Master is a model of clarity and percipience, balancing awed respect and honor for its subject with a ruthless pursuit of documented truth. . . . Tormented Master is sufficiently open to the agonies of religion in general and the issues of modern religion in particular to make Nahman a thinker utterly relevant to our time. “Nahman of Bratslav is unique in the history of Judaism, Green emphasizes, for having made the individual’s quest for intimacy with God the center of the religious way. He was a Kierkegaard before his time, believing in the utter abandon of the life of faith and the risk of paradoxicality. . . . He was, more than all others, the predecessor of Kafka, whose tales, like Nahman’s, have no explicit key and rankle, flush and irritate the spirit, compelling us—even in our failure to understand—to acknowledge their potency and challenge.” —New York Times
Elie Wiesel is a master storyteller with the ability to use storytelling as a form of activism. From his landmark memoir Night to his novels and numerous retellings of Hasidic legends, Wiesel's literature emphasizes storytelling, and he frequently refers to himself as a storyteller rather than an author or historian. In this work, essays examine Wiesel's roots in Jewish storytelling traditions; influences from religious, folk, and secular sources; education; Yiddish background; Holocaust experience; and writing style. Emphasized throughout is Wiesel's use of multiple sources in an effort to reach diverse audiences.
What was piety like before the commandments were revealed? How did Abraham live in a way that fulfilled the ideals of piety without the Torah? This question, raised in the ancient Jewish theology of Philo and central to the struggle of Paul with his own Judaism and his emerging Christian faith, was raised once again by the Hasidic masters of Eastern Europe in the eighteenth century. In a series of powerful and spiritually searching sermons, the Hasidic masters reinterpret spiritually the ancient rabbis' insistence that the patriarchs lived within the Law. In centering their spiritualization of Judaism around the figure of Abraham, these latter-day Jewish thinkers express a position that stands midway between the claims of the Talmud and those of the Christian apostle. Arthur Green uses this Hasidic debate on the patriarchs and the commandments as a point of departure for a wide-ranging consideration of the relationship between piety and commandment in Hasidic Judaism. The result of this effort is a series of rather remarkable mystical defenses of the commandments and an original contribution of Hasidic thought to the ongoing history of Judaism.
The Institute of Jewish Studies, founded in 1954 by the late Alexander Altmann, is dedicated to the promotion of all aspects of scholarship in Jewish Studies and related fields. Its programmes include public lectures, seminars, and annual conferences. All lectures and conferences are open to the general public. This book is an in-depth study of the function of music in religious experience according to Rabbi Nahman of Bratzlay. It provides new insights on his unique doctrine of the "Good Points", which represent the core of loving kindness and holiness in the human soul, and the musical context in which they become both a means and a metaphor for spiritual transformation. Drawing on midrashic and kabbalistic sources, the book explores Nahman's perception of differenttypes of "tzadiqim" (religious leaders), including himself, and the special role music plays in their leadership. It highlights the importance of creativity and renewal in the messianic process that involves both music and loving kindness.
Arthur Green's classic work of contemporary Jewish theology, revised and updated. He tackles the topics of the reality of God, creation, revelation, and the return to God that are so much a part of our times. It is a profound, deeply personal statement of the lasting truths of Jewish mysticism and the basic faith claims of Judaism.
How do we articulate a religious vision that embraces evolution and human authorship of Scripture? Drawing on the Jewish mystical traditions of Kabbalah and Hasidism, path-breaking Jewish scholar Arthur Green argues that a neomystical perspective can help us to reframe these realities, so they may yet be viewed as dwelling places of the sacred. In doing so, he rethinks such concepts as God, the origins and meaning of existence, human nature, and revelation to construct a new Judaism for the twenty-first century.
Two hundred years since Rabbi Nachman of Bratslav's demise, his philosophical writings and literary creation remain lively and provocative materials in both Jewish culture and the New-Age movement. Key elements of Rabbi Nachman`s magic and magnetic force are illuminated in this research, which presents Bratslavian mysticism as a unique link in the history of Jewish mysticism. The mystical worldview is the axis of this book, but its branches stretch out to key issues in the Bratslavian world such as belief and imagination, dreams and the land of Israel, melodies and song.
For centuries, spiritual teachers have told stories to convey lessons about God and perceptions of the world around us. Hasidic master Rebbe Nachman of Breslov perfected this teaching method through his captivating and entertaining stories which are fast-moving, richly structured, and filled with penetrating insights. This collection presents Rebbe Nachman's beloved teachings, translated by Rabbi Aryeh Kaplan and accompanied by illuminating commentary drawn from the works of Rebbe Nachman's pupils. With a preface by Rabbi Chaim Kramer, this important work brings authentic interpretations of Rebbe Nachman's stories to English-speaking readers, allowing them to see the rich heritage of Torah and Kabbalah that underlies each word of his teachings. (Previously published in hardcover by Breslov Research Institute as Rabbi Nachman's Stories [ISBN 0-930213-02-5].)
The domestic theme has a tremendous anthropological, literary and cultural significance. The purpose of this book is to analyse and interpret the most important realisations and tendencies of this thematic complex in the history of Russian literature. It is the first systematic book-length exploration of the meaning and development of the House theme in Russian literature of the past 200 years. It studies the ideological, psychological and moral meanings which Russian cultural and literary tradition have invested in the house or projected on it in literary texts. Central to this study's approach is the concept of the House Myth, consisting of a set of basic fabular elements and a set of general types of House images. This House Myth provides the general point of reference from which the literary works were analyzed and compared. With the help of this analytical procedure characteristics of individual authors could be described as well as recurrent patterns and features discerned in the way Russian literature dealt with the House and its thematics, thus reflecting characteristics of Russian literary world pictures, Russian mentalities and Russian attitudes towards life. This book is of interest for students of Russian literature as well as for those interested in the House as a cultural and literary topic, in the semiotics of literature, and in relations between culture, anthropology and literature.